Richardsonian Romanesque

Burlington Masonic Temple // 1898

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This large, imposing brick structure across from the Unitarian Church in Burlington, Vermont, was built in 1898 as the state headquarters of the Grand Lodge of Vermont, Free and Accepted Masons. Masonry, also known as Freemasonry, is the oldest and largest fraternity in the world, and they erected architectural landmarks in cities and towns all over the globe. At the end of the 19th century, the Masons in Vermont wanted a large new headquarters to host events and meetings for those visiting from all over. The building was designed by John McArthur Harris of Wilson Brothers & Company of Philadelphia at the time the firm was working on major buildings for the UVM campus. Above the retail use at the ground floor for rental income, multiple floors of meeting and banquet rooms, parlors, library, offices, and regalia spaces culminated in a fifth-floor assembly hall surrounded on three sides by a sixth-floor gallery. At the roof, the gables, along with small hipped dormers, animate a great hipped roof that evokes the symbolic Masonic pyramid. The massive roof, round arches, and a striking stair-step side elevation give the building a purely Richardsonian character, minus the carved sandstone and monumental arches.

Flour and Grain Exchange Building // 1892

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One of my favorite buildings in Boston (and always dressed up with a big red ribbon for the holidays) is the Flour and Grain Exchange Building in Downtown Boston. The third Boston Chamber of Commerce was incorporated in 1884 to promote just and equitable principles of trade, solve disputes between members and acquire and disseminate information related to mercantile interests. There was, however, a feeling among the members that the organization could not attain its full stature until it had a building of its own, one that would be both an ornament to the city and a credit to itself. In 1889, a triangular site was donated to the organization by members, who then hired prominent Boston architectural firm, Shepley, Rutan and Coolidge, the successor to Henry Hobson Richardson‘s practice. It appears the firm was inspired by H.H. Richardson’s F. L. Ames Wholesale Store which was built nearby just years before. The steel-frame building is constructed of rough hewn Milford granite pierced with engaged columns and arched openings, both common in Richardsonian Romanesque buildings. The prominent corner at Milk and India Streets features a rounded corner tower with conical roof, surrounded by a crown of dormers. The building was restored by owners Beal Properties in the late 1980s who own it to this day.

North Easton Savings Bank and Post Office // 1904

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Located across the street from the Oakes Ames Memorial Hall and the Ames Free Library, the North Easton Savings Bank and Post Office building perfectly compliments the Romanesque Revival motif seen in the village. The building was constructed in 1904 in a Richardsonian Romanesque design with rough-faced granite ashlar walls with brownstone trim. The three-bay front façade contains centered entrances recessed behind a wide brownstone arch in the signature Richardsonian manner. The building was designed by Shepley, Rutan and Coolidge, a Boston-based architectural firm which grew out of Henry Hobson Richardson’s office, where they completed many of Richardson’s unfinished works after his death.

Ames Free Library // 1883

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The Ames Free Library first opened its doors in 1883. Under the terms of the will of Oliver Ames II, $50,000, in trust, was left for the construction and support of a library for the benefit of the inhabitants Easton. The library was designed by Henry Hobson Richardson in 1877 and opened in 1883, becoming one of the finest public libraries in the region. The library is built of Milford granite with the same Longmeadow trim used on his famous Trinity Church in Boston. The very low cavernous arch over the doorway was used here by Richardson for the first time and became one of the most prominent and widely imitated characteristics of his style.

North Easton Railroad Station // 1884

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Frederick Lothrop Ames (1835-1893) was born in Easton, MA, the son of Oliver Ames Jr. who ran the Ames Shovel Works in town. On the death of his father in 1877, Frederick became head of the Ames & Sons Corporation also inheriting upwards of six million dollars, which he invested in railroads. From this, he eventually became Vice President of the Old Colony Railroad and director of the Union Pacific railroad. At the time of his death, Ames was reported to be the wealthiest person in Massachusetts! Due to his role for the Old Colony Railroad, Ames had a rail station built in his hometown, adjacent to his family’s factory. Henry Hobson Richardson, who designed many other buildings in town for the Ames Family, designed this station in his signature Richardsonian Romanesque style with its large arches, varied rustication of stone, and brownstone trimming. The building was completed two years before Richardson’s death. Rail service here was cut in the 1950s, allowing the Ames family in 1969 to buy the station back from the consolidated New York Central Railroad, gifting it to the Easton Historical Society.

Ames Memorial Hall // 1881

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There are few buildings that make you stop and stare in marvel at their perfect architectural proportions, detailing and design, the Ames Memorial Hall in Easton, Massachusetts is one of them for me! In the late 1870s, the children of Oakes Ames commissioned the great American architect Henry Hobson Richardson to design the Memorial Hall as a tribute to their father. Richardson, the architect of Boston’s beloved Trinity Church in Copley Square, responded with a picturesque masterpiece using his signature architectural elements of rounded arches, dramatic roof lines, and heavy masonry adorned with carvings. The building was provided to the inhabitants of Easton “for all the ordinary purposes of a town hall”. Oakes Ames (1804-1873) was partner in the family business, O. Ames & Sons, a U. S. congressman, an early investor in the Central Pacific Railroad, and, at the urging of President Abraham Lincoln, a prominent force in the building of the first transcontinental railroad. The Richardsonian Romanesque building stands on the solid foundation of a natural ledge, from the northeast corner of which rises the beautiful octagonal tower, on whose frieze are carved the twelve signs of the zodiac.

Waban Station // 1886-1958

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Image from Harvard Archives.

The village of Waban in Newton, Massachusetts, was named after a Massachusett Chief who had previously resided atop Nonantum Hill on the Newton-Brighton line. This location is believed to have been a favorite hunting ground for Waban (the Wind) and his people. Throughout much of the 19th century, Waban remained a quiet agricultural region. As late as 1874, fewer than 20 families held title to all of its land. In the mid-1880s, however, interest in suburban developments near the Boston and Albany Railroad became increasingly widespread. Seeing suburbanization in the late 19th century and into the early 20th century.

The station that allowed all the development in the early days of Waban was built in 1886. The Boston & Albany Railroad hired renowned architect Henry Hobson Richardson to design the station, and many others on branches of the various lines radiating out from Boston. The Highland Branch (which this station was on) was later acquired by the MBTA in Boston, which operated it as a Commuter line. Waban Station closed along with the rest of the Highland Branch commuter rail line in 1958 and reopened a year later in 1959 as part of the Green Line’s D Branch. The gorgeous H.H. Richardson-designed station was demolished in order to build a 74-space parking lot. They literally paved paradise, and put up a parking lot…

Massachusetts Normal Arts School // 1886-1967

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The Massachusetts Normal Art School was one of the many Richardsonian Romanesque buildings constructed in the Back Bay, but it did not survive like so many others did. The building’s history goes back to the 1860s, when wealthy Bostonians petitioned for the Commonwealth of Massachusetts (State Government) to assist with the founding of new institutions to enhance the quality of life in the state. Due to this, the legislature funded three major institutions including the Massachusetts Institute of Technology (1860) and the Museum of Fine Arts (1870), and founded in 1873, the Massachusetts Normal Art School. The Normal Arts School was tasked with training future teachers for public schools and budding professional artists in the arts, with courses ranging from drawing to architecture. The Commonwealth of Massachusetts rented space in various buildings in Downtown Boston before they appropriated $85,000 and hired the firm of Hartwell & Richardson to design and oversee construction of the new school at the corner of Newbury and Exeter Streets. The Richardsonian Romanesque building was constructed of red brick and brown freestone, featured entrances on both street facades, and held gallery spaces inside for members of the public to view the work created at the school. The school outgrew the original building, which could comfortably fit just 100 students, and in 1929, a new building was constructed at Brookline and Longwood Avenues. Before moving one more time to its current location in 1983, the school was renamed to the Massachusetts College of Art and is best known as MassArt today. The original school in Back Bay was demolished in 1967 and was home to a surface parking lot before the existing building was constructed.