“Seaweed” is a spectacular oceanfront estate situated on Newport’s famed Cliff Walk and overlooking Bailey’s Beach. This home is three-stories with an enormous enclosed porch that offers sweeping views of the Atlantic from all windows. The house consists of 16 rooms including an inviting foyer, nine bedrooms, seven bathrooms, dining room, and living room, all with original fireplaces, flooring, and detail throughout. Views of the sea are from nearly every room. “Seaweed” was originally built and owned by Mr. Henry Howard in 1860-61. It was altered in 1867 by renowned architect George Champlin Mason. Within a decade it was sold to Mr. C. Davis who passed it on to George T. M. Davis. In the 1880’s the property became a rental property owned by Alfred Smith, a real estate agent who lived near the center of town. In the early 1900’s it was purchased by Thomas Dolan of Philadelphia who re-baptized the home “Seaweed” after having architect Horace Trumbauer bring it to its present Colonial Revival style. The name is one of my favorites! What do you think of the name Seaweed for a home?
One of the oldest houses in Rhode Island, this beautiful home has a full history that will be hard to fit in a post, but here goes! The earliest, two-room rear part of this house was built around 1680, probably by Jireh Bull near the time of his first marriage to Godsgift Arnold, the daughter of Benedict Arnold, the first Governor of Rhode Island. After Bull’s death, the wealthy businessman and privateer Captain John Mawdsley acquired the house and he enlarged it in keeping with his prominent social status, adding elements inspired by the Georgian classicism. Mawdsley in 1774 owned 20 slaves, many of which likely worked on his ships as crew or cooks. He was a Loyalist, and fled Newport during the American Revolution. During the winter of 1780-81, this was the home of French Major-General François chevalier Beauvoir de Chastellux, who was third in command of French forces in America under the French expeditionary force led by general Rochambeau. After the War, Mawdsley was actually allowed to return to Newport, and resided at the home until his death in 1795. In 1795, after Mawdsley’s death, the house was purchased by slave ship captain and wealthy merchant Caleb Gardner, who is said to have brought thousands of humans in bondage to the shores of Rhode Island and in the Caribbean. Gardner is responsible for the Federal period entry and marble front steps we see today. The home was purchased by Historic New England in the 20th century, and was documented as part of the Historic American Buildings Survey. It is now a private home.
‘The Reef’ a fabulous Gilded Age estate in Newport was built in 1885 for Theodore M. Davis by the Boston architectural firm of Sturgisand Brigham. The elegant shingle and stone Queen Anne villa was erected as both a summer house and to house some of Davis’s vast collection of paintings and Egyptian artifacts, collected during his excavations in Egypt’s Valley of the Kings between 1902 and 1913. Besides the architecture of the home, the Reef Estate was also famous for its walled gardens, greenhouses, and outbuildings, sitting upon eighteen acres. overlooking the Atlantic Ocean. Following Mr. Davis’ death in 1915, Milton J. Budlong of Providence purchased the estate. Milton divorced from his wife Jessie in 1928, and it was MESSY. Their Newport summer estate was placed in contention. The house, never again lived in by the family. During World War II, anti-aircraft gun emplacements were set up around the grounds, with the mansion housing gunnery personnel. After the War, the estate was given back to the Budlong heirs, who did not reside there. Vandalized throughout the 1950’s, the villa was set on fire in 1961 and demolished two years later in 1963. In 1969, the waterfront property came under the control of the State of Rhode Island and in 1976, became a state park. The old carriage house/stable and a later observation tower (possibly converted from a former water tower) stand today.
For my last post on this series on The Breakers in Newport, I wanted to highlight the original Breakers mansion. Built in 1878, the original Breakers was equally as significant, but a completely different style architecturally. The Breakers was constructed for Pierre Lorillard IV (1833-1901), a tobacco manufacturer and thoroughbred race horse owner from New York. In 1760, his great-grandfather, and namesake of the family company, founded P. Lorillard and Company in New York City to process tobacco, cigars, and snuff. The ‘cottage’ would serve as a summer retreat for Lorillard and his family for the summer months. The home was designed by one of the premier architectural firms in the country at the time, Peabody & Stearns, who specialized in high-style country estates. In 1885, Lorrilard used his family land in Orange County, New York, to lay out a new residential colony as a playground for New York’s wealthiest residents during the summer months. The colony is known as Tuxedo Park. He sold The Breakers to Cornelius Vanderbilt II in 1885 and the family would summer in the massive Queen Anne style estate for just seven years until a fire destroyed the home. The detached children’s cottage (also designed in 1878 by Peabody & Stearns) survived the fire and remains on the site. The Vanderbilt’s decided to erect a fireproof house immediately, and the result is the massive limestone mansion we can tour today.
While the Breakers Mansion in Newport is one of the most opulent buildings in the United States, a tiny cottage on the grounds always gives me feelings of whimsy. Predating the larger mansion by two decades, this cottage was constructed on the grounds of the original Breakers House, owned by Cornelius Vanderbilt, which was destroyed by fire in 1893. The cottage was built as a children’s playhouse around the time the original Breakers mansion was built in 1878. The Boston architectural firm of Peabody and Stearns built the mansion and adjacent cottage for Pierre Lorillard IV, a New York cigar manufacturer and millionaire. The Queen Anne Revival style elements, including the half-timbering and shingles and asymmetry, were in keeping with the style of the original Breakers, and complimented it well. My favorite part of the cottage is the open porch facing the ocean, which has four wooden posts, carved in the shape of figures from Dutch folklore, a sort of caryatid, supporting the roof. The house contains a living room and kitchen separated by a huge red brick chimney, which would be maintained by servants for the children while they play.
Tied as my favorite room with the Morning Room at the iconic Breakers Mansion in Newport, the jaw-dropping library is almost too good to be true. The library was designed to be the centerpiece of life for Cornelius Vanderbilt, who was always well-read. The walls are paneled with Circassian walnut cut in Europe and stamped with gold. The ceiling is coffered with more gold leaf. The fireplace in the library is probably my favorite in the mansion, which was acquired from a 16th-century French chateau, Chateau d’Arnay Ie Duc. The walls in the library and its smaller alcove are covered with wainscoting of Circassian walnut decorated with low relief carving and gold leaf; the walls above the woodwork are covered with panels of gold-embossed Spanish leather. Yes, leather walls! What is your favorite part of the Breakers Library??
The Dining Room at The Breakers Mansion in Newport is straight out of a postcard! As you walk through the Great Hall into the Dining Room, you can imagine the high-quality 10-course meals served to the Vanderbilts and their wealthy guests. The two massive chandeliers always catch my attention first. The chandeliers are comprised of thousands of crystal balls and beads and were executed by Cristalleries Baccarat, the French glassmakers founded in 1765, but were partially designed by William Morris Hunt, the architect of the home, in the imperial pattern with a crown atop each fixture. Twelve free-standing columns of alabaster surround the room each with Corinthian-style capitals of gilded bronze, which seemingly support the edges of the vaulted ceiling. These columns support a massive carved and gilt cornice. The fireplace of the Dining Room is of carved and gilt grey marble; its hood is of a deep grey Cippolino marble, and it is amazing!
Merry Christmas from The Breakers! This 1895 Gilded Age mansion is the best to explore during December, when the halls are decked and stunning Christmas trees adorn the lavish rooms (learn more about the mansion in my last post) When you walk into The Breakers, you enter the Great Hall. Architect Richard Morris Hunt designed the Great Hall after the open-air courtyards in Italian villas, but enclosed due to the tough New England winters. The palatial space (measuring 50 foot square), even if crowded by tourists trying to get the perfect shot on their smartphones, feels spacious yet somehow welcoming given the art museum-like detailing. The walls are made of carved limestone from Caen on the coast of France and adorned with plaques of rare marbles. Elaborately carved pilasters decorated with acorns and oak leaves support a massive carved and gilt-cornice which surrounds a ceiling painted to depict a windswept sky, further expressing the open-air courtyard feeling envisioned by Hunt, the architect. Four bronze chandeliers dangle from the gilded ceiling, and flood the room with warm light, evoking warm summers in Italy.
The most opulent of all summer ‘cottages’ in Newport is the iconic Gilded Age mansion, The Breakers. This mansion was completed in 1895 as a summer residence for Cornelius Vanderbilt II. Cornelius’ grandfather, Commodore Cornelius Vanderbilt (1794-1877) established the family fortune in steamships and later in the New York Central Railroad. Cornelius Vanderbilt II became President of the New York Central Railroad system in 1885, and bought a wooden summer house called The Breakers in Newport during that same year. The original Breakers Mansion burned in a fire in 1892 and was rebuilt, but more substantially. Vanderbilt commissioned famed architect Richard Morris Hunt to rebuild it. Vanderbilt insisted that the building be made as fireproof as possible, so the structure of the building used steel trusses and no wooden parts. He even required that the boiler housed in an underground space below the front lawn. The Italian Renaissance-Beaux Arts style mansion was likely the most expensive home constructed in New England at the time at a cost of over $7 Million USD (equivalent to over $150 million today).
Cornelius Vanderbilt died from a cerebral hemorrhage in 1899 at age 55, leaving The Breakers to his wife Alice Gwynne Vanderbilt. She outlived him by 35 years and died at the age of 89 in 1934. She left The Breakers to her youngest daughter Countess Gladys Széchenyi (1886–1965). In 1948, Gladys leased the near-impossible to maintain property to The Preservation Society of Newport County for $1 per year. The Preservation Society bought The Breakers and approximately 90% of its furnishings in 1972 for $365,000 ($2.3 million today) from Countess Sylvia Szapary, Gladys’ daughter, although the agreement granted her life tenancy. Upon her death in 1998, The Society agreed to allow the family to continue to live on the third floor, which is not open to the public. The last-remaining family members residing there were evicted from the third floor due to safety concerns, but others state it is retaliation for the Szápárys’ opposition of the controversial Breakers Welcome Center, the plan for which other members of their family, including Gloria Vanderbilt, also opposed.
The Lawton-Warren House is one of the few large, brick Federal mansions in Newport, and is located a short walk from the Tillinghast House (last post) and the mysterious Newport Tower in Touro Park. The collapse of maritime trade in Newport following the British occupation was so complete that this house style, prevalent in Providence, is virtually nonexistent here. Robert Lawton was a sea captain and merchant who died at sea in 1818 off the coast of Africa and left the house to his wife, Penelope. After Penelope’s death in 1855, the traditional Federal style home was given Italianate detailing at the second floor. The home was likely painted around this time, which thankfully has been removed. The home was purchased in 1932 by George Henry Warren and his wife Mrs. Katherine Urquhart Warren. Katherine was a preservationist and art collector interested in preserving the Colonial town of Newport. To assist with this endeavor, she convinced the Countess Szycheni, a descendant of the Vanderbilt family and owner of The Breakers, to open The Breakers mansion to the public for tours. It was the start of the Preservation Society of Newport County. She would later be appointed by First Lady, Jacqueline Kennedy, to the committee to restore the White House in 1961. Katherine died in 1976, she willed the home here to the Preservation Society, and it held offices there until 1994. The home was sold to a private owner who restored the home to near original conditions, keeping the Italianate detailing.