Governor Henry Lippitt Mansion // 1865

North (secondary) facade

New England is lucky to have so many diverse house museums where architecture and history nerds like me can tour old houses and envision what it was like to live in that era. The Governor Henry Lippitt mansion in Providence stands out as one of the most significant Victorian-era homes in Rhode Island, and contains one of the best-preserved Victorian interiors in America. The mansion was likely designed by local architect Russell Warren, and modified by Henry Lippitt (1818-1891), heir to one of Rhode Island’s leading textile manufacturing families, for his wife Mary Ann Balch (1823-1889) and their six children who survived to adulthood. While Henry was a prominent businessman, his wife Mary may have been even busier. Mary owned and managed rental properties in Providence, including this mansion, giving her husband Henry life tenancy. She oversaw day-to-day running of the mansion, supervising the servants while teaching her daughter Jeanie, who became deaf at age four due to complications from scarlet fever, to read lips and continue to develop her speech. The Lippitt Mansion is an early, and high-style example of an Italianate Villa/ Renaissance Revival design, which moved away from the more prescribed forms of architecture towards the more eclectic, Victorian-era mode. The home features two main facades, with the smaller, west (main) facade featuring a central pavilion with ornate foliate frieze and Corinthian columns, and the north (side) facade – my favorite – with a more commanding presence with a bold porte-cochere. The home remained in the Lippitt family for 114 years, and was later acquired by Preserve Rhode Island, who opened it to the public as a museum in 1993.

Gardiner Public Library // 1881

Possibly my favorite building type, the local town library buildings of New England, always amaze me with their small scale, yet architectural variety and intrigue. The library in Gardiner, Maine is no exception! This library building was constructed in 1881 from plans by Henry Richards, who was actually born in town in 1848. Henry graduated from Harvard in 1869, and soon after, took a post-graduate course in architecture at MIT. After completing schooling, he was a draftsman with Ware and Van Brunt. Soon after, he was a draftsman with Peabody and Stearns from 1872 to 1876, and then practiced architecture briefly on his own in Boston. During this time he married Laura Elizabeth Howe, daughter of Samuel Gridley and Julia Ward Howe. They moved to Gardiner, Maine and settled in a Federal house (featured previously), to learn more about Laura Richards and their house, check out the last post. Henry lived to be 100 years old! The library building is Queen Anne and Romanesque in style with a round corner tower with conical roof, brownstone and brick construction, and a stained glass ocular window with ogee parapet at the gable end roof. The small local library was added onto numerous times to hold a growing collection which includes works from Laura E. Richards, and Edwin Arlington Robinson, both Pulitzer Prize winning authors who lived in town.

Laura Richards House // 1810

This stunning Federal style house in Gardiner, Maine, was built about 1810 by Ebenezer Byram, who had purchased the land from Robert Hallowell Gardiner, a descendant of Dr. Sylvester Gardiner, the “founder” of the town. Dr. Gardiner was a resourceful Boston druggist, who was one of the principal owners of the Kennebec Purchase, known as the Plymouth Company, who purchased land on the west side of the Kennebec River in Maine. Dr. Sylvester Gardiner had been attracted to the Gardiner area for a number of reasons, primarily because of the depth of the water of the river to the point of Gardiner as the head of navigation for ships here. This house overlooking that river was purchased in 1878, by Henry and Laura E. Richards. Laura Richards (1850-1943) was the daughter of Samuel Gridley Howe, an abolitionist and the founder of the Perkins Institution and Massachusetts School for the Blind. Her mother, Julia Ward Howe wrote the words to The Battle Hymn of the Republic, a tune that I am sure most of you have heard of, but never knew the name. Henry and Laura moved to Gardiner in 1876 after suffering financial reverses in Boston, where Henry worked at his family’s paper mill, and it was about that time that Laura Richards began her writing career. At this house in Gardiner, Laura wrote more than 90 books including biographies (including one on her mother), poetry, and several children’s books. Even more impressive, Laura was awarded one of the first four ever Pulitzer Prize in 1917 for her biography on her mother, years before women were even afforded the right to vote!

Gardiner Train Depot // 1911

The first train arrived in Gardiner, Maine in 1851. Rail here introduced a new mode of transportation for passengers and freight, which previously relied on horse or ship up the Kennebec River. When the old station was deemed too small and outdated, the Maine Central Railroad Company decided to hire Portland architect, George Burnham to complete plans for a more fitting station. This building is a mix of styles, the two I would categorize it as are Romanesque Revival and Spanish Revival. The building incorporates a number of influences of the two along with a deep overhanging roof supported by large brackets, heavy rusticated granite blocks at the base, and quoining around the windows and corners. The station was in operation until about 1960 when rail service here halted. Since that time, the building has been adaptively reused as a retail store, today as a recreational cannabis dispensary. So you can get high and look at cool architecture!

Gardiner Almshouse // 1834

This large brick Federal house was built on the outskirts of Gardiner, Maine, in 1834. Ebenezer Moore, the builder, worked as a carpenter and house-wright in town and showcased his skill on his own brick mansion, selling it to a C.E. Bradstreet. By the late 1840s, the town of Gardiner decided that it would need a new almshouse, city-provided housing for the poor, so they purchased the Bradstreet house and 14-acres of land. In the 1848 town report documents noted, “The establishment is a brick one, of two stories, containing thirty-six fine rooms, including seven fitted for the insane in the most admirable manner, together with a spacious hall. The building is every way a most excellent one for the purpose, and is a monument of the humanity and generosity of the city.” The almshouse served as a working farm where the poor could harvest their own crops and contribute in a small, closed society. The almshouse burned in 1909, and was immediately rebuilt using the outside brick walls. In the Colonial Revival manner, a gambrel roof replaced the former gable roof, which added a third story to the almshouse. The building was eventually sold, as new housing models for low-income residents took off. The former almshouse was converted to an apartment building in 1970, a use that appears to continue to this day.

Tucker Octagon House // 1856

The Octagon form of architecture was conceived in 1848 in the prolific mind of Orson Squire Fowler, phrenologist and author of books on sex, family relations, and many other subjects. His book A Home for All, or, the Gravel Wall and Octagon Mode of Building struck the fancy of a certain few, and Octagon homes were built across the country, for just about a decade until they fell out of favor almost overnight. This home in West Gardiner, Maine, was built by Jesse Tucker in 1856 on land his father had cleared, replacing a more standard structure. The new octagon house was being constructed as a gift to Jesse’s soon-to-be wife, but tragically fell from the roof of the barn when building, and died. The home was completed, and it was seemingly acquired by Jesse’s twin brother David. The home remained in the Tucker family until the 1950s.

Peter Grant House // 1830

The this 1830 home in Farmingdale ranks as one of the first Greek Revival temple style residences in Maine. Situated on a rise overlooking the Kennebec River, the house reflects a dignity befitting the commercial success of its original owner, Peter Grant. Peter Grant was born in 1770 in Berwick, Maine. He was a fourth generation descendent of an earlier Peter Grant, born in Scotland in 1631, and one of 3,000 Scots taken prisoner by Cromwell’s army at the Battle of Dunbar. In 1650, he was sent as a convict laborer to the iron works in Lynn, Massachusetts, for a term of seven years. A number of the Grant family settled in Berwick, Maine, and from there, Peter, builder of this house, and his father, Capt. Samuel Grant, moved to Gardiner. Peter Grant soon involved himself successfully in land speculation and shipping in the area. In 1796 he and a group of associates, purchased a large tract of land along the west shore of the Kennebec River, which later became Farmingdale. Grant became sole owner of better than 200-acres of this land in 1800 and built a substantial house soon after. The original house was destroyed by fire and was replaced by Grant with the present house in 1830 six years before his death in 1836.

Dr. Gertrude Heath House // c.1850

Constructed c. 1850, this Gothic Revival house in Farmingdale, Maine, has many identifying features common in the style: a symmetrical facade, steeply pitched gable, and lancet windows in the front gable. Besides its architectural significance, the home is also historically significant as the home of Dr. Gertrude Heath. Gertrude Emma Heath (1859-1935) was born in Gardiner, Maine in January 1859. When Gertrude was just three years old, after the American Civil War began, her father died in battle at Fredericksburg, leaving his widow Sarah to run the family affairs. She excelled in school and received her early education in the public schools of Gardiner, afterward attending Hahnemann Medical College at Chicago, Illinois, taking special courses. She graduated from this institution in 1883 with the degree of Doctor of Medicine, and began medical practice in Chicago in 1884, moving back home within that year. Soon after returning to Maine, she accepted a position at the Maine State Hospital, at Augusta, where she specialized in eye and ear conditions. It is amazing learning stories about such strong women, when at the time, women medical practitioners were almost unheard of and women were decades away from earning the right to vote.

Folliett Lally House // 1855

One of the most unique homes in the state of Maine has to be this stunner in the small town of Farmingdale. Perched high on a hill overlooking the Kennebec River, the mansion was built in 1855 for Folliett Lally, a wealthy Civil Engineer. In 1842, Lally was hired by the U.S. Government to map out the border between present day Maine and New Brunswick, Canada. The issue arose after the Treaty of 1783 ending the American Revolution had described the northeastern boundary of the new United States, but with unclear boundary descriptions. After the Aroostook War in 1838-9, a cold war between the U.S. and Britain (who controlled New Brunswick), the long-standing controversy was ended with the Webster-Ashburton Treaty (1842). The new boundary was proposed by the King of the Netherlands, a mediator, who granted the U.S. more of the disputed area. We have Folliett Lally to thank for mapping and charting out the present northestern boundary of the United States. Now back to the house. The home was designed by Charles Alexander, a Portland-based architect. The home was sold, likely after Lally’s death, to two men, who converted the it to a double house, with entrances on both side elevations. A brick wall was run through the center of the home separating the house in half. The building was since divided up more and apparently has eight units.

Robert Thompson House // 1867

Just a few doors down from the Nathaniel Stone House (last post) in Farmingdale, Maine, this large Italianate style home similarly commands the prominent siting overlooking the Kennebec River. The house was built in 1867 for Robert Thompson (1806-1888), a Scotsman, who took over a pottery company in nearby Gardiner. Robert and his wife Phebe had two children, Lucy and David, the latter died within his first year of life. After the couple passed, they willed their home to daughter Lucy, who married a druggist, James Jackson. The Colonial Revival style doorway was added sometime after their passing in the early 20th century.

Captain Nathaniel Stone House // 1872

The Captain Nathaniel Stone House in Farmingdale, Maine was constructed in 1872 on a small plot of land overlooking the Kennebec River. The charming home was constructed by Nathaniel Stone (1797-1884), a retired ship chandler,(a dealer in supplies or equipment for ships) who moved back to his hometown after making his fortune in Boston. He lived here with his wife, Martha, and his adopted son, Uriah, in this fashionable Second Empire style. Nathaniel died in 1884, outliving his wife by two years. The property was willed to his adopted son Uriah, who quickly sold the home on account of him seeing ghosts inside, he refused to live there because of it. The home was acquired by William Ring, a businessman who owned real estate in nearby Gardiner, Maine. Between 1886 and 1912 he and his family resided at the former Stone House, but by the turn of the Twentieth-century he grew increasingly in debt, and on several occasions he borrowed against his property to meet his obligations. Before the home went up for auction in 1912, a massive fire broke out in the home, destroying all the interior woodwork, and William perished inside. Although significantly damaged, it was largely rebuilt to its original appearance by its eventual buyer and has been an architectural landmark on the Kennebec River ever since. Now that I think of it, maybe Uriah Stone could see the future and saw William Ring as a ghost!

Harkness Estate – Carriage House // 1908

Another of the stunning buildings on the Harkness Estate is this massive all-purpose building that served a variety of functions, but I will call it the Carriage House. The building was constructed in 1908 and designed by James Gamble Rogers, mimicking the Renaissance Revival grandeur of the main home, Eolia. As previously mentioned, the large, U-shaped building was a multi-use support compound for the Harkness Family and their farm. The South Wing (right) of the building served as a clubhouse for Edward Harkness and his friends, with a billiards room, squash court, and two bowling lanes. This wing has large windows looking out towards the ocean and the large gardens on the property. The central block contained a garage with a turntable to facilitate the parking of limousines, a gas pump and a car wash for Mr. Harkness and his growing automobile collection. The North Wing (left) contained the horse stables, carriage area, tack room, smithy, and even a space dedicated to dog grooming. Upon close inspection you can see small rounded stones near the portals to allow the wheels to hit them rather than damage the building. Perhaps most importantly, the Carriage House was the location for the furnace room with its huge steam boiler. This boiler heated the Carriage House as well as the Mansion via an underground steam line. Apparently the building will soon be undergoing a restoration. Fingers crossed!

Harkness Estate – Water Tower // 1910

One of the most unique buildings on the grounds of the Harkness Estate has to be the most functional, the 1910 water tower. The structure was designed by architect James Gamble Rogers, a really under-appreciated architect who was commissioned by Edward and Mary Harkness to revamp their summer compound. The water tower features a skeletal frame with concrete block tower protecting it, surmounted by a shingled water tank which once had a functioning wind mill on it! Nearby the water tower, a garden designed by female landscape architect Beatrix Farrand frames the tower very well. In that garden sits a 110+ year old Japanese Thread Leaf Maple tree, which is probably the most beautiful tree I have ever seen.

Harkness Estate – Old Farmhouse // c.1860

On the sprawling grounds of the Harkness Estate (featured previously), this wood-frame home showcases the more human-scaled farmhouses that many in New England once had. The farmhouse was likely built in the middle of the 19th century and was used until the early 20th century when the farmland (and likely other surrounding coastal farms) were purchased and turned into the massive 237-acre estate. Interestingly, the Harkness Estate was used as a summer house for the Harkness family, but also as a ‘gentleman’s farm’. Gentleman’s Farms were an important element of the upper-class lifestyle in the Gilded Age as they served as formal summer mansions and working farms that often supplied produce and dairy products to the owners’ winter residences. The wide open spaces and ability to have a tranquil lifestyle was appealing to many who lived in dense urban centers for most of the year. While nearly all “gentleman farmers” had servants actually do all the work, they sure loved the idea of living on a farm. At its peak, the Harkness Estate with it’s prized herd of Guernsey cows, 65 employees, 35 of whom were year-round support staff. It is likely the lead farmer and family lived in this building, right in the center of the estate.

Harkness Estate – Eolia Mansion // 1908

Eolia, the Harkness Estate, sits on the shoreline of Waterford, Connecticut and is significant as one of the most complete grand-scale, seaside estates in Connecticut. Similar to Seaside Sanatorium (featured previously), the Harkness Estate is another Connecticut State Park in the coastal town, but is quite opposite as the buildings and grounds are in much better condition and get use! The property was developed as a formal seasonal retreat and working farm in the early 1900s for William Taylor and Jessie Stillman, until it was purchased by Jessie’s sister Mary and her husband Edward Harkness soon after. Edward S. Harkness (1874-1940) spent most of his life managing, with his older brother Charles, a tremendous fortune built up by their father Stephen Harkness, who had had the foresight in 1870 to become John D. Rockefeller’s business partner by investing in the Standard Oil Company. Edward Harkness married Mary Stillman, daughter of wealthy New York attorney Thomas E. Stillman, in 1904. Mary’s maternal grandfather was Thomas S. Greenman, a shipbuilder in Mystic, Connecticut, who co-founded George Greenman & Co shipyard (now part of the Mystic Seaport Museum). As the centerpiece of this summer estate, the premier NY architectural firm of Lord & Hewlett, designed this stunning Renaissance Revival mansion which holds a whopping 42-rooms. Mary hired female landscape architect Beatrix Farrand to design the absolutely stunning gardens on the grounds. In 1918, Edward Harkness was ranked the 6th-richest person in the United States, and the couple decided to give away much of their wealth, including selling off some of their property in Waterford for Camp Harkness for children with polio. Mary and Edward were very private people who avoided public attention and acclaim, unlike many of the rich of today. Mary Harkness’s final gift, was written in her will, that her beloved estate Eolia, would be gifted to the State of Connecticut.

Stay tuned for some more buildings on this stunning estate!