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Dr. Henry Janes House – Waterbury Municipal Center // c.1890

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Probably best known for being in charge of all the military hospitals in the Gettysburg area after the bloodiest battle of the Civil War, Waterbury, Vermont native, Dr. Henry Janes (1832-1915) had a decorated career and gave much to his country and hometown. Janes attended local schools before enrolling at St. Johnsbury Academy, later graduating from New York City’s College of Physicians and Surgeons in 1855. After a few years working in NY and MA, he moved back to Waterbury to take up a private practice. This was disrupted by the Civil War where he was a major surgeon on the front lines and had over 250 surgeons under his command. After returning home from the war, Dr. Janes was involved in politics and business, and had a home built in town. According to local historians, this present home of Janes was built in 1890, but it definitely could date to the 1870s with Stick style features. Upon his death, the Dr. Janes home was gifted to the town for use as a public library. When Tropical Storm Irene hit the region in 2011, the town offices were destroyed and Vermont Integrated Architecture was hired to expand the Janes House adding space for town offices, meeting space, a modern library and to reconfigure the historic home for the Waterbury Historical Society. Everything about this is perfect, down to the paint colors!

Stagecoach Inn // 1826

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Built by the Carpenter brothers in Waterbury, who also designed and built the neighboring Congregational Church (last post), this large structure was a stagecoach stop on the road to Stowe for much of the nineteenth century. Briefly, the Inn served as a private residence for Albert and Annette “Nettie” Spencer. Nettie grew up in Waterbury and married Albert who owned rubber factories in Ohio and invested in real estate in Burlington. At one time, the Spencers’ residences included their Waterbury house, a suite at the Waldorf Astoria in New York City, a house in Newport, an apartment in Paris, as well as one in London. Albert died in London, and Nettie continued living in Waterbury until her death in 1947, approaching 100 years of age. Within a year, the property was sold and the owners reopened the main house as a sort of boarding house. The property was restored and operates today as the Old Stagecoach Inn.

Aaron Cutler Memorial Library // 1924

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In his 1917 will, Aaron Cutler of Hudson, N.H. left his estate to family and friends with his remaining estate to be bequeathed “for the purpose of the erection, furnishing and maintenance of a Public Library, upon the express condition that the citizens of said town give land upon which to erect the same. Said land to be located within one-quarter of a mile of the town hall. Said Library to be of brick and slate. And to be known as “The Aaron Cutler Memorial Library.” His town of Hudson recently erected a memorial library, so he sought to fund a library in an adjacent municipality. Land was donated in Litchfield for a new library there and architect William M. Butterfield furnished plans for the building. The library was completed in 1924 and exhibits Tudor/English Revival design, unique for the town.

The Floats // 1900

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Newton Booth Tarkington (1869–1946) was an American author best known for his novels The Magnificent Ambersons (1918) and Alice Adams (1921). He is one of only four novelists to win the Pulitzer Prize for Fiction and was considered the greatest living American author in much of the 1910s and 1920s. While he was born and grew up in Indiana, “Booth” eventually fell in love with the coast of Maine, and built a home in the charming village of Kennebunkport. In Kennebunkport, he was well known as a sailor, and his schooner, the Regina, survived him. Regina was moored next to Tarkington’s boathouse this building, which was named “The Floats” which he also used as his studio. The building was constructed in 1900 as a shop to build ships. He purchased the building, preserving it for generations to come. After his death, the boathouse and studio were converted into the Kennebunkport Maritime Museum. The building appears to now be a private residence, perched above the harbor. How charming!

Moses Latham House // c.1845

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Noank is a charming seaside village within the town of Groton that is centered on a peninsula at the mouth of the Mystic River where it spills out into the Long Island Sound. Historically, the area was known as Nauyang (meaning “point of land”) and was a summer camping ground of the Pequot people, but they were driven out in 1655 following the Pequot War. White settlement was slow here until the mid-19th century, when the shipbuilding and fishing economy took off here. As a result, houses, stores, churches and industries were built, and an entire village was formed. Most extant homes here were constructed starting in the 1840s as the village (and nearby Mystic) saw economic growth from the maritime trades. This house, the Moses Latham House, was constructed for Mr. Latham in about 1845. The house is Greek Revival in style with flush-board siding, a fan light in the gable which reads as a pediment, and a simple portico supported by fluted Doric columns.

Rose and Howard K. Hilton House // 1900

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Tudor Revivals may just be my favorite style of house. The interesting roof forms and gables, the use of stone, brick or stucco, and the presence of garrisoning and half-timbering in designs are always so charming. This enchanting Tudor Revival home in Providence, Rhode Island, was built in 1900 by local architect Howard K. Hilton (1867-1909) as his personal residence with wife Rose. He first worked in the office of H. W. Colwell and continued his training under Ellis Jackson joining him in partnership (Jackson & Hilton) and under the firm name was identified with the design of several churches, schools, hospitals and various other buildings in his native city before he retired in his final years. This home is very unique for its site on a narrow urban lot with the door at the side, brick first floor with jettying at the second floor of wood construction with half-timbering. While writing this, I noticed that there are also projecting gargoyles which serve as water spouts to send water away from the structure during rainfall events. Tudors are really the best!

The Carlisle // 1880

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In 1880, Jonas Gerlusha Smith (1817-1893) received a permit to erect a multi-family apartment building on Warren Avenue in present-day South End. The lot was close to his personal residence at 13 Warren Avenue and would have been easy to maintain and oversee tenants in the building. Mr. Smith hired 26-year-old architect Arthur H. Vinal, who furnished the plans for the handsome Queen Anne building. Vinal would later become the City Architect of Boston from 1884 to 1887, designing the High Service Building at the Chestnut Hill Reservoir just seven years after this building. By the late 1880s, the building was known as The Carlisle and it remained in the Smith family holdings under Walter Edward Clifton Smith until the 1930s. Walter attended the Cambridge Episcopal Theological School and later worked at various churches in the Boston area, serving as pastor in his later years. He lived on Follen Street in Cambridge while he held the Carlisle for additional income. Under new ownership in 1950, a retail storefront was added to the first floor which was occupied as a florist for some years. In 1979, after years of deferred maintenance, the property was purchased by Louis G. Manzo and his son David W. Manzo, who meticulously restored the building over time into the time-capsule that it is today!

Talitha Cumi Home // 1912

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One thing I love about Boston is that nearly every old building has such a rich history that takes so much time to compile and write up (this account keeps me busy)! Located on Forest Hills Street in Jamaica Plain, this stucco building caught my attention when driving by, so much so, that I had to stop and go back. The building was constructed in 1912 as a home for unwed mothers called Talitha Cumi Home (a phrase from the Bible meaning “Arise, young woman”). The charitable organization outgrew their space in the South End and sought greener pastures and open space in Jamaica Plain. The group had been organized in 1836 by “earnest Christian women” who longed to open a “door of hope” to “those hopeless and helpless girls who found themselves facing the sadness and shame and wrong of unwed motherhood.” The Talitha Cumi Home allowed pregnant women to reside and birth their children before their pregnancy began to show. The site originally included an administration building and a hospital with both structures connected by a covered breezeway. The home closed in the 1950s and the former home for unwed mothers has since been converted to a middle school.

William Allen Jr. House // 1866

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Italianate style houses dominate the Deering Street area of Portland architecturally, but there are definitely some great Second Empire residences and other styles seen here. This house (like seemingly every building in Portland in the 1860s) was designed by architect George M. Harding for William Allen Jr. The house would soon be Harding’s neighbor, so he made an effort to site and design this residence with care. The brick building is capped by a slate mansard roof and it has a beautiful projecting door hood with pendants carved of grapes. Sadly, like some others on the street, the belvedere was removed in the mid-20th century.

Francis Waldron House // 1867

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Francis Ashby Waldron (1816-1898) was born in Buckfield, Maine to an old New England family. He moved to Portland for job opportunities and worked as a merchant, eventually establishing Waldron and True with business partner Samuel True. The firm was engaged in dealing grain, salt, corn, and more. After a few years of profits, Francis had this Italianate style mansion built on the fashionable Deering Street just west of Downtown. The property was passed down to his children after his death in 1898, and it remained in the family until 1950. The house originally had a prominent belvedere at the roof, but it was eventually removed. The former Waldron House is now maintained as a law office.

Sprague Former Town Hall and Fire Station // 1911

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At the turn of the 20th century, the town of Sprague (including Baltic Village), had 1,300 residents. Just ten years later, in 1910, the population doubled, largely due to Frederick Sayles‘ purchase of the Sprague Mill and re-investment in the village’s housing and buildings. The need for new town offices and a fire station was evident, and this building in the village was constructed in 1911 to serve both needs. The old Town Hall and Fire Station is a late example of Romanesque Revival style architecture with the arched windows at the second floor and in the dormer. The space was outgrown again and the town offices relocated to a Modern building down the street after WWII.

Giddings Homestead // c.1800

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This old gambrel-roofed home sits on the beginning of Pautipaug Hill Road just outside the industrial village of Baltic, in Sprague, Connecticut. The house’s history is a little unclear, but it shows up on historic maps as being owned by W. Giddings. This appears to have been Walter Giddings (1788-1854). Walter may have built or inherited this property from his father Nathaniel, who died in 1809. Walter married Laura Lucretia Fillmore in 1811 and they had four children. Laura died in 1827 at just 37 years old and Walter remarried within a year to Lydia Lathrop Ladd. The property remained in the Giddings Family at least into the second half of the 19th century. It was later “Victorianized” with two-over-two windows, side and front porches, and a octagonal bay window. The home has been suffering from deferred maintenance for over 15 years (as far back as Google maps goes) and was listed for sale, so here’s to hoping this old beauty survives!

Otis Company Mill #1 // 1845

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This five-story granite mill building was one of the major catalysts for the 19th century population surge in Ware, Massachusetts. As New England’s fledgling textile industry of the era played a vanguard role in transforming the U.S. into an industrial nation, the significance of this type of mill can hardly be understated. The Otis Mill #1 in Ware is one of the last remaining granite textile mills of this early period in central/western Massachusetts. The mill was built in 1845 for the Otis Company, which initially manufactured woven cotton fabric, but later branched out into stockings, woolen shirts and drawers underwear. The company was Ware’s largest employer for about 100 years! The company prospered thru WWI employing over 2,500 people. During the 1920’s the business began a decline due to the southern state’s mills and lack of modernization. In the mid 30’s the Otis Co sold its property to the citizens of Ware, which they formed Ware Industries, Inc to continue the major employer in the town. Due to this Ware came to be known nation-wide as “The Town That Can’t Be Licked.” The mill is now home to local small businesses as a sort of incubator, providing jobs to local residents!

Manley-Lefevre House // c.1820

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The last (but certainly not least) building in Dorset, Vermont I’ll be featuring is the Manley-Lefevre House aka. Marble House! This stunning Federal period home was built around 1820 by Martin Manley (1783-1856) on land originally owned by his father George. The house is constructed of ashlar marble that was quarried with hand tools from the lower quarry located approximately 200′ behind the site of the house with dressed marble finished in town and brought back for installation at the lintels, sills, and door surround. In 1907, Edwin Lefevre, Sr. (1871-1943) traveled by train from Bronxville, New York to Dorset at the suggestion of the artist Lorenzo Hatch, with the intention of locating a summer residence for his family. They purchased this home, which became known as “The Old Stone House” and hired Eugene J. Lang, a New York architect, to remodel the house, design a kitchen wing and remodel the barn into a garage (1909). While in Italy, Lefevre fell in love with the formal gardens there, and wanted something like this for his country estate. Upon his return, he retained garden designer Charles Downing Lay to design the gardens that surround the house. The country estate is now home to The Marble House Project, a multi-disciplinary artist residency program.

Dorset Playhouse // 1929

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During the spring of 1927, Mr. and Mrs. Edward Goodman, devotees of the performing arts, were able to interest a number of Dorset residents in producing a play. In April 1927, a three-act play entitled ’39 East’ was presented in the Dorset Town Hall for the benefit of the PTA and was received with great enthusiasm. From this, a movement took off. Many summer residents and artists in town formed a group, the Dorset Players, who would continue performances for the town. They realized that the space in Town Hall was not suitable nor permanent enough for the goals of the group. May Goodman purchased land at the edge of the village and the group held two years of performances in nearby towns to gather funding to erect a playhouse. Ernest West, a member, offered two barns on his property in town and it, plus one more barn, were incorporated into the new playhouse. The auditorium was built so that the weathered sides of the barn boards were on the inside and hand hewn timbers 12 by 12 inches were used to achieve a rustic effect which draws many favorable comments from those visiting the Playhouse. It remains a cultural center of the town and greater region to this day.