Oxford County Maine History

Ambrose Knight House // c.1810

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The most architecturally significant example of the Federal style in Waterford, Maine, is this c.1810 home built for Ambrose Knight, who operated a store in town. The high-style Federal home features a well-proportioned fanlight over the entrance with a Palladian window above, all with geometric moulding. The home was likely built by a housewright who employed designs from Asher Benjamin’s pattern books for builders, as the high-style features and Palladian windows are uncommon in this part of Maine.

Waterford Congregational Church // 1928

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Upon first glance, this transitional Federal and Greek Revival style church building in Waterford, Maine, appears to date to the early-mid 19th century, but things are not always as they appear! The Waterford Congregational Church we see today was actually built in 1928, after a fire that year destroyed the previous building, constructed in 1837. The congregation hired Maine architect John Calvin Stevens, who designed over 1,000 buildings in his career. The church was “masterfully recreated in almost every detail” from the 1837 building, down to the 1,200-pound bell cast from the historic Revere foundry bell.

Waterford Odd Fellows Hall // 1904

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Built soon after a massive fire destroyed much of North Waterford Village in Maine, the Iocal order of Odd Fellows decided to rebuild, constructing this building for their members. Though active for several decades after the building was reopened, an aging and dwindling membership forced this chapter to merge with the Odd Fellows of nearby Norway, Maine. After, this building was occupied by the Daughters of Rebekah, an auxiliary group of the IOOF for women until 1973 when it was donated to the recently formed Waterford Historical Society. The society has since moved, and listed the building for sale in 2020 for just $10,000!!

North Waterford Congregational Church // 1860

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The Town of Waterford, Maine was created as the result of a 1774 grant made by the General Court of Massachusetts to the descendants of a company of Massachusetts soldiers involved in a 1690 expedition against the French in Canada, leading to the Battle of Quebec. The land was surveyed in 1774; in spring of 1775, David McWain of Bolton, Massachusetts arrived with his dog at a lot he bought for $40. He cleared land and built a log cabin, returning to Bolton for two winters until he settled permanently at Waterford in spring of 1777. The town grew around agriculture and industry with sawmills built at streams to manufacture the region’s abundant timber into lumber. The town later became more of a resort area in the early 20th century, with urban-dwellers flocking to the area to take in the fresh air and natural scenery.

This church in North Waterford is located in a more rural part of the town, and was constructed in 1860 by a group of local residents from designs by Maine architect Thomas Holt. The Italianate influence is evident from the round-arched windows set in a recessed arch and a bracketed cornice. The steeple looks to be more contemporary and slightly turns, giving it a really interesting presence.

Stephen Cummings House // 1886

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One thing about Victorian-era houses that I love so much is the fact that it’s so rare to find two houses that are the same! The uniqueness and detail is just amazing and stalking these homes never gets old! This 1886 beauty was built as a double-house for Stephen Cummings of Norway, Maine. Cummings was a member of the family which built many of the grand homes in town as they ran a woodworking and carpentry company. Architect John B. Hazen designed the Stick style home with a octagonal bay at the facade, capped by a tower, giving the home a sort of pagoda effect.

Edwin Cummings House // 1908

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This two-and-a-half story mansion sits on a steep hillside overlooking Downtown Norway, Maine. The home was built in 1908 for Edwin Cummings, who appears to have been a son of Charles B. Cummings, who ran a profitable woodworking and carpentry firm in the village. Charles Cummings was the owner of the Evans-Cummings House (featured previously) and updated it to show off his carpentry skills. The house here is a great example of Neo-Classical architecture with the monumental columns to create a prominent portico. The home retains the original windows which really complete the facade!

Evans-Cummings House // 1855 & 1890

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The most iconic house in Norway, Maine has to be the Evans-Cummings House (also known locally as the Gingerbread House) on Main Street. The ornate Victorian era home was originally built in 1855 for Richard Evans, who was born in Portland in 1805 and after training as a carpenter, moved to Norway in 1833 for work. He and his wife, Mary Warren Hill, had eight children and they resided in the home until their death. In 1890, Charles B. Cummings bought the house in 1890 and hired local architect John B. Hazen to remodel the house. Hazen added the gingerbread adornments for which the house is now known colloquially. The home attracted a lot of attention in the region, and the later heirs continued that whimsical appeal. When the home was willed to Fred and Cora Cummings, they were said to have kept a stuffed peacock at the top of the stairs, which delighted children when they toured the home. The house eventually became used as storage by the owners of the local Advertiser Democrat newspaper, and its future was threatened. Since 2012, a local group, Friends of the Gingerbread House, have poured tens of thousands of dollars and an equal amount of time restoring the iconic home to her former glory! Preservation is important!

Norway Opera House // 1894

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The most substantial building on Norway’s Main Street is this hefty brick commercial block with its prominent corner clock tower. The structure was designed by Maine architect Edwin E. Lewis and built in 1894 as the Opera House with stores along the ground floor. The building was constructed immediately after a large fire destroyed much of the downtown village area of Norway, and was built in such a way to show the strength and resolve of the town, leading the way for a larger re-building effort by the local business community. The Romanesque Revival building features lovely arched windows and brick detailing. The building has seen better days, but a local group has been working tirelessly to restore this beauty to her former glory! The group is presently soliciting donations to restore the roof and rear wall, to keep the building standing for future generations.

Wrightstone // 1925

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In the early 20th century, Norway, Maine and the surrounding towns were sought-after for their natural beauty with large lakes and rivers with untouched expanses of forest. Upper-middle class residents of Portland, Boston and other larger cities in New England built more rustic summer homes, compared to the elaborate “White Elephants” in Newport, Rhode Island. This home in Norway was named Wrightstone and was built in 1925 for the Wright Family. The U-shaped home is constructed from rubblestone, likely gathered from the land on which it sits. The house blends the Arts and Crafts movement with the uncommon (in Maine) Spanish Colonial Revival style, with the terracotta roof! I bet the interior is so cozy!

Nevers Blacksmith Shop // c.1860s

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While architecturally significant mansions, churches and civic buildings are great, the smaller wood-frame buildings such as this really tell the story of New England. When the town of Sweden, Maine was still in her infancy, the Nevers Family helped to establish the town and diversify its output from the typical agricultural village. Sweden supported an interesting variety of nineteenth century businesses including: general stores, saw mills, copper and cobbler shops, and a straw hat factory. The town of Sweden was distanced from major trade routes, railroads and navigable rivers, so it saw a period of decline from the late 19th to the 20th century. The town has since been a sort of “bedroom community” where people mostly live, but travel outside the town for commerce and work. This blacksmith shop shows us an example of a trade that has largely gone away, but it was a common structure and profession in early America.