This charming Federal style saltbox house was built around the turn of the 19th century for Moses Howard, a “shipmaster” who moved to Kennebunkport from Cohasset, Massachusetts in 1793. The house here is clapboard with a symmetrical facade and central chimney. A saltbox roof extends off the rear of the house. Moses Howard did not stay in Kennebunkport for long as he moved to Portland by 1812. The house was lovingly maintained for the next 200+years.
John Andrews Jr. (1747-1844) was born in Essex County, Massachusetts to John Andrews Sr., a church Deacon, merchant, and blacksmith. John Jr., was a fisherman and would later move to Arundel by 1783 (now named Kennebunkport) and built this stately Federal style residence in the village. The house was built sometime between 1783 and 1810, with my best estimate dating the house (at least in its current form) to around 1808 as the high-style entry is similar to what is seen in Asher Benjamin’s plan books of the early 19th century, like the American Builder’s Companion, which provided builders with plans for elevations, cornices, entrances and windows, and any other features of a house built at the time.
The Turk’s Head Inn was once Rockport’s grandest getaway. For those uninterested in building their own summer cottage to spend the along the coast of Massachusetts, luxury summer resorts provided summer rentals for those escaping the hot and polluted cities in favor of cool ocean breezes. Once situated in the Land’s End section of Rockport, the Turk’s Head Inn, had sweeping views of the coast and islands in the distance. The initial portion was built from 1889 to 1890 by builder J. M. Wetherill of Rockport based on plans by architect H. M. Stephenson of Boston. It was expanded and became this rambling, E-shaped Colonial Revival structure with a seaboard frontage of two hundred feet and wraparound verandas over three hundred feet in length. Over the years, the Turk’s Head Inn suffered a number of fires, and its central and southeast wings were rebuilt, the latter in 1905 by then owner C.B. Martin. With a peak capacity of 200, the hotel, uncharacteristic of the regional hospitality industry, remained in operation for eighty years before it was closed down, partially destroyed by fire, and the remains removed in 1970.
Another great turn-of-the-century summer cottage in Rockport’s Headlands neighborhood is this c.1910 Craftsman house on Norwood Street. The listed early owner was L. S. Haskins who likely utilized the house as a summer residence. Architecturally, the cottage follows the Craftsman form with a low-sloped roof with broad eaves, shed dormer, exposed rafters, and rubblestone foundation and columns of stones taken from the site and nearby neighborhood.
The coastal towns of Gloucester, Manchester, and Beverly on the North Shore of Massachusetts often are known for their historic summer “cottages” but great examples can be found right here in Rockport! This is “Windswept”, the W. W. Blunt cottage, located in the Headlands section of town, just south of the harbor. Walton W. Blunt worked as the Treasurer and General Manager of the Boston Journal newspaper and resided in Boston, later purchasing multiple adjoining house lots in Rockport for a summer residence. The two-and-a-half story house was designed by a Rutherford Smith, who sought to utilize fieldstone found nearby for the foundation and chimneys and shingle siding above. Detailed descriptions of the new house were featured in a local newspaper in 1909 and mentioned tennis courts on the grounds, an apartment for servants, and a billiard room in the third floor. It is not clear when the house got its name, “Windswept”, but the name is just too fitting!
Reverend Ebenezer Cleveland (1725-1805) graduated from Yale College in 1749 and would move to Rockport (then a parish town of Gloucester) accepting the call as the village’s pastor for its Congregational Church. By around 1755, he lived in a house on this site next to the church before becoming a chaplain in the French and Indian War, fighting at the Battle of Bunker Hill, and helping to establish Dartmouth College. The property here was later owned by Jabez R. Gott, a deacon of the Congregational Church and the original cashier of the Rockport National Bank until his death in 1876. Sometime in the next decade, the Cleveland House was converted to a summer hotel, known as the Granite Shore Hotel. The original Georgian-era structure was heavily altered and expanded to provide new rooms and amenities for seasonal guests. An 1905 book showed rooms available at the Granite Shore for $2 a night. By 1919, the rates were $3 a day or between $15 and $18 a week! The hotel closed sometime in the 1940s and the building is now home to art galleries.
This shingled house in Rockport may look like an ordinary 1880s residence, but it was actually built as an important piece of infrastructure! This is the Commercial Cable Company’s Relay House, built in 1884 to serve as a terminus to a transatlantic cable providing communication across the Atlantic Ocean. Up until 1884, a French company, the Atlantic Telegraph Company, was the sole provider of transatlantic telegraph cables. James Gordon Bennett, editor of the New York Herald, was dissatisfied was the 50 cents per word he had to pay for transatlantic telegraphs. Seeking to break ATC’s monopoly, he convinced millionaire John W. Mackay to create the Commercial Cable Company. That company put down two cables from Ireland to Nova Scotia with two other lines to the United States, one to Rockaway Beach, Long Island, and the other to Rockport. This building housed offices on the first floor and a billiards room for employees on the second floor with machine shop in the basement to service equipment. Cable operations continued from this building until 1935 when newer international communications made cable lines obsolete. The Relay House was converted to residential use, and while it has been altered, it still maintains its significance architecturally and historically.
Levi Sewall (1805-1880), a native of Maine, built this stunning granite Federal style house in Rockport, Massachusetts in 1832 in preparation for his marriage to Mary Ann Robards. The granite blocks used to build the house were hauled by oxen from Sewall’s own quarry in Pigeon Cove, which is said to have produced stone of excellent quality. Sewall was one of the towns earliest entrepreneurs in the granite business and did quite well, supplying the building material to many of the region’s buildings in the mid 19th century. The property was inherited by Levi and Mary’s son-in-law, Frank Scripture, who took over the family business. Levi Sewall’s descendants occupied the Sewall-Scripture House until 1957, and ever since, it has been home to the Sandy Bay Historical Society and Museum.
The Peep Toad Mill (also known as the Elliottville Lower Mill) was built in Killingly, Connecticut, around 1850 by the Elliottville Manufacturing Company, whose larger main mill was upstream from this complex. The Elliottville Manufacturing Company was formed in the 1830s and later acquired by Albert Elliott and Nelson Eddy, who expanded operations here. This structure, the lower Mill was used for spinning and preparing the warps for cotton sheetings, the firm’s principal product. In 1870, the two mills employed 18 women, 18 children and 13 men. The business closed in the 1880s, and the building was vacant for some time before being converted to a residence and artist studio. The old mill is a rare surviving example of a wood-frame textile mill, many of which were built but few of which survive, due to fires and/or later expansion of the premises. The present owners have done an amazing job restoring and maintaining this rare treasure!
Tucked away off Broad Street in the Danielson village of Killingly, Connecticut, you will find this charming and eclectic church building, long-occupied by the St. Alban´s Episcopal Church. Episcopalians began congregating in the town in the 1860s, and it would be in 1865, when an old academy building on this site was acquired and converted for use as an Episcopal church. By 1891, the relative prosperity of members of the church made it so a new church building was to be built on the site. Worcester-based architect Stephen C. Earle was hired to furnish plans for the new edifice which is eclectic with Victorian Gothic and Shingle style elements. The congregation appears to have either disbanded or merged with a nearby church as the building does not appear to be occupied.
Buildings of New England 