New Haven Connecticut Architecture

Yale University – Durfee Hall // 1871

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Following his success of designing Farnam Hall at Yale, architect Russell Sturgis was again commissioned to design Durfee Hall, the residence hall built to enclose the northern edge of the Old Campus Yard. The elongated dormitory was the largest and most imposing building on the Old Campus when it was completed and was named for its benefactor, Bradford M. C. Durfee of Fall River, Massachusetts. The exterior of Durfee is covered in a combination of sandstone and bluestone, and is accentuated with gables, ornate turrets, and large brick chimneys. Upon its completion, it was considered a “high point in Victorian Gothic Style architecture,” and critics from American Architect and Building News commented that “It will be a long time before the quiet dignity of its roof and chimneys will be surpassed anywhere.” The exterior was renovated by Wiss, Janney, Elstner Associates Inc.

Yale University – Farnam Hall // 1870

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Farnam Hall is Yale University’s oldest dormitory still in use. Designed by New York architect Russell Sturgis in a Ruskinian High Victorian Gothic style, Farnam Hall is considered Sturgis’s most important work and was completed in 1871, marking a new direction toward an enclosed campus, shielded off from the surrounding downtown district of New Haven. Named for Henry Farnam, its construction required the removal of the Second President’s House and a section of the Yale Fence, which was met with some trepidation. The red brick, four-story building originally consisted of twenty suites and ten common rooms on each floor. Sturgis, who was influenced by John Ruskin’s ideals put forward in his Seven Lamps of Architecture, used a variety of brick and stone on the facade all with hand carved detailing. Farnam Hall was renovated in 1977 by architect Edward Larrabee Barnes and today serves as a dormitory for first-year students belonging to Yale’s Jonathan Edwards College.

Yale University – Bingham Hall // 1928

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One of my (many) favorite buildings at Yale University is Bingham Hall, a monumental and landmark example of the Collegiate Gothic architecture style. Built in 1928, replacing the 1888 Osborn Hall (last post), Bingham Hall was constructed as an inward-facing freshman dormitory by architect, Walter B. Chambers, who had just overseen the completion of his first building at Yale, the Colonial Revival style McClellan Hall. Built of Longmeadow brownstone, Bingham Hall largely constructed from funds donated by the children of Charles W. Bingham (Yale, 1868), a Cleveland based businessman. The building stands five stories with a massive nine-story corner tower and helped solidify Yale’s iconic Collegiate Gothic architecture for the future buildings and growth as well.

Yale University – Osborn Hall // 1888-1926

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One of the biggest architectural losses at Yale was the demolition of the grandiose Osborn Hall in 1926, after standing less than 38 years! The building was constructed in 1888 at the southeast corner of the Old Yard at Yale, at the corner of College and Chapel streets, and was a landmark example of the Richardsonian Romanesque style of architecture. Designed by architect Bruce Price, the building was designed to face outward and was said to resemble a “squating toad with an open lip”. While architecturally stunning, the building was immediately met with criticism. Its construction necessitated the removal of the cherished Yale fence and the outward-facing design made it hard for students to focus on lectures while the sounds of horses and carriages on the cobblestone streets just outside. The short-lived Osborn Hall was razed in 1926 for Bingham Hall (next post), a prominently designed, but inward-facing building.

Yale University – Linsly Hall // 1906

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Just 15 years after the Chittenden Memorial Library (last post) was constructed to provide overflow space for Yale’s Old Library, the college overseers sought to expand yet again. Linsly Hall was built in 1906 as an addition to the 1880s Richardsonian Romanesque Chittenden library building, but in the Collegiate Gothic style, which was quickly becoming a preferred architecture style for the campus. Linsly Hall was built as a connector between the two library buildings with a tunnel-like passage between the structures. This was quickly deemed inadequate for a college of this stature, and the 1930s Sterling Library was built outside of the yard decades later. Architect Charles C. Haight designed Linsly Hall following the same design elements as his popular Vanderbilt Hall, built 10 years prior nearby. Today, the Linsly Hall (and the adjoining Chittenden Hall) is classroom space.

Yale University – Chittenden Hall // 1889

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As Yale’s 1842 Old Library was outgrown by larger class sizes and a growing college library collection, overseers began planning for a new library annex which could support the programming. Architect J. Cleaveland Cady was commissioned to design the Chittenden Memorial Library, this underappreciated structure, which is today hemmed into a cramped space in the yard between a later addition (Linsly Hall) and McClennan Hall. The Chittenden Memorial Library was a gift to the college by U.S. Representative Simeon Baldwin Chittenden in memory of his only daughter, Mary Chittenden Lusk (1840-1871) nearly two decades following her untimely death. The handsome Richardsonian Romanesque style library building also retains its original stained glass window titled, “Education” by Louis Tiffany which today is in the building’s former reading room, now a large classroom. When the library moved to a new building in the 1930s, Chittenden Memorial Library became Chittenden Hall and is classroom space.

Yale University – Dwight Hall // 1842

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One of the most architecturally significant college buildings in the United States, Dwight Hall was designed to house the growing book collection of Yale College as its library. The former Yale College Library, now Dwight Hall, represents a significant shift in Yale’s campus architecture from Georgian and Federal brick buildings to the Gothic mode which the campus is largely known for today. Dwight Hall was designed by local architect Henry Austin with the guidance of esteemed architects Ithiel Town and Alexander Jackson Davis, both experts in early high-style Gothic buildings in America. The design, to me, resembles the 1443 King’s College Chapel in Cambridge, England. The structure is constructed of brownstone from Portland, Connecticut, and it is composed of a central block with two smaller flanking wings on either side connected by smaller linking spaces. At the yard facade, two octagonal towers with domed copper roofs rise, flanking a large, pointed lancet arch window that extends above the doorway. The library was outgrown fairly quickly, necessitating an annex next door and eventually collections were transferred to Sterling Memorial Library in 1930, the Old Library was converted to a chapel and community service building and is known as Dwight Hall.

Yale University – Vanderbilt Hall // 1894

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Like many other buildings on campus, Vanderbilt Hall is named for its wealthy sponsors, but its foundation is one of family tragedy. One of Yale’s stunning Collegiate Gothic structures, the building is named after William Henry Vanderbilt II (1870-1892), who attended Yale in the early 1890s. William contracted typhoid fever from a water pump while touring the western United States and died during his junior year. His father, railroad tycoon Cornelius Vanderbilt, constructed Vanderbilt Hall in 1894 as a memorial to his son and donated it to the University. The highly prized Vanderbilt room, which is located above the archway, is apparently one of the finest residential spaces on the campus. Architect Charles C. Haight designed the building which enclosed the southern edge of the yard, created a gateway, and is one of the early architectural statement pieces for the campus in the Collegiate Gothic style. Haight would receive later commissions at Yale based on his work on Vanderbilt Hall.

Yale University – Connecticut Hall // 1752

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Welcome to Yale! When Yale College, one of the nine Colonial Colleges moved to New Haven in 1718, a wooden building was soon constructed and known as the College House. By 1747, the College House held less than half of the college’s enrolled students, and college president Thomas Clap announced that funds would be raised from the Colony of Connecticut for a “new College House” of three stories. The design followed the traditional Georgian appearance of Harvard College’s Massachusetts Hall, but by the 1790s, it was already outdated. The building was threatened with demolition, but Connecticut Hall was instead given an additional story and a new gambrel roof by 1820, being incorporated into the Brick Row, fronting the Green along College Street. But by the middle of the century the Brick Row was out of style and Connecticut Hall was being described as “dilapidated, scabby and malodorous.” After the Civil War Yale decided to raze all its old Georgian architecture and redevelop the West side of the Green with larger and more modern buildings. Luckily for us, by the 1890’s the Colonial Revival style was booming in popularity and before Connecticut Hall could be demolished, a group of alumni organized to save and restore it. Connecticut Hall stands today as the third-oldest of only seven surviving American colonial-era college buildings, and the second-oldest structure built for Yale College in New Haven (the oldest exant). It was built, in part, by at least five enslaved Africans, including one of whom was owned by Yale president Thomas Clap.

Connecticut Financial Center // 1990

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The Connecticut Financial Center is the tallest building in New Haven, Connecticut, and the sixth tallest building in the state. The 383-foot postmodern skyscraper was designed by the Toronto architectural firm Crang and Boake and completed in 1990, replacing the Powell Building (last post), New Haven’s first skyscraper. The Connecticut Financial Center is sited facing the New Haven Green wedged between the iconic New Haven City Hall and Federal Courthouse, and dwarfs both in size, creating a really unpleasant addition to the block. The building is at least clad in stone, a subtle nod to the adjacent buildings and has a more traditional first floor lobby set back from the street.