Victorian Architecture

Sawyer Mansion // 1863 & 1914

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Originally built in the Carpenter Gothic style in 1863, the Sawyer-Gillett Mansion in Whitingham, Vermont, is the highest-style house in town today. Indistinguishable from its Civil War-era original construction, the house was greatly expanded and altered into an elaborate take on Queen Anne / Shingle styles in 1914. The house was originally constructed by John W. Sawyer, but it was his son, Lincoln H. Sawyer who renovated the house and etched his name “L.H. Sawyer” on the glass of the new front door. The updated house style reflects a nostalgic Victorian preference by the owner, who sawed all the trim and materials on site at the family sawmill. It was recently sold and is now a B&B!

Wheeler-Jillson Store // c.1905

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To me, Vermont is synonymous with Vernacular architecture. The state obviously has high-style and architect-designed buildings all over, but the character of the state (to me) is based around local builders, local materials, and local traditions. The patchwork of towns and villages in Vermont all have one thing in common, at least one general store. These buildings serve as an informal meeting place or community center where residents and visitors alike can hear the local gossip and events taking place. The general store in Whitingham, Vermont is located in the middle of the village, perfect for stopping in. The building was constructed in the first decade of the 20th century, replacing a former hotel/tavern on the site. The late-folk Victorian style store exhibits some decorative columns and storefronts, likely produced at one of the working lumber mills in town at the time. The store was originally built by Arthur and Carl Wheeler as the “Wheeler Brothers Store” but after 15 years changed hands and became the “F.W. Jillson & Son Store”. Since then, the Jillson’s opened up an antique store in the building which serves as a multi-use facility (collectively as a country store). Keep it local Vermont!

Franklin Street Fire Station // 1886

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When your town grows organically without zoning, fire prevention becomes even more important to the preservation and protection of the town. Before paid firemen worked for the town, volunteers would either be stationed or rush to the aid of those in trouble via these neighborhood stations. The Franklin Street Firehouse in Marblehead, Massachusetts, was constructed in 1886 by local contractors Ramsdell Brothers replacing the former on the same site with plans drawn by Nathan P. Sanborn. The station was built to house a horse-drawn handtub and the horses were stabled nearby. The wood-frame structure blends Second Empire and Stick style detailing elegantly and is one of my favorite old buildings in Marblehead.

Lorenzo and Mary Hawkins House // c.1870

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Another of the charming mini mansard cottages in Stoneham, Massachusetts is this home, the Lorenzo and Mary Hawkins House. The home was built for Lorenzo D. Hawkins and his wife, Mary around 1870. Lorenzo worked as a shoe and elevator manufacturer in town and in Downtown Boston. The house is a two-story wood-frame structure with irregular massing. It has the classic mansard roof, an ornately decorated entry porch, heavily bracketed cornice, and round-arch windows in its dormers and front bay.

E. A. Durgin House // 1870

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Would you just look at this house?! Massachusetts may have the most Second Empire/Mansard style houses in the United States, but some really stand out. This home in Stoneham, Massachusetts was built around 1870 for local shoe dealer Erastus A. Durgin. The mini mansard home is pretty typical besides the prominent square tower with a steeply pitched gable roof that stands over the entrance. Charming!

Juniper Ledge Cottage // 1889

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Ellen Kemble (Bartol) Brazier was born in New York City in 1844, the eldest of four children of Barnabas and Emma Bartol. Her father had many business interests in sugar refining and the family was able to travel the world from his wealth and success. The family spent most of their time in Philadelphia, but like many of the city’s wealthy residents, they often summered elsewhere. Ellen Bartol married Joseph Harrison Brazier in 1866 and they had two children. When her father Barnabas died, Ellen inherited some of his remaining fortune and as a part of high society, she had a summer cottage in Kennebunkport built. Working with Maine architect John Calvin Stevens, she oversaw the designs of Juniper Ledge, this gorgeous, eclectic shingled residence in the Cape Arundel summer colony. Ellen would summer at the cottage until her death in 1925, but before she died, she joined her daughter in the 1910s and 1920s at Women’s Suffrage events and fundraisers, helping to pass the 19th Amendment, allowing women the right to vote in the United States. Ellen is buried in the West Laurel Hill Cemetery in Philadelphia next to her husband, not far from her parents.

Robert Henry Peckham House // 1872

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Another of Noank’s stunning Victorian-era seaside cottages is the 1872 Robert Henry Peckham house which is located across the street from the village’s most ornate cottage, the Deacon Robert Palmer House (featured previously). The house exhibits a gambrel roof which reads as a mansard roof at the side elevations. A round arched window is set into the gable end. Decorative cut bargeboards add much complexity to the design. It appears that in the early 20th century, as Noank was re-establishing itself as an artist colony, the owners added the small wrap-around porch and stone garden wall.

Deacon Robert Palmer House // 1884

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Perched on the highest hill in the coastal village of Noank, Connecticut, you will find this absolutely enchanting gingerbread Victorian mansion. The house was built in 1884 for Deacon Robert Palmer (1825-1913), a wealthy man who wasn’t only deacon of the village’s Baptist church, he was the owner of a flourishing shipyard, and it was his shipyard workers who built him, with loving care, a house he could be proud of! Robert ran the shipyard in town first with his brother, and then with his son. During the late nineteenth and early twentieth centuries the shipyard was the largest facility for building and repair of wooden vessels in southern New England, employing over 300 men. The yard specialized in building railroad car floats, schooner barges, and dump scows as well as fishing smacks. Robert Palmer and Son went out of business in 1914 with the passing of the Robert. The Stick style mansion with mansard roofed tower remained in the Palmer family until the early 2000s when it sold and was restored to her former glory. The residence features exposed rafters, a pagoda-like second story balcony, a frieze with geometric cut-outs, and a wrap-around porch which provides sweeping views of the ocean. I can only imagine how beautiful this old Victorian is on the inside!

Eliza and Samson Almy House // 1859

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The College Hill neighborhood of Providence has some of the finest residential architecture in New England, and some really fun stories of those who built these grand homes. In 1859, the house was built with a concave mansard roof punctuated with dormers and a bold bracketed cornice below. The use of round headed windows on the second floor is a really great design detail. The residence was first owned by Eliza Talbot Almy (1808-1886), who held the title to the property. Wives holding the title of properties in this period was fairly common as it would protect their personal property and residence from financial risk if the husband was met with lawsuits or financial hardship. Eliza’s husband was cotton broker and manufacturer Samson Almy (1795-1876), who had already been sued in a case heard before the United States Supreme Court in 1851. After Eliza’s death in 1886, her daughter, Susan Smith (1837-1917) and husband, Amos Denison Smith (1835-1912), a Civil War veteran, occupied the house into the early 20th century.

Peleg Eddy House // c.1895

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Roxbury is not well-known for its Shingle style architecture, but this example might change that! This dwelling was built around 1895 by the heirs of Horatio Harris on family land that was subdivided for house lots at the end of the 19th century. The expansive Harris estate was developed, largely on speculation and included some amazing single family homes, rowhouses and multi-family dwellings. This Shingle style home appears to have also been built on speculation and was owned by the Harris heirs for some time. The property was occupied for some time by Peleg E. Eddy and his wife Caroline in the earliest years of the house’s existence. I could not locate the architect, but it could be estimated as a design by J. Williams Beal, a local architect who was commissioned to design the nearby Harriswood Crescent development for the Harris family. The design features a Roxbury puddingstone first floor and chimney which contrast elegantly with the shingle siding.