Newport Restoration

Sunnyside // 1886

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Photo from recent real estate listing

During the height of the Shingle and Queen Anne styles’ popularity, architect Stanford White of McKim, Mead & White completed plans for one of the earliest Colonial Revival style residences, “Sunnyside” in Newport, Rhode Island. The residence was built in 1886 for “Commodore” William Edgar (1810-1887) and his wife, Eliza Lucille Rhinelander (1832-1916). William was a co-founder of the New York Yacht Club in 1844 and heir to a New York fortune. Eliza was an aunt of Edith Wharton and a grand-daughter of William Rhinelander, co-founder of the Rhinelander Sugar Refinery. The property remained in the Edgar Family as Lucille Rhinelander Edgar (1858-1948), an unmarried daughter of the couple, would live here year-round with servants. The house is built of buff-Roman-brick with a large central block flanked by L-plan wings under a hipped roof punctuated by massive chimneys. Of special note on the facade are the rounded bays, entry portico with Palladian window above, and side porch.

Maud Howe Elliott Bungalow // c.1912

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This shingled Craftsman bungalow on Rhode Island Avenue in Newport was built in the 1910s for Maud Howe Elliott (1854-1948), a Pulitzer prize winning author and active member in Newport’s art scene and her artist husband, John Elliott. Maud Howe was born at the Perkins School for the Blind in Boston, founded by her father, Samuel Gridley Howe. Her mother was the author and abolitionist Julia Ward Howe. In 1887, she married English artist John Elliott. John is known for his epic Symbolist murals including working alongside his friend and colleague John Singer Sargent to provide murals for the Boston Public library, and a mural at the Smithsonian Museum of Natural History. In Newport, Maud became a founding member of the Newport Art Association, and served as its secretary from 1912 to 1942. She also took part in the suffrage movement as she was greatly influenced by her mother’s ideas and convictions about women’s role in society and particularly so in terms of women’s suffrage. She fought passionately for women to be liberated from the societal expectations and roles determined to them by male dominated society. This was her home in Newport until her death in 1948.

Littlefield-Van Zandt House // 1836

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In the late 1830s, Captain Augustus Littlefield (1803-1878) purchased a house lot on Pelham Street in Newport, Rhode Island and commissioned housewright John Ladd to design and build his new residence. Littlefield reportedly asked his Ladd to design an “authentic copy of an Italian Villa” he had seen during a trip in southern Italy. The result is a more traditional Greek Revival, temple-front house with a portico supported by four monumental columns with capitals that combine Corinthian and Egyptian lotus motifs. The minimal Italian Villa detail can be seen in the bracketed cornice and in the pediment. Built around 1836, the house remained in Littlefield’s possession until his death in 1878. The property was purchased by Charles C. Van Zandt, attorney and later the 34th Governor of Rhode Island. Gov. Van Zandt died in 1894 and was interred at Island Cemetery in Newport. The Littlefield-Van Zandt House remains a significant early, high-style Greek Revival house in the state and one with a great state of preservation.

Cornè House // 1822

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What does this house and the tomato have in common? Keep reading to find out!

Michele Felice Cornè (1752-1845) grew up in Naples Italy and became disillusioned with the Napoleonic Wars. After the French occupation of Naples in 1799, he fled and was brought to the United States on the ship Mount Vernon, commanded by Elias Hasket Derby Jr., and settled in Salem, Massachusetts. Cornè moved to Boston in 1807 and lived and worked there until 1822 when he moved to Newport, Rhode Island, purchasing a property containing a barn. Cornè either had the barn renovated into this 1822 house or built the Federal period house from its timbers. Here, Cornè would paint many maritime scenes as murals in homes and businesses. However, his true contribution to his adopted country was convincing his neighbors to eat the tomato. While in Newport, it is reputed that Cornè introduced the tomato into the American diet. In early 19th century New England tomatoes were thought to be deadly poison. Cornè was accustomed to eating tomatoes in his native land and would regularly eat them without ill effect and, thus, allayed the fears of the residents of his adopted country. Today, the popularity of the tomato in American cuisine can be credited (in part) to Cornè and his love for the tomato.

Harkness House // c.1730

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The award for the cutest house in Newport goes to this c.1730 beauty on Green Street! This charming Georgian cape house sits just one-and-a-half stories tall under a squat gambrel roof. The house was originally located at the corner of Thames Street and was moved at least twice until it was placed on its present site by the Newport Restoration Foundation, after they acquired it in 1983, restoring it soon after. The center-hall house has just two rooms on each floor with a central staircase and chimney. The small dormers add some light to the second floor without compromising the historic and architectural integrity of the cottage.

West-Hathaway House // c.1800

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Located on Mill Street, overlooking Queen Anne Square, the West-Hathaway House is one of the most charming Federal period houses in Newport, but it didn’t always call this city “home”! Believe it or not, this five-bay Federal style house was originally built in Tiverton, Rhode Island around 1800 and relocated to Newport about fifty years ago. The house was built by Samuel West (1774-1838), of a line of physicians, and later sold to Samuel Hathaway. The house was located on large farmland presently occupied by the Pardon Gray Preserve in Tiverton but was later donated to the Newport Preservation Foundation in 1977 by the owners who likely hoped to redevelop the area where this house sat. The West-Hathaway House was dismantled, moved, and reassembled on this site that same year!

Billings Coggeshall Double House // c.1784

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This unique double-house on Mill Street is stopped me in my tracks when strolling around Newport. The two-family house was built around 1784 by Billings Coggeshall (1733-1810) and is unique architecturally as it is comprised of two houses, each with its own separate pedimented entry, into a single lengthy block. Both houses have interior chimneys and are just one-room deep! When urban renewal hit Newport in the second half of the 20th century, traffic patterns and revitalization of the waterfront were top of mind (not necessarily slum clearance and wholesale redevelopment of neighborhoods like in Boston). To bring traffic into the downtown shopping area, Memorial Boulevard was laid out by 1969, and the Newport Restoration Foundation was integral to saving this building from the wrecking ball, as it was in the path of the new road. As luck would have it, an area around Trinity Church was cleared to establish Queen Anne Square, a town common-like park in the center of town. To provide the quintessential “New England charm”, many historic buildings were relocated to line the square, including this house. When the Billings Coggeshall House was moved here, it replaced a gas station, and it was given an even longer side addition with breezeway, providing screened parking and a rear addition for offices. Here’s to preservation!

Alexander Jack Jr. House // 1811

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Newport in 1774 had approximately 153 free Black residents residing in 46 households comprising of thirty-percent of Newport’s population at this time. One of these free Black families was the Jack family who resided around Levin Street (Memorial Boulevard today). The Jack Family appears to have been from Antigua and may have had ties to the Redwood Family (the namesake of the Redwood Library), who owned a plantation on the island and resided in Newport. Alexander Jack, Jr. was a free African American whose trade was a cordwainer or shoemaker. He bought his land in 1811 and is thought to have begun construction almost immediately. Jack heirs remained on this property until 1881. The Newport Restoration Foundation purchased the house in 1969, moved it that same year to Mill Street to save it from urban renewal and the widening of Levin Street as Memorial Blvd.

Cotton House // c.1720

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One of the oldest houses in Newport, the Charles Cotton House stands on Church Street, and has a similar story to its neighbor, the Langley House (featured previously). The home was built around 1720 and is named for Dr. Charles Cotton who owned it in the early nineteenth century. Cotton was born in Plymouth, MA, and was a direct-descendant of ministers John and Josiah and worked as a surgeon aboard the USS Constitution during the War of 1812. From Newport Restoration Foundation: “The original structure was probably a small, single-chimney house of one-and-a-half or perhaps two stories. The house as seen today was obviously enlarged in the Georgian style in the mid-eighteenth century and received further improvements in the early nineteenth century.” The likelihood of the building’s incremental growth is evident from the two chimneys are not of the same size above the roofline, nor are they in line with each other. Had the house been built new in the later Georgian style, elements on the exterior probably would have been more symmetrical and balanced. This building, like the Langley House was moved by Newport Restoration in the 1970s to save it from the wrecking-ball. In its original place, a parking lot.

Langley House // 1807

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Smack-dab in the middle of Newport, Rhode Island’s dense network of downtown streets, you’ll find Queen Anne Square, a rare bit of open space in a web of alleys and ways. Did you know that this park is only 50 years old? It’s true! In the late 1960s and early 1970s, Newport (and many cities all over New England) were grappling with suburbanization and dwindling tax revenue with people and businesses moving out. Their solution was “urban renewal”, which entailed the razing of buildings and sometimes, neighborhoods which were deemed “blight”. Historic buildings and communities were destroyed with modern planning (high capacity roads and high-rises connected by open space) to take its place. In Newport, this saw the form of America’s Cup Avenue and Memorial Boulevard, which cut through the city to allow for more cars and less-congested side-streets. Years later, planners realized that Newport was without a traditional town common like many New England towns, so they cleared buildings in front of Trinity Church to provide that traditional feeling. At the time, preservationists were trying to save significant buildings, with the Langley House being one of them. This house was set for the wrecking-ball, from Memorial Boulevard’s construction but moved and restored by Newport Restoration in the last hour to the south side of Church Street. Seven years later when Queen Anne Square was built, this house was moved to the north side, saving it once again. This house is a survivor!