Year: 2023

Elijah Shaw House // 1889

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This Queen Anne Victorian residence sits at 85 Concord Street in Nashua, New Hampshire. Built in 1889-90 for Elijah Shaw, the house is one of a dozen or so well-preserved Victorian-era mansions along the prominent street. Elijah Morrill Shaw (1826-1903) was born in Kensington, NH and spent many of his early years working at woolen mills all over the Northeast until the outbreak of the American Civil War. Obeying his country’s call to arms, at the time of the Rebellion, he entered the army in 1861 and was later promoted to Captain in 1863. After the war, he continued working at mills all over the region until 1888 when he was hired by the Nashua Manufacturing Company. He built this house soon after his arrival and remained there until his death in 1903. The dwelling and rear carriage house are clad in shingles with the house built with a brick first floor.

Charles Hoitt House // 1895

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Charles William Hoitt (1847-1925) was born in Newmarket, New Hampshire, the son of William K. A. and Sarah C. (Swain) Hoitt. His father was a descendant of John Hoyt, one of the original settlers of Salisbury, Massachusetts. On the maternal side he is a descendant of Phineas Swain who served at Bunker Hill on the American side. Charles enrolled at Dartmouth College in 1867, and was graduated in the class of 1871. He moved to Nashua to work as Master of the Mt. Pleasant School and later worked as an usher at the Lincoln Grammar School in Boston. He eventually gave up teaching as a profession and returned to Nashua and worked at a local law office. He was admitted to the Hillsboro bar in 1877, and worked as a City Solicitor and later as Justice to the Nashua Police Court. With his standing, he erected this fine house on Concord Avenue, with a deep lot where he raised rare exotic birds. Judge Hoitt served in the New Hampshire House of Representatives in 1901 and in 1907, was appointed by Theodore Roosevelt to be the United States Attorney for the District of New Hampshire. His residence in Nashua blends Queen Anne, Shingle, and Colonial Revival styles elegantly. The property was purchased in the 1920s by the Unitarian Universalist Church of Nashua as a parsonage, a use it held until it was sold in 1977 to a private homeowner. The shingled porch was removed during the time it was a parsonage, but the house remains in excellent condition today!

Stephen & Maria Mansfield House // 1888

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The Stephen and Maria Mansfield House is located at 70 Concord Street in Nashua, New Hampshire, and is one of many stunning old houses along the largely residential street. The dwelling was built in 1888 for Stephen Willard Mansfield, a shoe dealer in Nashua, and his wife, Maria. The Mansfield House is a great example of a more modestly sized Queen Anne style house, which is typified by the asymmetrical plan, varied siding types, and intricate carvings and turned posts. This house is dominated by a two-story rounded bay which is capped by a conical roof. She could definitely use a good paint job but it’s a really sturdy old home built from old-growth lumber. She’s here to stay!

Long Wharf Hotel // 1982

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In the second half of the 20th century, much of Downtown Boston and the Waterfront areas were blighted with decaying buildings. Seeing tax dollars flee to the suburbs, the City of Boston used Urban Renewal to demolish large areas to erect new neighborhoods and blocks to revitalize the city. Much of it was done with a heavy hand, evicting largely minority and immigrant residents and razing of traditionally walkable neighborhoods for more car-centric districts. The Waterfront was traditionally the economic hub of Boston, with large commercial wharf buildings jutting out into the harbor symbolizing the economy’s strong ties to maritime trade for centuries. Boston Properties was an early developer who saw the potential of the revitalized waterfront, and developed this hotel off Long Wharf. Architect, Araldo Cossutta, (who was originally picked 8th of 8 submissions in a design competition) was ultimately selected to design the hotel, which at first glance may look out of place. However, the building draws cues from the area, evoking the Quincy Market warehouses as well as the attributes of a modern ocean liner on its head. Relatively simple massing with rectilinear and semi-circular fenestration at the lower level rises to a complex series of stepped back balconies, which form a steep gabled roof. To me, its the right amount of recessiveness and boldness in Postmodernism.

Clements Apartment Building // c.1885

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Brookline is pretty great as you can find unique and well-preserved examples of nearly every type of building in almost every architectural style! Staying in Brookline Village, this apartment building stands out as one of the best panel-brick apartments I have seen. The property was developed in the mid-1880s by Thomas W. Clements, who served in the Army during the American Civil War and later settled in the Boston area working as a dentist. Thomas married Lydia R. Clements, who is much more interesting than her husband! She was a graduate of the Boston University School of Medicine and worked locally for years, but wanted more. In the spring of 1898, she set out with a party of men and women, determined to make their fortune in the gold fields of the Klondike. During the months long trek, all of the other women and some of the men in her party left the expedition before reaching their goal, but Lydia Clements persevered and became one of the first white women — possibly the first from the East — to cross the Chilkoot Pass into the Klondike region. She never made a fortune, but upon returning, she was more spiritual, and got involved in the occult philosophy of Prof. Charles H. Mackay and his West Gate School of Philosophy in Boston. She used her new learnings to go back to Alaska to make her fortune, but there is no indication that Clements ever did make her fortune. She did however, remain in Nome and elsewhere in Alaska for more than a decade, hiring men and mining tin and gold. She retained her Brookline residence here on Davis Avenue and travelled back and forth across the continent many times before returning to Brookline, before dying there in February 1927.

Arthur Jones Double House // 1896

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As Brookline Village developed in the mid-late 19th century, house lots were scarce. Demand for housing saw the demolition of a number of older 1840s Greek and Gothic Revival style cottages for multi-unit dwellings as duplexes and three-deckers which surged in popularity in the Village from the late 1890s to the 1910s when three-deckers were effectively banned in Brookline. In 1896-1897, Arthur R. Jones had large double houses built here and nextdoor, which were rented out to families. Newton architect Henry McLean designed these double houses as pairs of attached single-family dwellings separated by a brick party wall blending both Queen Anne and Colonial Revival styles under one roof. The homes show what housing was available to middle-class residents of the Boston area, a price-point that is unattainable to most in the area today. Though, it is great to see these old homes lovingly preserved so well by their owners!

Elijah Emerson Double House // 1884

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Brookline Village is full of amazing double houses (or duplexes) built in the late 19th century. Many feature Queen Anne detailing and are architecturally striking with porches, complex rooflines, and trim details. This example was built in 1884 by Elijah Emerson, who had an estate nearby. His house was originally located where the park, Emerson Garden is located, but it was moved across the street. He had this double house built and rented it out to middle-class families who flocked to the neighborhood for the ease of access to Downtown Boston, while maintaining a bucolic feel (why many still today move to Brookline). Even though it is covered in aluminum siding today, the original wood clapboards and trim likely are waiting underneath to be revealed someday. But for today, we can gawk at the original details that are visible, including the semi-circular window, recessed porch with decorative balustrade, and porch with original entry doors.

George Carpenter House // 1885

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While many lots in Brookline village in the final decades of the 19th century were being redeveloped as duplexes, three-deckers, and apartment houses, some property owners still wanted single-family living. In 1885, George Carpenter had this home in the village built from plans by well-known architect Obed F. Smith, who designed many Victorian-era homes in Boston’s Back Bay and around the region. George Carpenter worked in Downtown Boston as an agent for the Massachusetts Mutual Life Insurance Company. The house features some Stick style elements seen in the porch spindles and carved brackets.

Former West Acton Universalist Church // 1868

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This beautiful church in Acton, Massachusetts was built in 1868 by the Universalists of West Acton who sought a house of worship closer to their homes, rather than taking horses to the other part of town every week. The building exemplifies the influence of both Gothic Revival and Italianate styles on rural churches of the time. Gothic elements include the double pointed lancet windows with quatrefoil ornament, buttresses, and pointed lancet panels on the tower and belfry. Italianate elements include the rusticated base and the corbel table at the eaves. Religious services ceased in 1925. At that time, the church building was bought by leading men in the village who gave the building to the West Acton Women’s Club, which began in 1890 by Lucy Mead (the wife of Oliver Mead, who built the Mansard home nearby). In the 1950’s, the church was used as a community center. It is now home to a local performing arts center, Theatre III Box Office.

West Acton Citizens Library // c.1845

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Old houses adapted for other uses always deserves a highlight! The West Acton Citizens Library was originally constructed in 1840 as a small, one-story Greek Revival style cape house either for or purchased by Phineas Wetherbee, a farmer and early landowner in the village. The modest house features little detailing besides the recessed entrance composed of wide, flat pilasters and a lintel decorated with square corner blocks and a central keystone. In 1883, Phineas Wetherbee met with thirty-nine others to form the Citizens Library in West Acton. The organization accessioned the collection of the former Farmers Club Library. When Mr. Wetherbee died in 1895, he bequeathed his house to the library, who later moved into the house by 1900. Today, the house remains a library space for the West Acton village.