Yale University – Trumbull Gallery // 1832-1901

Pre-1869 image of Trumbull Gallery, Yale Archives

Before there was Street Hall or the Old Yale Art Gallery Building, there was the Trumbull Gallery, the first college-connected art museum in the United States. This building was erected in 1832 by artist and collector, John Trumbull (1756-1843), who specialized in Revolutionary-era works, and was known as the “Painter of the Revolution”. In his later years, Trumbull sold 28 paintings and 60 miniature portraits to the Yale College, and helped establish the college-affiliated art museum. He is said to have designed this Classical style building, to house his collections, all with minimal windows to protect his collection from direct sunlight. The gallery also housed a crypt for Trumbull and his wife, hence its tomb-like appearance. When Street Hall was built, the collection and tombs were relocated there, and again in the late 1920s when the Art Gallery was constructed. In 1869, Yale College added windows to the building and operated the school treasury from here until it was demolished in 1901. The Trumbull Gallery stood just in front of the Old Library.

Yale University – Alumni Hall // 1851-1911

Detroit Publishing Company image

Alumni Hall at Yale was designed and built between 1851-1853, at the northwest corner of Yale’s Old Campus. Its was designed by Gothic specialist architect Alexander Jackson Davis, who completed Dwight Hall (the Old Library) a some years prior. The building had a large, open floorplan on the first floor for large gatherings as well as the entrance examinations, along with the biennial examinations that every student had to take at the end of his sophomore and senior years. As the building turned 50 years old, the campus around it was already looking very different. Shifting priorities for dormitory space in the yard necessitated its demolition for Wright Hall (next post). Alumni Hall was razed in 1911, but its two crenelated towers were salvaged when the building was demolished. They were incorporated into Weir Hall which has been incorporated into Jonathan Edwards College, one of Yale’s residential colleges.

Yale University – Phelps Hall and Gate // 1896

After Lawrance and Welch halls (previous two posts) were built on the eastern edge of Yale’s Old Campus, there was a small space between the two that needed to be enclosed to provide a true cloister for students, shielding them from the noise and ever-developing Downtown of New Haven. Architect Charles C. Haight designed the new hall to resemble a medieval gatehouse. The simple, tall rectangular mass has octagonal towers at each corner with copper domes on top and a crenelated parapet resembling an old English castle spanning between them. On the ground floor is the Phelps Gate, the main entrance to the Old Campus from the east. Its namesake was the late William Walter Phelps, an 1860 Yale graduate who served as a Congressman and as ambassador to Germany and Austria-Hungary. The building holds an important role in the annual commencement ceremonies, which begin in the New Haven Green and pass through to the Old Campus through this gateway.

Yale University – Battell Chapel // 1874

As the Old Campus of Yale was being enclosed at its north and east by Farnam and Durfee halls, architect Russell Sturgis was again tasked to design a new building, but for a corner site; though this time, he would design a college chapel. Built between 1874–76, it was funded primarily with gifts from Joseph Battell. Succeeding two previous chapel buildings on Yale’s Old Campus, it provided space for daily chapel services, which were mandatory for Yale students until 1926, which were all-male and mostly Protestant. The large stone chapel is constructed of New Jersey brownstone with decorative elements in sandstone. The design of the Victorian Gothic chapel is great, but how it sits with the entrance unceremoniously dumping out to the end wall of Durfee Hall leaves much to be desired.

Yale University – Farnam Hall // 1870

Farnam Hall is Yale University’s oldest dormitory still in use. Designed by New York architect Russell Sturgis in a Ruskinian High Victorian Gothic style, Farnam Hall is considered Sturgis’s most important work and was completed in 1871, marking a new direction toward an enclosed campus, shielded off from the surrounding downtown district of New Haven. Named for Henry Farnam, its construction required the removal of the Second President’s House and a section of the Yale Fence, which was met with some trepidation. The red brick, four-story building originally consisted of twenty suites and ten common rooms on each floor. Sturgis, who was influenced by John Ruskin’s ideals put forward in his Seven Lamps of Architecture, used a variety of brick and stone on the facade all with hand carved detailing. Farnam Hall was renovated in 1977 by architect Edward Larrabee Barnes and today serves as a dormitory for first-year students belonging to Yale’s Jonathan Edwards College.

Yale University – Bingham Hall // 1928

One of my (many) favorite buildings at Yale University is Bingham Hall, a monumental and landmark example of the Collegiate Gothic architecture style. Built in 1928, replacing the 1888 Osborn Hall (last post), Bingham Hall was constructed as an inward-facing freshman dormitory by architect, Walter B. Chambers, who had just overseen the completion of his first building at Yale, the Colonial Revival style McClellan Hall. Built of Longmeadow brownstone, Bingham Hall largely constructed from funds donated by the children of Charles W. Bingham (Yale, 1868), a Cleveland based businessman. The building stands five stories with a massive nine-story corner tower and helped solidify Yale’s iconic Collegiate Gothic architecture for the future buildings and growth as well.

Yale University – Linsly Hall // 1906

Just 15 years after the Chittenden Memorial Library (last post) was constructed to provide overflow space for Yale’s Old Library, the college overseers sought to expand yet again. Linsly Hall was built in 1906 as an addition to the 1880s Richardsonian Romanesque Chittenden library building, but in the Collegiate Gothic style, which was quickly becoming a preferred architecture style for the campus. Linsly Hall was built as a connector between the two library buildings with a tunnel-like passage between the structures. This was quickly deemed inadequate for a college of this stature, and the 1930s Sterling Library was built outside of the yard decades later. Architect Charles C. Haight designed Linsly Hall following the same design elements as his popular Vanderbilt Hall, built 10 years prior nearby. Today, the Linsly Hall (and the adjoining Chittenden Hall) is classroom space.

Yale University – Chittenden Hall // 1889

As Yale’s 1842 Old Library was outgrown by larger class sizes and a growing college library collection, overseers began planning for a new library annex which could support the programming. Architect J. Cleaveland Cady was commissioned to design the Chittenden Memorial Library, this underappreciated structure, which is today hemmed into a cramped space in the yard between a later addition (Linsly Hall) and McClennan Hall. The Chittenden Memorial Library was a gift to the college by U.S. Representative Simeon Baldwin Chittenden in memory of his only daughter, Mary Chittenden Lusk (1840-1871) nearly two decades following her untimely death. The handsome Richardsonian Romanesque style library building also retains its original stained glass window titled, “Education” by Louis Tiffany which today is in the building’s former reading room, now a large classroom. When the library moved to a new building in the 1930s, Chittenden Memorial Library became Chittenden Hall and is classroom space.

Yale University – Dwight Hall // 1842

One of the most architecturally significant college buildings in the United States, Dwight Hall was designed to house the growing book collection of Yale College as its library. The former Yale College Library, now Dwight Hall, represents a significant shift in Yale’s campus architecture from Georgian and Federal brick buildings to the Gothic mode which the campus is largely known for today. Dwight Hall was designed by local architect Henry Austin with the guidance of esteemed architects Ithiel Town and Alexander Jackson Davis, both experts in early high-style Gothic buildings in America. The design, to me, resembles the 1443 King’s College Chapel in Cambridge, England. The structure is constructed of brownstone from Portland, Connecticut, and it is composed of a central block with two smaller flanking wings on either side connected by smaller linking spaces. At the yard facade, two octagonal towers with domed copper roofs rise, flanking a large, pointed lancet arch window that extends above the doorway. The library was outgrown fairly quickly, necessitating an annex next door and eventually collections were transferred to Sterling Memorial Library in 1930, the Old Library was converted to a chapel and community service building and is known as Dwight Hall.

Yale University – Vanderbilt Hall // 1894

Like many other buildings on campus, Vanderbilt Hall is named for its wealthy sponsors, but its foundation is one of family tragedy. One of Yale’s stunning Collegiate Gothic structures, the building is named after William Henry Vanderbilt II (1870-1892), who attended Yale in the early 1890s. William contracted typhoid fever from a water pump while touring the western United States and died during his junior year. His father, railroad tycoon Cornelius Vanderbilt, constructed Vanderbilt Hall in 1894 as a memorial to his son and donated it to the University. The highly prized Vanderbilt room, which is located above the archway, is apparently one of the finest residential spaces on the campus. Architect Charles C. Haight designed the building which enclosed the southern edge of the yard, created a gateway, and is one of the early architectural statement pieces for the campus in the Collegiate Gothic style. Haight would receive later commissions at Yale based on his work on Vanderbilt Hall.