Gardiner Universalist Church // 1843

This stunning Gothic Revival church was built in 1843, on the site of the blockhouse, erected 80 years prior for the settlers of the area from native attack. In the 17th and 18th centuries, many rural parts of New England had blockhouses erected to allow the settlers a defensive fort from attack. The blockhouses were often garrisoned wooden structures with small windows on all sides to allow for gunfire to attackers below. The structure would protect those inside from arrows and melee weapons. This building however, was constructed later for the Universalists, who believed in “universal salvation,” who had been meeting since 1821 in a schoolhouse beside the town common. The church, in its original state with its steeple and clock, was an extremely sophisticated example in wood of the Gothic Revival style with its pinnacles, lancet windows and pilasters. Sadly, the steeple and clock were removed in the early 1920’s for safety reasons as the structure could not support it without significant engineering. The church and congregation changed to the United Church of Christ-Congregational denomination in 1964. After that, the building was occupied by a brewery (believe it or not), before being reverted back to a church by the current congregation.

David Forrest House // c.1857

This home in Schenectady’s Stockade Historic District appears to have been built in the mid-19th century, and is an excellent example of a modestly sized Gothic Revival cottage. The house was occupied around 1860 by David P. Forrest, who served one term as Mayor of Schenectady in 1859, later becoming an Inspector of State Prisons from 1860 to 1862. The amazing Gothic bargeboard and other trimmings have remained and add so much intrigue to the home’s design. And that lancet window in the gable end! Swoon.

Mount Vernon Congregational Church // 1892 & 1984

The Mount Vernon Congregation Church was founded in 1842 and originally was located in Ashburton Place on Beacon Hill (which I featured previously). As its members moved to the Back Bay, the congregation decided to build a new church in the western portion of the neighborhood. They hired architect C. Howard Walker to design the new church building, with stained glass windows by John LaFarge and Louis Comfort Tiffany added as memorials to several members of the congregation over subsequent years. As originally designed, the church had a 45-foot high steeple on top of its 85-foot square tower, but over the years it became structurally unsound, and it was removed just before the Hurricane of 1938, which toppled many steeples all over the region. In 1970, the church merged with the Old South Church in the Back Bay. In 1977, developers proposed to remodel the church building into retail and office space. The proposal was approved by the Boston Redevelopment Authority in January of 1978. Before work could commence, a fire destroyed much of the church building leaving a shell of Roxbury Puddingstone walls and the tower, the developer pulled its funding and the building’s future was uncertain. One year later, architect Graham Gund purchased the building. Gund was familiar with adaptive reuse projects, like his restoration of the Middlesex County Courthouse in Cambridge for his own office in Cambridge in the 1970s. Gund redesigned the building into 43 condominium units called Church Court. What are your thoughts on the architecture?

Trinity Church, Southport // 1862

The Trinity Episcopal Church in the Southport section of Fairfield, Connecticut was established in 1725. Twenty families met for worship at its first meeting house in the center of town on Thanksgiving Day, 1725. Since then, the church has constructed five different places of worship in locations around town. Architect Albert C. Nash designed the church which was constructed during the years 1854-56. Sadly, the building’s near total destruction by wind during a tornado on January 1, 1862, required the church to be completely rebuilt as originally planned, with a few structural alterations. Trinity Church is an excellent work of early Gothic Revival church architecture in wood, one of the best I have seen in my trips around the region.

Sturges Cottage // 1840

In the 1840s in New England, one architectural style commanded a large majority of all new house styles, Greek Revival. A divergence from the Classical designs of the Georgian, Federal and Greek Revival styles which dominated at the time, the Romantic movement began its first true breaths across New England. The Gothic Revival and Italianate styles are often thought to be the first couple styles which brought the frills and detailing personified by Victorian-era architecture.

This home in Fairfield, Connecticut was built in 1840 to a design by Joseph Collins Wells, it is one of the oldest-known and best-documented examples of architect-designed Gothic Revival architecture. The home was built for for Jonathan Sturges (1802–1874), a businessman and patron of the arts. It is one of the earliest known examples of architect-designed Gothic Revival architecture, a style more often taken by local builders from pattern books published by the style’s proponents. The home was likely a pre-cursor to architect Joseph Wells later commission, the famous Roseland Cottage.

Thetford Center Methodist Church // 1838

An outstanding example of the Gothic Revival style churches in Vermont, this brick, three bay, gable front church was constructed in 1838 in Thetford Center Vermont. The Gothic Revival style is expressed here primarily in the pointed louvered insets above the windows (including the pointed louvers in the steeple) and the finials at the steeple. The church building was constructed using brick made in the local brickyard owned by Hezekiah Porter. Designed to seat 250 people, it was constructed for the cost of a mere $1,400. Behind the church is the Evergreen Rest Cemetery, administered by a Cemetery Association, in which are many of the early residents of Thetford and members of the congregation and its founders.