Canterbury Shaker Syrup Shop // c. 1780

When Benjamin Whitcher donated his farm for the beginnings of a utopian Shaker community, the land and buildings became the catalyst for the next 200 years of Shaker life in the community. It is known that Benjamin Whitcher constructed his farmhouse sometime between 1775 and 1782. With the arrival of the first Shakers in 1783, Whitcher allowed families to reside on the farmland, with the 1790 Census counting 35 people on the Whitcher property. This structure was one of the original structures on the old Whitcher Farm, and is possibly the oldest extant building in the Shaker village today. The building was moved to its present location in 1841 and was used for distilling sarsaparilla syrup for medicinal purposes by members of the community.

Canterbury Shaker Dwelling House // 1793

The second oldest purpose-built building in the Canterbury Shaker Village (after the 1792 Meeting House), is the dwelling house, constructed in 1793. The T-shaped structure was expanded numerous times and contains 56 rooms. The structure is the largest in the village and is notable for the large domed cupola, housing a Paul Revere bell. The first floor contained the village butcher shop, bakery, communal kitchen and dining room. For many years the second floor consisted of four bedrooms, two for elders and two for the sisters and the brethren. The third floor is also devoted to dwelling rooms. The Dwelling House was the residence of Canterbury’s last remaining Shaker sister, Ethel Hudson, who died in September 1992, the 200th anniversary year of the founding of the Canterbury Shaker community.

St. Saviour’s Episcopal Church // 1877

Initially erected in 1877 and enlarged several times thereafter, the St. Saviour’s Episcopal Church in Bar Harbor is an excellent example of ecclesiastical architecture in the state of Maine. The original church building had been erected in 1877-78 at a cost of about $7,000 from designs by the New York architect Charles C. Haight. Within eight years of its construction, space limitations caused the church to undertake a major expansion. Designed by the Boston architectural firm of Rotch and Tilden, this building campaign – carried out in 1885-86 – dramatically changed the church’s appearance by developing a cross shaped plan that made use of the original structure for transepts and added a larger nave, semi-circular apse, and an imposing crossing tower. The numerous building campaigns designed by both prominent and lesser known architects, have produced a rich eclectic architectural legacy that mirrors the development of Bar Harbor.

Mathes House // c.1835

Benjamin Mathes built this stone home around 1835 for his family, of the same stone he used to build a store across the street. The Federal/Greek Revival building has amazing granite quoins (stone blocks at the corners) and lintels (blocks above the windows). Even though there are later alterations, including the bracketed door hood and massive central dormer at the roof, the home remains one of the most visually stunning buildings in town.

Newmarket Manufacturing Company Complex // 1823+

In 1823, the Newmarket Manufacturing Company built its first mill along the Lamprey River, dominating the waterfront and the economy of Newmarket, New Hampshire. Harnessing water power at the base of the falls, the cotton textile manufacturing community grew to include seven textile mills, with factory buildings, a machine shop, office, storage buildings, and corporate boarding houses; totaling some 140 buildings in all. During its peak production, 700 employees made up to 300,000 yards of cotton products each week, and 2.7 million yards of silk cloth each year. The mills operated continuously at this site until 1929 when a dispute between mill owners and workers erupted leading to their closure. Between 2010 and 2012, eight large mill buildings within the Newmarket Manufacturing Company property underwent a conversion to mixed use, including residential, retail, and office units, thanks to Historic Preservation Tax Credits, and many professionals who worked together with the vision to see such a large project through. Today, the complex is a excellent case-study on the power of adaptive reuse and historic preservation.

Delano-Clapp House // 1735

My favorite Georgian style house in Rochester, MA is the Delano-Clapp House set far off the street, behind a stone wall. The house was built in 1735 for Jonathan Delano, a weaver. Jonathan’s son, Jonathan, Jr., sold the house and land to Ebenezer Clapp, in 1755. The property remained in the Clapp Family for nearly 250 years, when it sold out of the family in 1990. This house is testament to the fact that you can find great architecture in every corner of New England!

Hadley’s Chandlery // 1806

At the corner of Main and Water streets in Marion’s Wharf Village, this beautiful building has long ties to the town’s rich maritime history. The building was constructed by A.J. Hadley in 1806 as a ship chandlery, a shop selling all the goods necessary for sailors and fishermen who were docked just steps away. While Hadley’s store occupied the right half of the first story, the western (left) segment housed the first Post Office in the village, leaving Hadley and his family on the second floor. There is something so special about fishing villages in New England, while the populations of these towns are very different than they once were, the buildings and history still convey martime history and the way of life here over 200 years ago.

Marion Post Office // 1830

Built around 1830, this little cottage is set behind a front lawn and is among the many photogenic buildings along Marion’s Main Street. Originally located behind the Marion Congregational Church, this structure was moved to its current site between 1855 and 1879, and run as a post office for the village. During the mid-19th century, the job of post-master was a political appointment. For a time Captain Nathan Briggs, a retired sea captain and Democratic party appointee, operated a post office in this structure, competing with Republican Dr. Walton N. Ellis who was in charge of a rival Post Office nearby. He ran the post office until he was struck by lightning in the doorway of his home. Who knew that everything was as political then as they are now? Things do not change!

Briggs House // c.1850

This tiny half-cape house in Marion was built in the mid-19th century for Timothy Hiller Briggs (1822-1877), a whaler. Based on the Federal/Greek detailing on the house, it is also likely the home was built much earlier for Timothy’s father, Silas, a sea captain, and was willed to his only son upon his death in 1833. Timothy died at the young age of 54 and his widow, Josephine, maintained the cottage until her death in 1924! The home is a half-cape as it has an off-center door with two bays of windows at the facade. A full-cape would be symmetrical with a central door and two windows on either side. The central chimney would provide heat to all rooms in the cold winter months.

First Universalist Church, Marion // 1830

I do love a good adaptive reuse story! This Marion, Massachusetts church building was constructed in 1830 for the town’s growing Universalist congregation. Architect Seth Eaton was hired and furnished plans, likely relying on neighbor, Warren Blankinship, a carpenter and congregant, to construct the building. It blends together the Greek and Gothic Revival styles well, but in a less sophisticated form. By the mid 20th century, membership of the church dwindled, and it finally shuttered its doors. With the building’s future uncertain, at a time where demolition for surface parking lots was the go-to solution, Marion residents Andrew and Dorothy Patterson, purchased the building and soon after worked with local artists in town to restore the building for use as an art space. The Marion Art Center was thus founded in 1957, and to this day, serves as a non-profit community cultural organization dedicated to promoting the visual and performing arts.