Wilson Chapel – Andover Newton Theological School // 2007

The last building constructed on the former Andover Newton Theological School in Newton, Massachusetts, was Wilson Chapel, located at the edge of the campus. The building is a modern interpretation of the traditional New England meetinghouse, and was completed in 2007 from plans by Context Architecture. The limestone building is punctuated by a grid of square punched windows and raised panels with the primary facade dominated by a glass tower, resembling the more traditional steeple. To me, the building does an excellent job at respecting the basic forms of a New England chapel, while utilizing contemporary materials and design elements to distinguish it as a 21st century structure.

Hills Library – Andover Newton Theological School // 1895

The Hills Library is a formal building standing at the summit of Institution Hill, so-named as the home of the Newton Theological Institution (and most recently as the Andover Newton Theological School). The library was constructed in 1895 from plans by architects Henry H. Kendall and Edward F. Stevens of the firm, Kendall & Stevens. Designed in 1894 in the Neo-Classical style, the library has a stately portico in the Ionic order with a pediment above. The building is constructed of yellow brick with stone and terracotta trimmings with banks of vertical windows. The library would be added onto at the rear, with the main entrance later closed for an accessible entrance in a rear addition. The building is now known as the Hanns Sachs Memorial Library for the current owners and stewards, the Boston Psychoanalytic Society & Institute (BPSI).

Colby Hall – Andover Newton Theological School // 1866

Colby Hall sits perched atop a hill overlooking Newton Centre, Newton, and is located in the Andover Newton Theological School campus. The building was constructed in 1886 for the Newton Theological Institution, which was founded on this site in 1825, and used for the a Baptist seminary, educating young students in theology. By the 1860s, the school had outgrown its space and following a donation from benefactor,  Gardner Colby (1810–1879), who was treasurer of the school (and was also the benefactor and namesake of Colby College in Maine) plans were drawn up for the new lecture spaces and chapel building. The unique building was designed by Alexander Rice Esty, a prominent architect at the time, and it blends Second Empire and Romanesque Revival styles under one roof. The three-story structure is of a light buff, rough cut stone with sandstone trim and features an imposing four-story tower at the eastern end. In November 2015, the school announced that it would sell its campus and become part of Yale Divinity School in New Haven, Connecticut. The Newton campus was purchased by the Windsor Park School with Colby Hall now occupied by the Boston Psychoanalytic Society & Institute.

Farwell Hall – Andover Newton Theological School // 1829

The Newton Theological Institution, a school originally founded for the Baptist ministry, opened on Institution Hill in Newton Center in 1825. The 40-acre campus started with six buildings, including this one, Farwell Hall, built in 1829. Farwell Hall is the oldest extant building on the campus today and is named after benefactor and early founder of the school, Levi Farwell. The brick building began as a late-Federal-designed building with a classic Federal Style window fenestration and Adamesque brick arches on the first story side elevations, but the formerly Federal style building was modernized in 1871 with the addition of a fourth floor via a mansard roof, and a more recent, unfortunate altered entry with projecting roof. After the Andover Newton Theological School sold their campus, the building has since been home to an assisted care facility.

Jackson-Richards Farmhouse // c.1768

This historic home at the edge of Newton Centre is believed to have been built by 1768 by Abraham Jackson, a descendant of one of the earliest settlers in what would become Newton. Abraham took out a mortgage on three acres of land and woodlands, a dwelling house and barn. In 1782, the property was acquired by Aaron Richards (1750-1823), a Revolutionary War veteran and carpenter, who likely modified the residence into the Federal style form and design we see today. Aaron Richards would farm the land here until his death. The farmhouse would be bought and sold and the property subdivided in the 19th and 20th centuries, diminishing the farm and woodland which once surrounded the residence. For a period after the Civil War, the property was owned by the Boston Children’s Aid Society as a Girl’s Home, used as a boarding house to raise orphaned girls from the Boston area, teaching them skills to increase their hopes of adoption or moving out on their own. The property was reverted to a residence by the 20th century and is significant as one of Newton’s few extant 18th-century farmhouses.

Former Newton Centre Women’s Clubhouse // 1922

The Newton Centre Women’s Club began in 1887 when a group of women in the village came together to work for the relief of disabled veterans from the Civil War. Their objectives included giving aid to charitable causes, mutual improvement through literary, along with artistic and educational pursuits. Expanding membership over the next two decades strengthened the club, enabling them to build their clubhouse in 1922 on land given to them. The Georgian Revival style clubhouse was designed by architect Oscar A. Thayer and the building featured a large art gallery for artists to showcase their work as well as members to bring in art of their own collections to study and discuss. Due to shifting social structures and an aging population of members, the clubhouse was sold in 1973 and converted to commercial use. The building was renovated with more modern windows and other features and was renamed Picadilly II. In the spirit of the club and its push for community, the building houses many local companies frequented by residents today.

Former Weeks Junior High School – Weeks House // 1931

Adaptive reuse projects will ALWAYS get love on here!

Originally constructed in 1931 as the Weeks Junior High School in Newton Centre, Newton, this architecturally significant school building is the finest local example of the Tudor Revival style in that use. The Weeks School was designed by Ralph Coolidge Henry and Henry Parsons Richmond, architects who were draftsmen for Guy Lowell, one of the greats, and the successors to his practice upon his death in 1927. The design for the Weeks School is of traditional brick and cast stone, with its main entrance through a large Gothic arch at the center of the building. Two wings extend parallel to the tower and then bend back at 45-degree angles, creating the distinctive U-shaped form, which provided ample natural light in all classrooms. After a consolidation of local schools in the mid-20th century, the Weeks School closed, but was beautifully rehabbed in 1984 into housing as the Weeks House. Today, the building is comprised of mixed income housing of about 75, one-, two- and three-bedroom units.

Frank and Elizabeth Ratcliffe House // 1890

I do not think that I have ever seen rounded shingled columns like this before… What a treat! This house is located on Rice Street in Newton Centre, and was built in 1890 by Henry H. Read, a leather dealer who developed the entire street. This house was built on speculation and initially rented out to tenants before it was sold to Frank Ratcliffe and his wife, Elizabeth Ratcliffe. Frank Ratcliffe was born in England and would become treasurer of the Boston & Albany Railroad, which had a stop in Newton Centre. Frank and Elizabeth would sell or gift this property to their daughter, Mary Elizabeth Ratcliffe Holt and her husband, Warner R. Holt. Besides the unique shingled columns, the house features a broad gambrel roof and sunburst panels and a two-story rounded shingled bay. I could not locate the architect for this one, sadly.

Bray’s Hall // 1893

As Newton Centre’s new railroad station and following development boom transformed the once sleepy village into the main commercial center for the city, landowners capitalized on the opportunity by developing commercial blocks to serve the community and line their own pockets. Mellen Newton Bray (1856-1946) became a major landholder in Newton Centre and would develop the areas directly surrounding the new train station there. On a curving site, he built Bray’s Hall, this three-story commercial block renting out spaces to local banks and stores with a large assembly hall and bowling alley in the building as well. Initially, Bray planned for an eight-story structure, having contracted a solid foundation that could support such a structure, pending the success of the initial construction. That is mixed use before it was “cool”. The building was designed by the firm of Kendall & Stevens, likely led by Henry H. Kendall, who resided in Newton Centre. Kendall would also design the apartment block across the street for Mr. Bray. The building is constructed of light Tuscan bricks and is notable for the bracketed cornice and dormers all in copper. The building was restored in the 1970s by owner David Zussman, and rebranded as Piccadilly Square, following his recent trip to London being impressed with by the atmosphere of Piccadilly Circus.

Chester-Rowley House // 1897

This unique brick house is located on Devon Road in Newton Centre, and was built in 1897 for Arthur Herbert Chester and Elizabeth S. (Rich) ChesterArthur H. Chester (1868-1898) worked in real estate, largely in the office of J. Montgomery Sears. He acquired a large house lot in Newton Centre, and had this unique Jacobean Revival residence built for his young family. Sadly, within a year of its completion, Arthur died of Malarial Fever at the age of just 30 years old in 1898. Elizabeth, his widow, would retain the house for a decade longer before it sold to Henry Esmond Rowley and his wife, Josephine. While it looks like a brick house, this residence is actually wood-frame with a brick veneer, a cost-saving measure to still give a stately appearance. The house is notable for its twin rounded gable parapets at the façade and lack of ornate trimmings. The house was covered in white paint for years, but the owners recently removed all the paint from the brick.