shingle style home

Dillaway House // 1889

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One of the finest and refined examples of the Shingle style in Boston can be found on Alban Street in the Ashmont Hill section of Dorchester, a lovely, walkable neighborhood where you can find timeless examples of just about any Victorian-era architectural style. Built for Charles F. Dillaway, a banker in Boston, this home was designed by local architect, Edwin J. Lewis, architect for many houses in the Ashmont area.  Lewis’s designs are distinguished by their crisp geometry, often with horizontal lines emphasized and small-paned windows. The house has been slightly modernized by later owners who added new siding within the inset porch and a more moody color scheme. 

Mary S. Hartford House // 1890

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This charming Shingle style bungalow at the corner of Harley and Walton streets in Dorchester’s Ashmont Hill neighborhood, was built around 1890 for Ms. Mary S. Hartford. Mary Hartford (1840-1910) was the mother of famed American painter, Edmund Charles Tarbell, and the wife of Edmund Whitney Tarbell, who died in 1863 after contracting typhoid fever while serving in the Civil War. After the death of her husband, Mary sent her son to live in Groton, Massachusetts with his grandparents to raise them as she remarried to David Francis Hartford, a shoe manufacturer. David and Mary lived nearby on Alban Street, and rented this and other houses to tenants for supplemental income. Local architect Edwin J. Lewis furnished plans for the house as a prototypical example of the Shingle style. Mary died in 1910 and in 1917, David Hartford, as his wife’s executor, deeded this property at 17 Harley Street to Emma C. Rich, the wife of George M. Rich, a Boston banker. The house is excellently preserved, even down to the appropriate brown stained shingles.

Crandall-Peirce House // 1890

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Talk about a statement! This pink, Shingle style house is located at 140 Brown Street in the fashionable College Hill section of Providence, Rhode Island. Built in 1890 for William and Katherine Crandall, the Shingle style residence stands out for its cantilevered two-story tower and corner rounded porch at the corner, and of course the continuous shingled facades. William T. Crandall was the president of the Union for Christian Work, a religious charitable institution which provided aid to needy children in Providence. Augustus R. and Ida W. Peirce would board in the home for decades, and were likely family, inheriting the property upon Katherine’s death in 1932. The architect could not be located.

Frank and Elizabeth Ratcliffe House // 1890

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I do not think that I have ever seen rounded shingled columns like this before… What a treat! This house is located on Rice Street in Newton Centre, and was built in 1890 by Henry H. Read, a leather dealer who developed the entire street. This house was built on speculation and initially rented out to tenants before it was sold to Frank Ratcliffe and his wife, Elizabeth Ratcliffe. Frank Ratcliffe was born in England and would become treasurer of the Boston & Albany Railroad, which had a stop in Newton Centre. Frank and Elizabeth would sell or gift this property to their daughter, Mary Elizabeth Ratcliffe Holt and her husband, Warner R. Holt. Besides the unique shingled columns, the house features a broad gambrel roof and sunburst panels and a two-story rounded shingled bay. I could not locate the architect for this one, sadly.

“Villino” // 1882

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“Villino” was built in 1882 for $7,553, as a summer residence for Ms. Frances L. Skinner, a widow of the late Reverend Thomas Skinner. “Villino” was the work of the young firm of McKim, Mead & White, and it is one of the firm’s many Shingle style buildings, but one of the most compact. The asymmetrical 2½-story Shingle Style cottage sits atop a granite foundation with continuous shingles above. The entrance porch is tucked into the building mass on the side and its prominent tower with conical roof. The house is sited well into the landscape and unlike many other summer “cottages” the name Villino which is Italian for cottage, actually fits!


Frederick & Arabella Holden House // 1893

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The Frederick & Arabella Holden House sits on Aspinwall Avenue in the Brookline Village neighborhood of Brookline, Massachusetts. Built in 1893, the excellently designed Shingle style dwelling was actually built on speculation by developers, and sold upon completion to the couple. Fred G. Holden (1858-1927) was a marble dealer who managed the Boston Marble Company and had connections in his home state, Vermont for the highest quality marble to sell around Boston, largely for building products and grave memorials. Arabella Proctor Holden (1859-1905) was born in Cavendish, Vermont, as the eldest daughter of Redfield Proctor, 37th Governor of Vermont and the founder of the Vermont Marble Company, the largest such company in the world. I could not find the architect of the house, so any more information, let me know. I’d love to solve the mystery!

Dr. Thomas J. Shanahan House // 1892

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Dr. Thomas Joseph Shanahan (1873-1929) was born in Lawrence and graduated from Harvard Medical School in 1896. He practiced medicine in Brookline and Boston and was engaged in local organizations. He purchased this 1892 house on Aspinwall Avenue in Brookline in 1911, which had previously been rented to families. Two generations of Shanahans would own the house until the 1970s. After Dr. Shanahan’s death in 1929, the widowed Margaret Shanahan remained in this house with their daughter, Mary Margaret Shanahan, who was employed in 1940 as a medical secretary for a hospital. Mrs. Shanahan transferred title to the property in 1947 to her daughter, who converted the house to a two-family dwelling in 1953 for supplemental income. Architecturally, the house is Queen Anne and Shingle styles with continuous shingle siding, complex form with bays and oriels, and a unique arched opening in the gable over the entrance filled with a spindle screen. Architects were William Langley Morrison and Peter J. McEwen.

Levi T. Lyon Two-Family House // 1895

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When Brookline Village filled in with multi-family housing in the late 19th and early 20th centuries, many speculative real estate developments sprouted up from larger residential estates. As so many were built on speculation, high-quality designs and construction were a necessity to bring in picky buyers. This two-family house was built on the corner of Brook and Toxeth streets by Levi T. Lyon, a builder and developer, who lived on Brook Street. This house was designed by F. Manton Wakefield, a relatively unknown architect who apprenticed under Shingle-style maestro William Ralph Emerson, before opening his own firm. Buildings like this are great as they provide much-needed housing, while being built of a good scale that allows residents to know their neighbors, not as easy in a high-rise.

Oliver J. Barr House // 1908

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Built in 1908 as a late example of the Queen Anne and Shingle styles, the Oliver J. Barr House is one of the finest Victorian buildings in Norwood, Massachusetts. The residence was built for Oliver J. Barr (1863-1935), who served as the General Manager of the Norwood Press in town, following his company from Boston to Norwood. The house was designed by Eugene Clark a Boston-area architect who specialized in suburban houses in the late 19th and early 20th centuries. The dwelling is noteworthy for its distinctive form, intact and rough textured wood shingle siding, and complex roof configuration. Particularly noteworthy is the verandah which encircles its northeast corner and rounded conically capped tower.

Chester Guild Cottage // 1902

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One of the many stunning summer “cottages” built in the Cape Arundel summer colony of Kennebunkport, Maine, is this turn-of-the-century Shingle style dwelling built for Chester Guild of Boston. Chester Guild III was born into the wealthy Guild Family of Roxbury with his father being a successful leather dealer. Chester Guild spent summers with his family in Kennebunkport beginning in the 1890s, eventually had this cottage built in 1902. The Shingle style dwelling remained in the family for five generations and is very well-preserved, showcasing the hallmark elements of the ubiquitous coastal Maine architectural style.