Stephen & Maria Mansfield House // 1888

The Stephen and Maria Mansfield House is located at 70 Concord Street in Nashua, New Hampshire, and is one of many stunning old houses along the largely residential street. The dwelling was built in 1888 for Stephen Willard Mansfield, a shoe dealer in Nashua, and his wife, Maria. The Mansfield House is a great example of a more modestly sized Queen Anne style house, which is typified by the asymmetrical plan, varied siding types, and intricate carvings and turned posts. This house is dominated by a two-story rounded bay which is capped by a conical roof. She could definitely use a good paint job but it’s a really sturdy old home built from old-growth lumber. She’s here to stay!

Hoar House // 1891

This house in West Acton is the last in this batch of Queen Anne style Victorian houses I’ll feature in the village. The dwelling was built in 1891 for a 31-year-old John Sherman Hoar, Jr. (1860-1954) and his new wife Minnie R. Hart. John was a master carpenter and built many of the Queen Anne style homes on Windsor Street and later Colonial Revival and Craftsman homes in the 1890s and 1900s himself. This was his own property which once included a workshop where he cut and manufactured many homes on the street. Today, the Hoar House has a cheery pink color scheme (which while not historically appropriate) brought a smile to my face when strolling by!

Arthur Blanchard House // 1892

I do not feature enough Queen Anne style buildings on my account, as penance, I present this beautiful example of the style with a painted lady color scheme! Located on Windsor Avenue in West Acton, Massachusetts, this house was built in 1892 and has all the hallmarks of the Queen Anne style. The use of varied siding materials and forms, asymmetrical form, applied ornament, and large five-sided tower capped by a conical slate roof with weathervane. The home was built for Arthur F. Blanchard, a local businessman who operated an apple farm and marketing business opened by his father. Mr. Blanchard was a philanthropist in town and used his wealth to enhance his hometown by funding the Blanchard Auditorium at the Acton High School (1925) and was a benefactor of the West Acton Women’s Club in 1925. He and his son, Webster, also founded the Blanchard Foundation in town in 1946, an organization which funded and sponsored educational projects for the community.

George and Effie Mead House // 1911

Prominently sited upon a hill on a dead-end street in West Acton, Massachusetts, this Craftsman Bungalow is a very elaborate and well-preserved example of the style. The house was built in 1911 for George Varnum Mead (1861-1940) and his wife Effie Wright Mead (1860-1926) as their summer home when they weren’t living in Somerville. Mr. Mead was born in West Acton to Varnum Balfour Mead, who operated the A. O. W. Mead Company, a produce marketing business in Acton and Boston. Varnum’s brother built an elaborate Second Empire style mansion in town which was featured on here yesterday. George Mead followed his father’s footsteps and worked in the family business, which was in operation starting in the 1840s. The A. O. W. Mead Company gathered produce from farmers all over West Acton, kept the produce in cold storage facilities erected by the family, and sent it to Boston for sale at Quincy Market until George’s death in 1940. The Craftsman style house has a fieldstone base, low, overhanging flared gable roof, and is sheathed in shingle siding. Characteristic features include the multiple dormers, exposed rafter tails, grouped windows, and the large fieldstone chimney.

Garden Building // 1911

The only building that survived the wrecking ball of Urban Renewal on the stretch of Boston’s Boylston Street, south of the Public Garden was this six-story commercial building, known as the Garden Building. In 1911, architect Julius Adolphe Schweinfurth furnished plans for the new commercial building which was in the Beaux Arts style. The first floor was originally planned for three stores, with the upper five floors containing offices. A recessed penthouse floor served as studio space for artists and photographers with the large windows and skylights, the unobstructed views of the Public Garden didn’t hurt either! When the bulldozers of urban renewal came in the 1970s and 1980s to the area, this building surprisingly survived, and was reincorporated into the larger Heritage on the Garden condo development.

Thomas D. Hamson House // c.1895

Marblehead, Massachusetts is better known for its Colonial-era homes, but there are definitely some amazing old Victorians interspersed in the warren of narrow streets and alleys. This Queen Anne style house was built in the 1890s for Thomas D. Hamson, who was listed in directories as a shoe manufacturer. Queen Anne style Victorians typically exhibit asymmetrical plans, varied projecting and receding planes, varied siding materials and forms, turned posts and porches, and towers and turrets. This house has it all!

Simon Bradstreet House // 1723

Walking the warren of tight streets and hidden alleys of Marblehead, Massachusetts, you are taken back centuries to a simple time, and of a town that has largely maintained its pre-automobile urban fabric. Many pre-Revolution homes still stand in town and have survived cycles of the coastal town’s prosperity and economic hardship, and the increased pressure of gentrification in more recent years! The Simon Bradstreet House sits right in the village and is a well-preserved Georgian-period home. The house was built in 1723 (earlier reports said in 1738) and it was later owned by Rev. Simon Bradstreet (1709-1771), who arrived to Marblehead to serve as the second minister of the Second Congregational Church a year prior. Reverend Bradstreet was the great-grandson of the last Bay Colony Governor of the same name. Chance Bradstreet, an enslaved African that was a subject of the “within these walls” exhibit at the National Museum of American History was born in this home in 1762. He was later sold to Abraham Dodge of Ipswich by Isaac Story, the third minister of the Second Congregational Church. Stories like this are necessary for us to remember that slavery was a huge part of New England’s economy historically.

Spot Pond Gatehouse // 1900

The Middlesex Reservoir and Spot Pond are located just north of Boston and have long been a little piece of the outdoors near the heart of New England’s largest metropolitan area. In 1894, the Massachusetts Legislature established the Metropolitan Parks Commission, which was endowed with the authority to acquire, maintain, and make recreational spaces available to the public. By 1900 the new commission had acquired 1,881 acres for the reservation. Part of this reservation, Spot Pond, is a natural water feature that for a number of years was integrated into the Boston area public drinking water supply, servicing the towns of Stoneham, Melrose, and Malden with drinking water. As part of this, gatehouses were built with hardware to open and close the pipes delivering the water to the adjacent towns. This gatehouse is in Stoneham was built in 1900 by the architectural firm of Shepley, Rutan & Coolidge, to not only protect the machinery inside, but to beautify the parkland, then maintained by the Metropolitan Parks Commission. The Renaissance Revival style building is today surrounded by a tall chain link fence, which really diminishes its presence in the landscape (but it does help prevent graffiti).

Parker House // 1814

Wrapping up this series on a tour of buildings in Blue Hill, Maine, we have two stunning old homes left! 

This landmark Federal style house was built sometime between 1812 and 1816 by Robert Parker, whose wife was a daughter of Joseph Wood, one of the first two white settlers of Blue Hill. The home is significant not only architecturally, but for its connections to a number of old settlers to Blue Hill and their families.

By the turn of the 20th century the farming, mining and granite producing town of Blue Hill had been discovered. Writers, artists, musicians, and wealthy urban families from all over the East Coast found inspiration or retreat in many coastal Maine communities including Blue Hill, building “cottages” to summer at. Not all those who arrived to Maine were ‘from away’, as many built new or renovated their old ancestral homes to be occupied when seeking the peace and tranquility of coastal Maine. The Parker House was no different. In 1900, it was renovated in the Colonial Revival style as a summer home for Frederick A. Merrill and his wife, Elizabeth, residents of Boston. The couple hired George A. Clough, who worked as the first City Architect of Boston, but grew up locally in Blue Hill. Mrs. Merrill was descended from Mrs. Robert Parker’s sister. The current owner, the Merrill’s great-grandson, has undertaken a restoration of the house which pays homage to its Colonial Revival past. The stunning house can even be rented!

Clough-Hinckley House // 1832

This charming Federal style cape in Blue Hill Maine was built in 1832 by Moses P. Clough, a sea captain seemingly as a wedding gift to his new bride of that year, Sally Prince. He resided in the home off-and-on between excursions and trips at sea until his untimely death at sea in 1836 of bilious fever, possibly caused by malaria. After his death, his widow Sally, remarried and moved to Cherryfield, Maine. The old family home was sold to Bushrod W. Hinckley, an attorney who was involved in the town affairs. Today, the old Clough-Hinckley home is known as Arborvine, a great restaurant known for using local, farm-to-table ingredients. The home is excellently preserved by the owners, down to the leaded glass fanlight and sidelights at the entrance. Swoon!