Gothic Revival

Church of the Holy Name of Jesus, Chicopee // 1857

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With crop failure a common occurrence in 1830s Ireland, immigration from Irish to New England surged with workers and families looking for a better life. Labor opportunities were abundant in the newly established mill town of Chicopee, with the Irish flocking here to dig canals, build dams and mills and later work in those same buildings. Their wives and daughters would work as cooks and maids, but later as operatives in those same mills. As many Irish were Catholic, it became apparent that a Catholic congregation should be established, St. Matthew’s was first organized in Chicopee in 1838. An earlier wood-frame church was built and used for a number of years until a large site on South Street was purchased by the Diocese for a new campus. Irish-born ecclesiastical architect Patrick Keely designed the church building which was constructed between 1857-1859 in the Gothic Revival style. The church was dedicated the “Holy Name of Jesus” church and exhibited sandstone-topped buttresses, rows of pointed dormers running down the clerestory on the sides, and a prominent central steeple. In 1910, the present copper spire replaced the original steeple which was damaged and burned in a lightning strike. The complex grew throughout the 19th and 20th centuries, with a rectory, schools, convent and monastery built on the site. Sadly, due to dwindling membership and fiscal considerations, many of these buildings were demolished in the past decades. The church appears now to be closed and is still owned by the Archdiocese of Springfield. I hope something can be done to preserve this landmark structure and the remaining buildings on the site.

Lavalette Perrin House // c.1844

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The perfect whimsical blending of the Classical Greek Revival and the intricate details of the Carpenter Gothic styles can be found under one roof in Goshen, Connecticut; this is the Lavalette Perrin House. Built c.1844 for Lavalette Perrin (1816-1889), who graduated from Yale in 1840, and became licensed to preach in 1843. Reverend Perrin was in his late 20s when he accepted the call to become the pastor of Goshen’s Congregational Church in 1843. Upon arriving to town, he had this residence built soon after, blending two differing styles in a blissful composition. Perrin remained in Goshen until he was called to New Britain in 1858, where he remained until his death. Unique architectural features of the home include the flushboard siding, pilaster-and-lintel framed doors and windows (very rare in this form), and wave-like bargeboards. What a special home!

Gen. Davis Tillson House //1853

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The General Davis Tillson House was built in 1853 and is one of the best examples of a high-style Gothic Revival residence in the Mid-Coast region of Maine. Located on Talbot Avenue in Rockland, Maine, the house was first owned by General Davis Tillson (1830-1895), a prominent local businessman who owned lime manufacturing facilities and the town’s main wharf before enlisting for service in the American Civil War. Tillson had attended the United States Military Academy at West Point (1845-1851) but did not graduate due to an injury which forced the amputation of one of his legs. During the Civil War, Davis Tillson fought with distinction at the Battles of Cedar Mountain and Second Bull Run. Promoted up to Lieutenant Colonel, then Brigadier General, US Volunteers on March 21, 1863, he later served as Chief of Artillery, and commanded defensive fortifications in the siege of Knoxville before the conclusion of the war. Afterwhich, General Tillson was selected to serve as Director of Freedmen’s Bureau in Georgia and Tennessee. The Bureau was established in 1865 by Congress to help millions of former Black slaves and poor whites in the South in the aftermath of the Civil War. The Freedmen’s Bureau provided food, housing and medical aid, established schools and offered legal assistance. It also attempted to settle former slaves on land confiscated or abandoned during the war. After two years in Tennessee, Tillson would return to Rockland to his home and spend the rest of his life in Maine from this home. The General Tillson House is notable for the use of brick and the steeply pitched gable roof with jigsawn bargeboards.

Ashby Congregational Church // 1835

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Combining Greek and Gothic revival styles, the 1835 Ashby Congregational Church in Ashby, Massachusetts, is a significant building showcasing the transitional tastes of ecclesiastical architecture in 1830s New England. The church had its beginnings in 1818, when a group of church members disillusioned to the current teachings separated from the town’s Unitarian roots and the accompanying meeting house, the First Parish Church. In 1820 a church for the Congregationalists was built on the opposite end of the town common. In 1835 it was sold and this, the current church building was constructed on a new site facing the Common. The original 1820 church building became the Ashby Academy and is now a Grange Hall. The design of the Ashby Congregational Church shows the leaning towards Gothic detailing wit its prominent pointed arch detailing, yet retains some traditional Greek Revival features like the two-story pediment and pilasters at the belfry.

Yale University – Dwight Hall // 1842

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One of the most architecturally significant college buildings in the United States, Dwight Hall was designed to house the growing book collection of Yale College as its library. The former Yale College Library, now Dwight Hall, represents a significant shift in Yale’s campus architecture from Georgian and Federal brick buildings to the Gothic mode which the campus is largely known for today. Dwight Hall was designed by local architect Henry Austin with the guidance of esteemed architects Ithiel Town and Alexander Jackson Davis, both experts in early high-style Gothic buildings in America. The design, to me, resembles the 1443 King’s College Chapel in Cambridge, England. The structure is constructed of brownstone from Portland, Connecticut, and it is composed of a central block with two smaller flanking wings on either side connected by smaller linking spaces. At the yard facade, two octagonal towers with domed copper roofs rise, flanking a large, pointed lancet arch window that extends above the doorway. The library was outgrown fairly quickly, necessitating an annex next door and eventually collections were transferred to Sterling Memorial Library in 1930, the Old Library was converted to a chapel and community service building and is known as Dwight Hall.

Dixmont Corner Church // 1834

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Dixmont, a small rural town in central Maine was originally originally a land grant by the Commonwealth of Massachusetts (of which Maine was then a part) to Bowdoin College, which sold the first settlers their land for profit to build on their campus. As a result, the town was originally called “Collegetown”, which was obviously short-lived. Dr. Elijah Dix (1747-1809) of Boston, who never lived there but took an interest in its settlement, encouraged others to settle there, and when the town was officially incorporated in 1807, it named itself after Dix, as Dixmont. A “malignant fever” broke out among the settlers in the early years, also killing Elijah Dix while in Dixmont on a trip there in 1809, he was buried in the Dixmont Corner Cemetery. Elijah was the grandfather of reformer and nurse Dorothea Dix. The early settlers had this church built by 1834 by Rowland Tyler, a local master builder whose only other documented work is the 1812 City Hall of Bangor. The Dixmont Corner Church is one of Penobscot County’s oldest Gothic churches and also exhibits some Greek/Classical elements.

Trinity Parish Chapel, Southport // 1872

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The Trinity Episcopal Church in the Southport section of Fairfield, Connecticut was established in 1725. As the parish and town grew, a large and architecturally stunning church was erected in 1862, and housed services for some of the wealthiest and well-connected residents of Connecticut. During Rev. Edward Wells’ rectorship, it was decided that a parish school was needed, and as an ardent believer in religious training, he started planning for a new chapel for use as a school. The Trinity Parish Chapel was designed by Southport architects Disbrow & Taylor and erected 1871-72. This Gothic Revival building is an excellent example of the rural church architecture which enjoyed widespread popularity throughout the country during the mid 19th century. Designed on a simple rectangular and decorative wooden bell cote, the small chapel’s board-and-batten siding and modest though strong Gothic details create a composition which compliments the more grand church just steps away. The chapel was originally built as a free-standing building, but was connected by a large, brick addition in the 20th century.

Litchfield Community Presbyterian Church // 1844

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Litchfield, New Hampshire remained a rural agricultural town on the eastern banks of the Merrimack River from its founding by white settlers until after WWII when it rapidly became a bedroom community for nearby NH cities and Boston. The area’s Presbyterian residents needed a place to worship, separate from the more common congregationalists, and they built this Gothic and Greek Revival style church near the geographic center of town, a stone’s throw from the Merrimack River. The building features lancet windows, tracery, and a two-tiered belfry with classical pilasters and Gothic finials at the tower.

Horatio Harris Villa // 1857

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Not much remains of one of Roxbury’s once grand rural estates, but as there is some left, I want to feature it before it’s all gone, possibly any day now! Horatio Harris was born in Dorchester (present-day South Boston) in 1821 and ran a prominent auction house in Boston. He built his country estate in Roxbury beginning in 1857 in the Gothic Revival style, adding on and updating numerous times. During the Civil War, the firm of Horatio Harris & Co. obtained the contract to sell at auction all goods which were confiscated by the United States’ land or naval forces and brought to Boston. He made a lot of money and added to his land holdings and estate house in Roxbury. The mansion’s construction was timely as Roxbury was transitioning from a rural town, with farms and country estates of wealthy Boston merchants, to a streetcar suburb, increasing the land value of his holdings. The estate included nearly 30 acres of meandering paths, a lake with an island, outbuildings, and an observation tower – one of which remain today besides the ruin of the former mansion. Horatio died in 1876, in the decades following his death, his heirs began subdividing the estate, developing some and selling other plots off for houselots. By the early 1900s, Jewish people began moving into Roxbury, mixing with the predominantly Yankee population. By 1915, the Harris manor house was owned by the Hebrew Alliance of Roxbury, Inc. By the 1920s, they expanded facilities, adding a school building to the front of the former Harris Mansion, completely obscuring the facade of the old estate. In the 1940s, the upper stories were removed. Seemingly the death knell of the old Harris Villa was a fire in 2019, which gutted much of the remaining original fabric of the estate. All that remains is a bay window, some window trim details and a Gothic porte-cochere at the rear of the estate. See it before it’s too late!

Dorset Congregational Church // 1909

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Arguably the most high-style building in the quaint village of Dorset, Vermont is the Congregational Church, which appropriately sits on Church Street. The original congregational church in Dorset was located in nearby Maple Hill Cemetery. When the wood structure burned in 1832, an new wooden church was built on this site. The second wooden building burned in 1907, and then this church was built, but of fireproof construction. Jordan Greene, an architect from New York, designed this Neo Gothic Revival style in the historic district. The church was constructed by the contracting firm of O. W. Norcross, partner in the Norcross-West Marble Company, which donated the building stone from its South Dorset quarry. The design is dominated by a massive square central tower that ascends its facade and is capped by pinnacles. Behind the tower, the gable-roofed church is built of rough-faced Dorset marble laid in patterned coursed ashlar and trimmed with dressed stone. How many other marble churches can you think of?