Victorian Gothic

South Weare Union Church // 1875

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In 1874, the Congregationalist citizens at South Weare, New Hampshire, decided to tear down their old church as it was in very poor condition and build a new one. The issue was that the Universalists owned a share of the old church, so, they decided to build a Union Church together. They broke ground in 1875 and it was completed months later in January 1876. The construction and furnishings were a group effort. The interior was furnished with circular ash pews, trimmed with black walnut. Osgood Fifield of Boston, a native of Weare, gave the beautiful pulpit; the Ladies Sewing Circle gave the carpet, assisted by the Universalists. The Victorian Gothic church building is impressive for such a small, rural congregation at the time. It has lancet windows, a circular rosette window in the gable end, and a steep gable roof capped by a towering belfry. The church even retains its historic horse sheds at the rear!

Yale University – Street Hall // 1866

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Closing out this series on Yale’s Old Campus, I present one of the finest Victorian Gothic collegiate buildings in the United States, Street Hall. Street Hall was designed by Peter B. Wight (who had just completed the Venetian Gothic style National Academy of Design in New York City) and opened in 1866. The building opened as the Yale School of the Fine Arts, which was the first art school on an American college campus. The building was named after Augustus Russell Street (1791–1866), a Yale graduate and New Haven businessman who donated the funds for the building’s construction on the condition that all residents of the city could enroll in the school, wanting a bridge between citizens of New Haven (“Town”) and the college “Gown”). Augustus Street and his wife, Caroline Leffingwell had seven daughters together, all of whom predeceased them. It was likely the fact he was around so many women in his life that he also required the Yale School of the Fine Arts to admit both male and female students (Yale would become co-educational and admit women to all programs in 1969.) Street Hall is a landmark example of the Victorian/Venetian Gothic style with lancet arches, polychromatic stone, and trefoil and quatrefoil stone medallions. Street Hall is now connected to, and is a part of the Yale University Art Gallery.

Yale University – Lawrance Hall // 1886

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Lawrance Hall was built in 1886 following a financial gift to the college by Frances (Garner) Lawrance, as a memorial to her late son, Thomas Garner Lawrance (1862-1883), who died unexpectedly during his senior year at Yale. The building was designed by New York architect Russell Sturgis, who previously designed Farnam and Durfee halls as well as the Battell Chapel, all enclosing the northeastern edge of the Old Yard. Lawrance Hall is the last Victorian Gothic style building constructed at Yale and also Sturgis’ last commission at the college. Here, Sturgis designed a Gothic building to provide continuity to his earlier dormitories nearby, but added French flair seen at the end towers and rounded turrets at the street facade. The French inspiration may have been a suggestion by Mr. and Mrs. Lawrance as they operated Cercle anglais, an English Club in Pau, France where they occupied Villa Lawrance, when living there. Today, Lawrance Hall is the freshman dormitory for Ezra Stiles College at Yale.

Yale University – Battell Chapel // 1874

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As the Old Campus of Yale was being enclosed at its north and east by Farnam and Durfee halls, architect Russell Sturgis was again tasked to design a new building, but for a corner site; though this time, he would design a college chapel. Built between 1874–76, it was funded primarily with gifts from Joseph Battell. Succeeding two previous chapel buildings on Yale’s Old Campus, it provided space for daily chapel services, which were mandatory for Yale students until 1926, which were all-male and mostly Protestant. The large stone chapel is constructed of New Jersey brownstone with decorative elements in sandstone. The design of the Victorian Gothic chapel is great, but how it sits with the entrance unceremoniously dumping out to the end wall of Durfee Hall leaves much to be desired.

Yale University – Durfee Hall // 1871

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Following his success of designing Farnam Hall at Yale, architect Russell Sturgis was again commissioned to design Durfee Hall, the residence hall built to enclose the northern edge of the Old Campus Yard. The elongated dormitory was the largest and most imposing building on the Old Campus when it was completed and was named for its benefactor, Bradford M. C. Durfee of Fall River, Massachusetts. The exterior of Durfee is covered in a combination of sandstone and bluestone, and is accentuated with gables, ornate turrets, and large brick chimneys. Upon its completion, it was considered a “high point in Victorian Gothic Style architecture,” and critics from American Architect and Building News commented that “It will be a long time before the quiet dignity of its roof and chimneys will be surpassed anywhere.” The exterior was renovated by Wiss, Janney, Elstner Associates Inc.

Yale University – Farnam Hall // 1870

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Farnam Hall is Yale University’s oldest dormitory still in use. Designed by New York architect Russell Sturgis in a Ruskinian High Victorian Gothic style, Farnam Hall is considered Sturgis’s most important work and was completed in 1871, marking a new direction toward an enclosed campus, shielded off from the surrounding downtown district of New Haven. Named for Henry Farnam, its construction required the removal of the Second President’s House and a section of the Yale Fence, which was met with some trepidation. The red brick, four-story building originally consisted of twenty suites and ten common rooms on each floor. Sturgis, who was influenced by John Ruskin’s ideals put forward in his Seven Lamps of Architecture, used a variety of brick and stone on the facade all with hand carved detailing. Farnam Hall was renovated in 1977 by architect Edward Larrabee Barnes and today serves as a dormitory for first-year students belonging to Yale’s Jonathan Edwards College.

New Haven City Hall // 1861

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Less than four centuries ago the area which is now New Haven, Connecticut, was the home of a small tribe of Native Americans, the Quinnipiac. White settlers arrived by 1638 and made a deal with the local sachem (leader) to protect the native Quinnipiac from raiding bands of Pequots and Mohawks in return of purchasing some of the tribe’s land by the Puritans. By 1640 a complete government had been established and the settlement, originally called Quinnipiac, was renamed Newhaven (later New Haven). The town plan was based on a grid of nine squares. In accordance with old English custom, the central square, now the Green, was designated a public common. By 1718, in response to a large donation from East India Company merchant Elihu Yale, an early college relocated from Old Saybrook to New Haven, and its name was changed to Yale College. The city grew exponentially with industry, education, and commerce, becoming one of the wealthiest and diverse cities in the state. As the city grew after the Civil War, a new City Hall was built. The New Haven City Hall was constructed in 1861-2 and was designed by local architect Henry Austin. To the left of City Hall and set back further from the street was the old Courthouse (1871-3) designed by David R. Brown (1831-1910). Together the buildings provide a united facade marking the first phase of the High Victorian Gothic Style in America. By the 1980s, plans for a new Government Center were discussed following decades of deferred maintenance and a decaying building. Luckily, cooler heads prevailed, and the facades of the building were preserved with a modern structure constructed behind to house city offices, from plans by local architect Herbert S. Newman. The Victorian Gothic and Post-Modern building stands proudly today, anchoring the east end of the Town Green.

Church of the Epiphany // 1867

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The stereotypical church in New England is the usual wooden structure with a central steeple and painted a bright white. Whenever I see an old church that breaks that oh-so-common mold, I have to snap a photo and learn more! This is the Church of the Epiphany, located on Main Street in Southbury, Connecticut. The church is an example of the Gothic style built in the Victorian period and is constructed of stone with a wooden corner belfry. Construction started in 1863, and the church was not completed until four years later in 1867. I could not locate who the architect was, but I am dying to know!

Notre Dame Roman Catholic Church // 1875

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Built in 1875, this large Gothic Revival church was built specifically to serve as a place of worship for the French Roman Catholic immigrants from Canada who began moving northern Berkshire County, Massachusetts, who were arriving to work in North Adams’ brickyards and textile factories. Before 1875, the Catholic community in the region had to make due with only occasional visits from a Vermont missionary. In 1871, Father Charles Crevier arrived in North Adams to take charge of the French flock and officially form the parish of Notre Dame du Sacre Coeur, with 750 new parishioners. Funding was acquired to purchase a property in town and erect a suitable church for the large (and growing) congregation. Architect James Murphy, a relatively unknown architect who specialized in ecclesiastical designs, furnished the plans for the church. After loss of industry and a declining population, the church closed in 2005, and the property was sold to the city of North Adams in 2008. The city faced repairing the church building as recently as 2016 with about half of the $100,000 budget coming from the city directly. Its future is unknown, but the town hoped to sell it for a renovation into a hotel or other use to activate the downtown area.

Southport Congregational Church // 1875

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Southport was and still is a part of Fairfield, Connecticut, but it has long been very different from the geographic center of town. Largely due to distance, Fairfield Congregationalists in the Southport area of town sought to establish a new parish to worship closer to home. By the 1840s, their request was granted and a small wood-frame Greek Revival house of worship was built in 1843. By 1871, the increase in population and wealth in the village necessitated a new, larger church. The congregation hired the architectural team of Lambert and Bunnell who made a huge statement here! It is constructed of granite ashlar masonry with a steeply pitched roof and soaring spires.