Tewksbury State Hospital, Administration Building // 1893

The Tewksbury State Hospital was established in 1852 as one of three Massachusetts State almshouses (along with Bridgewater and Monson). The almshouses were needed due to the unprecedented influx of Irish immigrants at that time, many of which found difficulty locating work. These almshouses represented the state’s first venture into care of the poor, a role previously filled by the cities and towns up to that time. In 1866, when Tewksbury began accepting the “pauper insane”, it became the state’s first facility to accept cases of chronic insanity specifically. Decades later, Massachusetts Governor Benjamin Butler accused the almshouse in Tewksbury in, “trading in bodies of dead paupers and transporting them for a profit to medical schools,” and “tanning human flesh to convert to shoes or other objects”. The facility was later investigated, and no conclusive evidence was found. In the late 19th century, a major rebuilding (and re-branding) campaign to upgrade the old almshouse by replacing its early wood-frame buildings with more durable and fireproof masonry ones was undertaken. One of the earliest “new” buildings was this Queen Anne-style Administration Building, standing at the head of the former entrance drive, which creates a fairly foreboding presence. This building was designed by Boston architect John A. Fox, and showcases the epitome of Queen Anne institutional design. The hospital runs today much like a traditional campus, with some of the older buildings unused, providing a strange composition. The former Administration Building is now home to the Massachusetts Public Health Museum.

Hiram P. Dinsmore House // 1894

In 1894, Hiram P. Dinsmore, a clerk at the nearby Tewksbury Almshouse, purchased land not too far from his work to build a home for his family. The well-designed late-Victorian home features a wrap-around porch, a corner tower, twin sunburst or flower motifs, and the use of shingle and clapboard siding, all hallmarks of the Queen Anne style. After Hiram’s death, his wife and children lived in the home, and it was later willed to his daughter Beatrice and her husband, both of whom worked at the Tewksbury Almshouse (since renamed Tewksbury Hospital). The home has seen some deterioration with large sections of siding completely open to the elements unobscured by paint and a sagging porch roof. Hope to see this beauty restored.

Exeter Chambers // 1889

One of the lesser-known historic hotels in Boston can be found at the corner of Exeter and Blagden Streets in the Back Bay neighborhood, tucked behind the Boston Public Library’s Johnson addition. Exeter Chambers (now Courtyard by Marriott Boston Copley Square), was built between 1889 and 1890 from plans by architect Theodore Minot Clark. Clark was a professor at MIT and the understudy of Boston’s famed Trinity Church architect, H. H. Richardson. Clark oversaw much of the construction of Trinity Church and his name is even engraved on the building. Exeter Chambers was constructed by the Guastavino Company, a very prominent contractor during the period noted for style and quality, known for the Guastavino tile. Cutting edge techniques such as compression arches and terracotta accents were featured throughout the structure. The hotel was vacant for many years and a renovation in 2004, which added three stories to the building, restored the ornate exterior to its former glory.

Crawford Depot // 1891

The railroad line through Crawford Notch in the White Mountains of New Hampshire was completed and opened in 1875 by the Portland and Ogdensburg Railroad, and had a transformative effect on the local economy. Soon after completion, tourists arrived in droves during the summer months to take in the area’s scenic beauty and clean air. From this, wealthy investors built large resort hotels, like the Mount Washington Hotel, to satisfy the demand of the affluent visitors. The Portland and Ogdensburg was taken over by the Maine Central Railroad in 1888, and this depot was built in 1891. It was one of the most elaborate stations built by that railroad’s Mountain Division, because of its prominent location in the mountains. The Crawford Depot presently serves as a visitor center and shop operated by the Appalachian Mountain Club. Nearby is the trailhead to Mount Willard, which has some of the best views for a modest hike.

Ferncliffe // c.1760

One of the most unique houses in Bristol (and the State of Rhode Island for that matter) is Ferncliffe, a colonial farmhouse that morphed into this beauty in the late 19th century. In 1749, the 200-acre farm of Benjamin Church, containing land where this home sits, was divided among his four daughters. Thomas Peck, a farmer, purchased one share in 1761; his deed refers to a house already on the property. The home was likely a five-bay Georgian home with little details. However, in 1882, James L. Tobin an undertaker, bought the property which then extended west to Narragansett Bay. He “modernized” the home with brackets, front porch, oh and a massive three-story tower with pyramidal roof! Tobin’s daughter Mary named the house for the fern plants lining the waterside cliffs at the far extent of the property, giving it the name “Ferncliffe”. Since then, the farmland was subdivided and sold off and now contains many house lots, with many of the streets laid out named after his children and wife. After Tobin’s death in 1925, he willed the home to his two living daughters, Helen and Annie.

Dennis Doran House // 1891

Located just east of downtown Bristol, the Dennis Doran House stands as an excellent example of the Queen Anne style of architecture for a middle-class residence. The home was built in 1891 by Dennis Doran as his personal house. He worked as a carpenter and cabinet maker, and showcased his wood-working skills on this home. The asymmetrical facade, dominated by an octagonal corner tower, capped by a steep conical roof stands out, but is complemented by a complex hipped roof broken up by various jerkin-head and gable dormers at two tiers. The home is also clad in shingles of varied shapes to provide a complex texture.

Sprague Hall // 1889

Built in 1889, this interesting structure is located away from the rocky coastline of Cape Elizabeth, a lasting remnant of the agricultural history of the town. The building was constructed as the Cape Elizabeth Grange Hall. The National Grange of the Order of Patrons of Husbandry, is a social organization in the United States that encourages families to band together to promote the economic and political well-being of the community and agriculture. The Grange organization, as it is often known as, had grange halls all over the country, where farming community members would gather to discuss issues and challenges that needed addressing. The building echos late 19th century architectural styles, blending multiple to create an elegant composition, wrapped in wood clapboard and shingle siding. In 1916, the hall was purchased by P. W. Sprague from the Cape Elizabeth Grangers to insure its use and upkeep – and it is still the home of the Patrons of Husbandry, Cape Elizabeth Grange #242.

The Charlesgate // 1891

One of the most grand apartment hotels in Boston, The Charlesgate, serves as one of many architectural anchors for the Back Bay neighborhood from Kenmore Square. The apartment hotel was constructed in 1891 and so named after the Charlesgate Park which was created by landscape architect Frederick Law Olmsted as part of the glorious Emerald Necklace park system. The Back Bay Fens was the first park designed by Olmsted for the City of Boston. Creating the Back Bay Fens was as much a sanitary as an aesthetic project, because the water was heavily polluted and often stagnant; Olmsted envisioned Charlesgate as the meeting point of the Back Bay Fens with the Charles River. The apartment hotel was actually designed and was financed by the architect, John Pickering Putnam, and members of his family. The basement and first story are constructed of Indiana limestone with the remainder of brick, with limestone trimmings. A picturesque effect is obtained by grouping the bays in pairs, and surmounting each pair with gables in the Queen Anne style, and by relieving these features against a high roof of green slate. The building originally featured 30 apartments and has since been reconfigured into over 50. The architectural landmark is one of the best statement-pieces in the neighborhood, and shows that apartment design can be done very very well!

Corbin Estate // 1880

Austin Corbin (1827-1896) was a 19th century railroad man known for consolidating what we know today as the Long Island Railroad. He was born in Newport, New Hampshire and eventually graduated from Harvard Law School in 1849. He eventually moved to New York, and founded the Corbin Banking Company, which he leveraged into a successful banking firm, which funded his diversifying into resorts and railroads. In 1873, while following doctors advice of ocean air for his ill son on Coney Island, Corbin recognized the area as an untapped natural location for a summer resort, and proceeded to purchase 500 acres, opening a large hotel and a new railway system to deliver New Yorkers to the resort in 1878. He is infamous for strong-arming the Montaukett tribe on Long Island out of nearly 10,000 acres they occupied around Montauk. The tribe is still seeking compensation for this tactic. In 1880, he built this summer estate in his hometown of Newport, NH as a castle for his greed, also acquiring over 100 acres for the estate. He soon after bought out over 25,000 acres of land for an ultra-private members-only hunting club. Corbin died on the estate in 1896 and the property was eventually purchased by William Ruger. The home was vacant for decades following WWII until Ruger, who co-founded Sturm, Ruger & Co. purchased the estate, likely utilizing the hunting reserve next door. The property and another owned by the Ruger Family were sold separately at auction in 2019.

Hollis Town Hall // 1886

Constructed in 1886, the Hollis Town Hall in New Hampshire is a distinctive example of Queen Anne civic architecture showcasing an asymmetrical design and a variety of forms, textures and materials. The building was designed from plans by Manchester-based architect William Butterfield. As originally constructed the building was painted in dark tints to harmonize with the roof which was covered with shingles and painted dark red. In 1902, the clocks were added atop the tower with a clock designed by George M. Stevens of Boston. Sadly, the buildings’ original polychromatic paint scheme which highlighted the architectural details was updated with a solid white color.

John Hoyt Perry House // c.1875

John Hoyt Perry was born in Southport in 1848, and graduated at Yale in 1870. He received his professional education at Columbia Law School and was admitted to the bar in Bridgeport, CT in 1872. He had an active law career in Connecticut, later working as a judge. He served Southport in the House of Representatives throughout much of the end of the 19th century. In 1913 he was elected to the Connecticut Senate and served as the minority leader. He served as counsel for the United States in arbitration proceedings with Chile in 1902, and as counsel for the town of Fairfield. This home in Southport was constructed for him, likely around 1875 after he accepted his position as a head attorney at a major firm nearby. The home can be classified as a blending of Stick style and Queen Anne Victorian design with the asymmetrical form, tower, large porch with projecting porte-cochere, shingle siding, and bargeboards.

Ms. Hetty Gookin House // 1874

Warren Demman Gookin (1810-1874) was born in Haverhill, New Hampshire. He was educated at Haverhill Academy and Dartmouth College, graduating from the latter institution in 1830. In 1835 he went to Cuba where he remained for ten years as a sugar planter. Later, he was engaged in a mercantile business in Oregon, finally settling in Brooklyn, NY and working as a shipping merchant in New York City until his death in 1874. After his death, his widow Hetty moved back to her hometown of Southport, CT and built this large home. Later this was the home of Mrs Gookin’s stepdaughter, Mrs Edwin Waterman.

Simon Sherwood House // 1884

The Simon C. Sherwood house, built in 1884, is a fine late nineteenth-century eclectic Victorian home, somewhat unique to the Southport area of Fairfield, CT, which is dominated by early-mid 19th century styles. Simon Couch Sherwood was the son of Edwin Sherwood, a wealthy shipping merchant who made a fortune from trade between New York and Savannah. The Queen Anne-Eastlake style home was added onto with a larger porch, obscuring an original oriel window on the side elevation. Sadly, the home has a safe, yet inappropriate pale yellow body color with white trim, which does not showcase the intricacies of the Victorian era home.

Farist House // 1894

Joel Farist (1832-1904) emigrated to America with his family by the way of Sheffield, England, working originally as a laborer as a child. By his thirties, he formed the Farist Steel Company in Springfield, MA, later relocating to Bridgeport, CT in 1872. Due to his prestigious role and success, he became well-connected in Bridgeport, later becoming the first President of the Bridgeport Electric Light Company and Vice President of Bridgeport Hospital. He built this massive home in nearby Fairfield, CT, likely to get away from the polluted Bridgeport air, for a more bucolic area. The massive Queen Anne home he had built (likely as a second home) features prominent towers, a full-length porch, and a porte-cochere off the side. The home has been restored a few times recently, and a new (hopefully not final) paint scheme in yellow was recently painted on the front facade.

Abbott Memorial Library // 1905

Gifted to the town of Pomfret by Ira Abbott, the Abbott Memorial Library is one of the most stunning little libraries in the State of Vermont. Given to his hometown as a memorial to his parents by Ira Abbott, who was at that time a State Supreme Court justice in the territory of New Mexico. Its architect, Henry M. Francis, used diverse materials — brick, granite, fieldstone, red birch, and pre-stressed concrete, to design the eclectic building. Capped with a red slate roof with terra cotta ridge tiles, the building stands out as one of the most unique buildings in the state and has been extremely well-maintained through its public-privately funded Commission.