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Wellman-Fisher-Richardson House // c.1745

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The Fisher-Richardson House in Mansfield, Massachusetts is considered to be one of the oldest buildings in the suburban town. The home dates to sometime between 1743 and 1751 and was built for its original owner Ebenezer Wellman (1720-1776). The property was eventually owned by Lemuel Fisher, who in about 1800, doubled the size of the house adding its western half. When Lemuel died in 1820, the property was inherited by his youngest son, Daniel, a farmer and blacksmith who also built a gristmill nearby. The home was later inherited by Daniel’s daughter, Evelina and her husband, Captain Ira Richardson. By 1930, the gambrel-roofed Georgian house was in disrepair, and the owner at the time contacted SPNEA (now Historic New England) who drafted an agreement to acquire and restore the house. However, as local interest in the property increased, the owner deeded the property to the town, and the town took on the costs of restoration. The property is now managed by the Mansfield Historical Society.

New Haven Museum // 1929

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New Haven, Connecticut is known for its Gothic and Modernist architecture, but as it is located in New England, some good Colonial Revival architecture is not hard to find! The New Haven Museum building on Whitney Avenue was built for the New Haven Colony Historical Society, which was established in 1862 to collect, preserve, and publish historical matter related to the history of the greater New Haven community. The Society was housed in various locations around the city throughout the 19th century until 1929 when it relocated to its present building designed by J. Frederick Kelly, a noted colonial revival architect. The symmetrical building with its eleven-bay facade is notable for its arched recessed portico and rooftop cupola. The building remains occupied by the New Haven Museum to this day.

Tonandowa Cottage // c.1892

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One of the two largest summer “cottages” on Grindstone Neck, Winter Harbor, Maine is this massive Shingled mansion overlooking Frenchman’s Bay. Due to its scale and design, the house possibly replaced a more modest cottage in the early 20th century. The “cottage” was owned by Samuel Price Wetherill, a Philadelphia-based manufacturer and businessman. Wetherill spent most of his time at a Rittenhouse Square Beaux Arts mansion in Philadelphia, which after his death, was purchased by the Philadelphia Art Alliance. The Wetherills hosted lavish events in the mansion and clearly wanted to make a statement with their summer home, which rivals almost any “cottage” in the more prestigious Bar Harbor over the bay.

Benjamin Stiles House // 1787

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Built for Revolutionary War veteran and local lawyer Benjamin Stiles, this stunning Georgian mansion is unique for its use of brick in construction, a material not too common for some of Southbury’s earliest homes. Local tradition holds that a French engineer in General Rochambeau’s army provided assistance in designing the building, using the metric system, likely on the march from Newport to Yorktown. Benjamin’s father was one of the original settlers who migrated from present-day Stratford to the un-developed Southbury. The hip-on-hip roof with pedimented dormers is really a stunner, and unique for the town!

Bullet Hill Schoolhouse // c.1762

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The Bullet Hill School, formerly known as the Brick School, is the oldest public building in Southbury, Connecticut and one of the oldest schoolhouses in America. Originally built in 1762 of locally made bricks, the two-story structure is a well-preserved example of a Colonial-era school building. Some sources date the building to 1790. The building remained in operation as a school for 179 years until December 1941 when the new Southbury Consolidated School, now Gainfield Elementary School, opened in January 1942. The Bullet Hill school is distinguished by its near-square proportions, locally made bricks laid up in Flemish bond, generous window sizes, and a hipped roof. The original cupola, now replaced, served as the model for Southbury’s 1977 Town Hall and other public buildings in town. Today, the former schoolhouse is maintained by the town and operated by the Historical Society as a living museum that is open for class visits and tours.

Hoar House // 1891

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This house in West Acton is the last in this batch of Queen Anne style Victorian houses I’ll feature in the village. The dwelling was built in 1891 for a 31-year-old John Sherman Hoar, Jr. (1860-1954) and his new wife Minnie R. Hart. John was a master carpenter and built many of the Queen Anne style homes on Windsor Street and later Colonial Revival and Craftsman homes in the 1890s and 1900s himself. This was his own property which once included a workshop where he cut and manufactured many homes on the street. Today, the Hoar House has a cheery pink color scheme (which while not historically appropriate) brought a smile to my face when strolling by!

Wheeler-Jillson Store // c.1905

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To me, Vermont is synonymous with Vernacular architecture. The state obviously has high-style and architect-designed buildings all over, but the character of the state (to me) is based around local builders, local materials, and local traditions. The patchwork of towns and villages in Vermont all have one thing in common, at least one general store. These buildings serve as an informal meeting place or community center where residents and visitors alike can hear the local gossip and events taking place. The general store in Whitingham, Vermont is located in the middle of the village, perfect for stopping in. The building was constructed in the first decade of the 20th century, replacing a former hotel/tavern on the site. The late-folk Victorian style store exhibits some decorative columns and storefronts, likely produced at one of the working lumber mills in town at the time. The store was originally built by Arthur and Carl Wheeler as the “Wheeler Brothers Store” but after 15 years changed hands and became the “F.W. Jillson & Son Store”. Since then, the Jillson’s opened up an antique store in the building which serves as a multi-use facility (collectively as a country store). Keep it local Vermont!

Doucette Ten-Footer // c.1850

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Here is a building type many of you may not know of… the Ten-Footer! This 10 x 10-foot square building is a well preserved example of a kind of shop historically used by many shoemakers in the late-18th to mid-19th centuries. In Stoneham during the 19th century there were many such shops scattered throughout the town as the area became a sort of hub for shoemaking. In the age before and just after the Industrial Revolution, many Massachusetts residents had home shops in the yards where family and neighbors could earn extra part-time money by doing piece work on shoes. These cottage industry shoe workers were paid for each pair of shoes delivered to the local distributor. Usually, the owner-shoemaker worked alone or with family members in the cramped space with materials like leathers, rubber, and straps stored in the attic space in a loft in the gable. This ten-footer was built in the mid 19th century and later owned by Peter Doucette, who ran a shoe shop here. The small building was eventually acquired by the Stoneham Historical Society and was moved behind their building, restored and it can better tell the story of the town’s rich shoemaking history.

Parker House // 1814

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Wrapping up this series on a tour of buildings in Blue Hill, Maine, we have two stunning old homes left! 

This landmark Federal style house was built sometime between 1812 and 1816 by Robert Parker, whose wife was a daughter of Joseph Wood, one of the first two white settlers of Blue Hill. The home is significant not only architecturally, but for its connections to a number of old settlers to Blue Hill and their families.

By the turn of the 20th century the farming, mining and granite producing town of Blue Hill had been discovered. Writers, artists, musicians, and wealthy urban families from all over the East Coast found inspiration or retreat in many coastal Maine communities including Blue Hill, building “cottages” to summer at. Not all those who arrived to Maine were ‘from away’, as many built new or renovated their old ancestral homes to be occupied when seeking the peace and tranquility of coastal Maine. The Parker House was no different. In 1900, it was renovated in the Colonial Revival style as a summer home for Frederick A. Merrill and his wife, Elizabeth, residents of Boston. The couple hired George A. Clough, who worked as the first City Architect of Boston, but grew up locally in Blue Hill. Mrs. Merrill was descended from Mrs. Robert Parker’s sister. The current owner, the Merrill’s great-grandson, has undertaken a restoration of the house which pays homage to its Colonial Revival past. The stunning house can even be rented!

Former Vermont State Hospital // 1890

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The former Vermont State Hospital campus in Waterbury, Vermont, is a 36.3-acre campus of institutional buildings that have been converted for use as state government offices. A sprawling array of more than 17 structures, the hospital, which historically treated mental disorders, was first funded by the Vermont State Legislature in 1888. Construction began on the plans by the Boston architectural firm of Rand & Taylor in 1890. The architects designed the landmark main administration and auditorium building at the core, which is built of brick on a rusticated stone foundation and under a steep hipped slate roof. The building is connected by single-story links to two-and-a-half-story wings, which are attached to clustered two-story cylindrical wards. In planning the hospital, Rand & Taylor stressed the isolation of patients and stressed the importance of light and air in each room and restricted height of the building to facilitate egress from upper floors in the event of fire or emergency. The asylum has a dark history in that Dr. Eugene A. Stanley, the Superintendent from 1918–1936, was an advocate of eugenics and espoused forced sterilization and advised the Eugenics Society based on his patients records. From this, the word, “Waterbury,” became used in a derogatory sense, and did harm to the town for years. The hospital was closed in 2011 due to flooding in the aftermath of Tropical Storm Irene, and after a thorough renovation by architects Freeman French Freeman and Goody Clancy, the complex re-opened in 2015 as State Offices with renovated historic assets and modern, contextual new buildings.