Arts & Crafts

Oak Hill Evangelical Chapel // 1903

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On a busy road in Oak Hill Village in Newton, Massachusetts, I saw this house which appeared as if it was built for a different use. After searching historic maps, I found it was originally home to the Oak Hill Evangelical Society, as a rural chapel. The chapel served as a local religious gathering place for the handful of families who lived around this section of Oak Hill and did not desire to travel to nearby villages to worship. The practitioners had money, and hired the Boston architectural firm of Cooper and Bailey, who designed many stunning civic and institutional buildings in New England. With the proliferation of the personal automobile, locals would later be able to travel to nearby churches easier, and this building was sold to a member, who converted it to residential use, which it has been used as to this day. The building is an excellent example of the Arts and Crafts architectural style with the raised rubblestone foundation, flared eaves with exposed rafters, and shingle siding which flares where it meets the foundation.

Nantasket Beach Waiting Room // 1903

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The area of Nantasket Beach in Hull was in the late 19th century, a hotbed of taverns, thievery, and brothels. To counter this, the Metropolitan Park Commission of Greater Boston acquired about 25 acres at Nantasket, which included roughly one mile of shoreline extending north from Atlantic Hill in 1900. The initial appropriations provided for only minimal facilities, such as a bathhouse and a few incidental buildings, one of which was a waiting room for those arriving or departing from the new railroad station (since demolished) at the beach. The MPC hired the Olmsted Brothers landscape architects to design the paths and landscaping for the new park, and they worked with architects Stickney & Austin who designed many of the early buildings. Stickney & Austin designed this stucco-clad building with clock tower to provide shelter from the elements and summer sun for visitors of the reservation. The building is a blending of the Arts and Crafts and Spanish Revival styles, both common at the beginning of the 20th century. The building now houses the Paragon Park Museum, after they relocated the Paragon Park Carousel next door to this building.

Paragon Park Carousel // 1928

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The Paragon Park Carousel at Nantasket Beach in Hull, was built in 1928 for the Paragon Park Amusement Park (featured previously), and is possibly the oldest remaining feature of the old park. When the park was created, many wealthy summer residents clutched their pearls as their quiet, peaceful summers would soon be overrun by those looking for rides and pleasure. From its inception in 1905, Paragon Park placed a carousel at the hub of its amusement attractions, just south of the main entrance gate. While this was just the first of several carousels to be installed in the park, its inclusion in the earliest iteration of Paragon Park shows the importance of the form as an attraction. The current carousel was built in 1928 by the Philadelphia Toboggan Company for Paragon Park, the carousel featured two chariots pulled by two horses each and had four rows of horses (66 in all). One of only 18 four-row carousels ever produced by Philadelphia Toboggan Company it is some forty feet in diameter. Housed in a specially built twelve-sided stucco structure to protect the delicate motor and paint in poor weather. When Paragon Park was sold to developers in 1986, parts of the carousel ride were auctioned off, but most were purchased by a locally organized preservation committee. That same year, it was moved a short distance to its present location to save it from the wrecking ball. It is now operated by the Friends of the Paragon Carousel.

North Adams Universalist Church // 1893

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Tucked away off Main Street in North Adams you’ll find this charming little church. The Universalists were organized in North Adams in 1842, restoring an existing church near the Hoosic River. The congregation chose a site for a new church in 1852, and erected a white wooden chapel. It is unclear if the church was outgrown or a fire destroyed it, but the Unitarian society voted to build this church for a cost of approximately $25,000 in 1892. Architect Henry Neill Wilson of Pittsfield drew the plans, and the firm of Porter and Harnam of North Adams constructed the church. Due to the declining population in town in the mid-20th century, the church struggled and was sold to a private owner. The building began to decay by the 1970s and was later sold in 1996 to Barbara and Eric Rudd to house artist Eric Rudd’s installation entitled “A Chapel for Humanity”. The building is currently used as the Berkshire Art Museum Annex.

Bayberry Cove Cottage // 1915

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Perched atop a seaside cliff on a neck jutting into the Atlantic ocean, this large summer cottage exhibits the rugged, yet enchanting character of the Maine coast. The house is part of the Cape Arundel Summer Colony and is one of the last built as part of the original period of development. The home was designed by Henry Paston Clark, a Boston architect who previously built a home on Cape Arundel and had summered there for years. His most notable design here is St. Ann’s Church, built for the summer residents of the area. The Bayberry Cove Cottage was built in 1915 for James Harrison and his wife and employed the use of cedar shingles, stone, and slate, to blend in with the rugged plot of land.

Westlook // 1905

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One of a handful of Prairie style homes in Maine, the Abbott Graves House – named ‘Westlook‘ – of Kennebunkport, was designed by Graves himself and built in 1905. The two-story residence is of frame construction with a low-hipped metal roof (originally red tile) and three internal brick chimneys. The exterior is covered with a simulated stucco finish.

Born in Weymouth, Massachusetts in 1859, Graves began architectural studies at the Massachusetts Institute of Technology in 1867 but was forced to leave due to financial problems before completing the program. For a few years he supported himself by working in a florist’s establishment where he earned a reputation as an arranger of flowers for interior decoration. An amateur painter since early youth, he began in earnest to develop this talent, concentrating on floral still life. He was eventually able to support himself in a small Boston studio and in 1884 to 1887 studied in Paris. His work was exhibited in the Paris Salon in 1887 and received the first of five medals he was to be awarded by that illustrious institution. Returning to Boston in 1889, he opened his own school and established himself as a distinguished painter of floral scenes and genre works. He brought his family and some students to Kennebunkport for the first time in the summer of 1891 staying at one of the first hotels in that newly emerging resort community. Graves fell in love with the community spending more and more time there each year until eventually he became a year round resident. In 1905 he designed Westlook, as he named it, and resided there until his death in 1936.