Turner House – Nantucket Cottage Hospital // 1800

In around 1800, Baker Turner built this beautiful Federal period home on Nantucket. It typifies the best parts of Nantucket architecture: gray weathered shingles, charm and simplicity. Over 100 years after the house was built, the property became significant as a facility for saving lives. The Nantucket Cottage Hospital was founded in 1911, conceived by the visions of Dr. John S. Grouard (who lived nearby) and Dr. Benjamin Sharp, to provide centralized high-quality medical services to the residents on the island. There had been no hospital on the island beforehand. The duo bought the former Turner homestead in 1912 and moved in. The hospital was eventually outgrown, and the hospital relocated to a modern building on available land in the 1950s. This building was sold and now appears to be a home, full circle.

Dr. Grouard Cottage // c.1897

Dr. John Shackford Grouard (1867-1927) was a physician and surgeon born in Allegheny County, Penn. He attended Phillips Exeter Academy, and earned an M.D. from Harvard Medical School in 1889. In 1891, he moved to Nantucket, Massachusetts, where he established his own general medicine and surgical practice. Years after establishing his practice, he built this beautiful Shingle/Queen Anne style cottage that is dominated by a massive gambrel roof and is located adjacent to the Nantucket Hotel. He served as the Town Physician and medical examiner, on the Nantucket School Board, and as president of both the Nantucket Civic League and Citizen’s Gas, Electric, and Power Company. Dr. Grouard also co-founded the Nantucket Cottage Hospital in 1911, but more on that later. Dr. John Shackford Grouard died in Boston in 1927, one week after surgery for a gallbladder inflammation.

The Nantucket Hotel // 1891

In 1888, Charles F. Folger of Philadelphia purchased the former Elijah Alley house on Easton Street, just north of the main village of Nantucket. Folger hired carpenter Edwin R. Smith to design and build a new grand hotel for summer residents of Nantucket. Originally named the Point Breeze Hotel, the grand resort opened in the summer of 1891. The Queen Anne style hotel contained forty sleeping apartments in the upper floors and was dominated by a corner tower with billiards rooms and a bowling alley in the raised brick basement. Business was booming, and by the early 20th century, Folger expanded the hotel adding the east wing in the Colonial Revival style. In 1925, a fire destroyed the original Point Breeze Hotel, leaving just the East Wing. By this time, the days of the grand, wooden hotels was coming to a close. The Nantucket Institution for Savings acquired the hotel during the Great Depression, until 1936 when Gordon Folger Jr., grandson of the Point Breeze’s original proprietor, purchased the hotel and renamed it after himself, as the Gordon Folger Hotel. By the end of the 20th century, the building sat underutilized, the early 2000s when Little Gem Resorts purchased the hotel, seeking to restore this historic property back to her former glory. The original 1891 hotel was rebuilt in 2012, even down to its iconic corner tower, and the hotel was renamed The Nantucket. The hotel is open year-round and is lavish inside and out, providing you with a sense of home even when on vacation in the middle of the Atlantic!

Hyde-Richardson House // c.1728

The Hyde-Richardson House is one of roughly twenty remaining pre-Revolutionary War homes in Newton. The home was built for Timothy Hyde (1689-1756) after he inherited the property including 36 acres and a house from his father John Hyde. Timothy had two wives: Rebecca Davis who he married in 1718 and died in 1724 (seemingly in childbirth); and his second wife Sarah Whitmore, whom he married in 1727. The home was likely built soon after his second marriage. It is possible that parts of the original home on the site were reused for this structure. He served as Surveyor of Highways and Constable and in 1710 was drafted to serve with the militia in the successful siege of Port Royal in Canada. In 1761, Jeremiah Richardson bought the property and married his wife Dorcas Hall that same year. Richardson was a deacon and like Timothy, served as Surveyor of Highways. The property remained a farm until the 1930s when the automobile and suburban expansion reached the Oak Hill section of Newton. The farmland was ultimately was subdivided to create the surrounding neighborhood in the mid 20th century.

Ellen Banning Ayer Country Estate – “Ledgebrook” // c.1905

Ellen Banning Ayer (1853-1918) of Minnesota married Frederick Ayer in 1884 and her life completely changed. Frederick Ayer was one of the richest men in New England and he was involved in the patent medicine business, but is better known for his work in the textile industry. After buying the Tremont and Suffolk mills in Lowell, Massachusetts, he bought up many textile operations in nearby Lawrence, combining them in 1899 into the American Woolen Company, of which he was the first president. The couple had at least three houses in Lowell, Boston, Pride’s Crossing and had three children (one of whom Beatrice, later married the famed general George Patton). As the Ayer Mansion on Commonwealth Avenue was being built, the family was looking for a country house near the city. One year, Frederick asked Ellen what she wanted for a gift and she said “roses”. Frederick purchased an old farmhouse on Nahanton Street in Newton and had greenhouses and a stable built immediately, followed by a Colonial Revival country house for his wife Ellen. The mansion held lavish parties for the Ayers, who loved to entertain and it was passed down to their eldest daughter Katharine Ayer Merrill. The property was purchased in the 1920s by Clive and Mona Lacy for decades until it sold in the 1980s. The large site was eyed for redevelopment. The architectural firm of Dimella Shaffer was hired, and they restored the Ayer House, and designed forty residential units on the site, all tucked into the woods gently peering out here and there. The old Ayer House remains as the clubhouse of the Ledgebrook Condominiums Association.

Quabbin Lookout Tower // 1940

After the Quabbin Reservoir was filled (more on the history in my last post), the cleared land and body of water, with its over 181 miles of coastline, was seen as not only an engineering marvel, but a place of natural beauty and splendor. Upon a rise in the land and the edge of the reservoir, they saw a perfect location to build a tower that could serve many purposes. The Metropolitan District Water Supply Commission hired the firm of Densmore, LeClear & Robbins to design a tower that would serve as a radio tower, fire station and observation tower to view the reservoir. The structure, while designed in the Arts and Crafts mode, is of modern construction and is comprised of two main parts. The lower portion, is constructed of stone and concrete, with metal casement windows, granite lintels and sills and bronze doors. This section was used for radio equipment. The interior has glazed tile walls and cement floors. The six-story tower has five floors of metal and concrete stairs. At the top is a two-level, glass enclosed observation tower.

Quabbin Park Cemetery Building // 1940

By the early 1900s, metropolitan Boston’s demands for freshwater began exceed its supply, causing the state legislature to look for other sources of water to supply the metro’s population growth. A 1922 study endorsed the Swift River Valley (Quabbin area) as the best location for a new reservoir that could supply Massachusetts with fresh water, but there was one issue, there were towns and people living there. To create the Quabbin Reservoir, the depressed land would need to be flooded, this required over 80,000 acres of land to be purchased or seized by eminent domain by 1938. Four towns: Dana, Enfield, Greenwich, and Prescott were disincorporated and their excess land not flooded was added to surrounding municipalities. In total, an estimated 2,500 residents lost their homes as part of the flooding. Not all elements of the towns were destroyed, however. Town memorials and cemeteries in the four towns were moved to Quabbin Park Cemetery, in Ware, a short distance from the Quabbin Reservoir. Many other public buildings were moved intact to other locations (like those in Dorset, Vermont featured previously). In the over 80,000 acres that were flooded, the Commonwealth had to relocate an estimated 7,500 burials in over 35 cemeteries in these flooded towns. Bodies were removed from their respective locations, and intered in the new Quabbin Park Cemetery, built by the Commission in 1932 with grounds designed by landscape architect Arthur A. Shurcliff. An area for unknown graves and a memorial area at the entrance to the cemetery also contains public war monuments from the abandoned towns. This service building was added to the cemetery from designs by architect Frederick Kingsbury who died during its construction.

United Church of Ware // 1926

The East Congregational Church in Ware was established in 1826, spurred by the industrial growth and subsequent immigrant population boom in the village of Ware, Massachusetts. The Ware Manufacturing Company, a major player in town, contributed $3,000 to towards the construction of a new congregational church in the village, which was matched by residents. The original church was built in 1826, following plans prepared by Isaac Damon, a noted church architect from Northampton, in the Federal style, popular at the time. In 1925, just a year before its centennial, the church burned to the ground. Plans to rebuild the church formulated immediately. Due to changes to the neighborhood since 1826 (notably the construction of tenement housing adjacent to the church), the decision was made to locate the new church setback from the street. Plans were drawn by Frohman, Robb and Little of Boston for the new building, which was to be Federal Revival, a nod to the former church building. The grounds in front were landscaped by the prominent landscape architect Arthur A. Shurtleff. After WWII, population decline and dwindling membership of some churches in town required a few congregations to consolidate, creating a union or united church here. The United Church of Ware came into being in 1969 when the East Congregational Church, United Church of Christ and the Ware Methodist Church, United Methodist Church joined together and became one federated church with ties to two denominations.

Ware Center Meeting House // 1799

Ware was settled in the 1717 and incorporated in 1775. Its town center was laid out in 1760, on land belonging to one of its early large landowners. The first colonial meeting house was built in that year, near the geographic center of the town, and the road network developed around access to this area from the corners of the town. The Ware Center Meeting House was built in 1799 to replace a previous structure. The Meeting House has served as the first town meeting hall, the parish home of the First Church of Ware and the first school. As the town’s population boomed in the eastern part of town when factories and mills were built along the Ware River. To compete with the growing industrial village, the Ware Center residents sought to “keep up with the Jones'” and renovated the meeting house in 1843 in the Greek Revival style. However the growth of Ware had by passed the old Ware Center and population and in 1847, a new Town Hall was completed on the Main St. closer to industry and the new population center. The building remained as a church, but in 1928, the church ceased having winter services due to the reduced membership, and from that time on services have been held sporadically. The building remains a significant piece of Ware’s history from a sleepy rural town to industrial powerhouse.

All Saints Parish House // 1893

As soon as the All Saints Church of Ware was completed, work immediately began for the parish house which was to be built nextdoor. It is not clear who was retained as the architect, but it could have been Patrick W. Ford, who designed the high-style Victorian Gothic church. The design is almost the complete opposite of the church, in that the parish house is of wood-frame construction, modestly scaled, and is Colonial Revival in style. The parish house features nice proportions with its symmetrical facade, pedimented central bay framed by pilasters and the large Palladian type window at the center.