Gothic Architecture

David Forrest House // c.1857

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This home in Schenectady’s Stockade Historic District appears to have been built in the mid-19th century, and is an excellent example of a modestly sized Gothic Revival cottage. The house was occupied around 1860 by David P. Forrest, who served one term as Mayor of Schenectady in 1859, later becoming an Inspector of State Prisons from 1860 to 1862. The amazing Gothic bargeboard and other trimmings have remained and add so much intrigue to the home’s design. And that lancet window in the gable end! Swoon.

St. Michael’s Episcopal Church // 1860

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While I love the quintessential white, wood-frame New England churches that proliferate the region, the stone, Gothic churches always make me stop in my tracks; and this example in Bristol is no exception! St. Michael’s parish was founded in 1718 as one of the Rhode Island’s four colonial churches, funded and overseen from London. The first church, built in 1720, was ironically later burned during a British raid in 1778. It was replaced in 1785 by a plain wooden meetinghouse with funds from local residents and partitioners. In 1833, it was replaced by a wood-frame Gothic church which burned in 1858. Undeterred, the church hired New York City architects Alexander Saeltzer and Lawrence B. Valk, who designed the present brownstone Gothic Revival church. Just over a decade later, the church hired Worcester architect Stephen C. Earle, to design a chapel and parish house, across the street. The chapel building follows the Gothic Revival style, but with more Victorian flair, and is also constructed of brownstone to compliment the church. Together, the two structures transport you to the English countryside with their design and presence on the main street in town. What do you think of them?

“Longfield” // 1848

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“Longfield”, aka the Abby DeWolf House was built in 1848 and is one of the finest homes in Bristol, Rhode Island. The home was completed from designs by Providence architect Russell Warren, who also designed other mansions in town (I’ll post those later on in this series), the Westminster Arcade in Providence, and “Hey Bonnie Hall” a since demolished Federal style home I featured a couple days ago. Longfield’s name derives from the 60-acre meadow, part of the 300-acre Henry DeWolf farm, given to Abby DeWolf when she married Charles Dana Gibson at just 21 years of age. The DeWolf Family paid for the home as a gift to Abby. The DeWolf Family is infamous for being highly active in the slave trade, and was believed to have transported over 11,000 enslaved people from Africa to the Americas before congress abolished the African Slave Trade in 1808, which “prohibited the importation of slaves into any port or place within the jurisdiction of the United States…from any foreign kingdom, place, or country.” This policy did little as many owners of slaves just kept children born into slavery and also opened plantations in the Caribbean and South America. After Abby died in 1901, the home went to her granddaughter who maintained the home. By the 1970s, the home was sold out of the family and began a period of decades of deterioration to its current state. The interior is effectively gutted, but some original woodwork and fireplaces remain. Recent calls for a townhouse development with ample parking was proposed and approved by the town a couple years ago, but would greatly diminish its siting and architectural integrity. Nothing has happened on the site, but here’s to an appropriate restoration!

Mount Vernon Congregational Church // 1892 & 1984

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The Mount Vernon Congregation Church was founded in 1842 and originally was located in Ashburton Place on Beacon Hill (which I featured previously). As its members moved to the Back Bay, the congregation decided to build a new church in the western portion of the neighborhood. They hired architect C. Howard Walker to design the new church building, with stained glass windows by John LaFarge and Louis Comfort Tiffany added as memorials to several members of the congregation over subsequent years. As originally designed, the church had a 45-foot high steeple on top of its 85-foot square tower, but over the years it became structurally unsound, and it was removed just before the Hurricane of 1938, which toppled many steeples all over the region. In 1970, the church merged with the Old South Church in the Back Bay. In 1977, developers proposed to remodel the church building into retail and office space. The proposal was approved by the Boston Redevelopment Authority in January of 1978. Before work could commence, a fire destroyed much of the church building leaving a shell of Roxbury Puddingstone walls and the tower, the developer pulled its funding and the building’s future was uncertain. One year later, architect Graham Gund purchased the building. Gund was familiar with adaptive reuse projects, like his restoration of the Middlesex County Courthouse in Cambridge for his own office in Cambridge in the 1970s. Gund redesigned the building into 43 condominium units called Church Court. What are your thoughts on the architecture?

St. Patrick’s Church, Newport // 1882

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Perched high on a hill in central Newport, NH, St. Patrick’s Church has served the community in its stunning building for nearly 150 years. The town of Newport began seeing Irish immigrants moving into town looking for work at the mills as early as 1835. The large working-class population created a need for a Catholic church in the growing town. That same year, the Catholic population of the state of New Hampshire was listed at just 720 people. Over the following decades of meeting in homes and small buildings around town, the Catholic population in town, along with the newly established Archdiocese of Manchester, NH, came up with funds for a church in the mill town of Newport. The congregation hired Hira Ransom Beckwith, a carpenter, builder and architect from nearby Claremont to design and construct the new place of worship. Interestingly, Beckwith had only a high school education, so his training as an architect and builder was through apprenticeships. The church is a blend of Gothic Revival and Stick styles, with the lancet windows and tracery paired with the elaborate stick-work in the gable.

Justin Morrill Homestead // 1851

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One of the most stunning Gothic Revival homes in New England has to be the Justin Morrill Homestead in the tiny town of Strafford, Vermont. The home was designed by and built for Senator Justin Smith Morrill (1810-1898), who was born in town and worked with his mentor Jedediah Harris at the local store. He later expanded and owned numerous stores in the area and diversified, investing in railroads, banks and real estate in the region. He retired in the late 1840s and became a gentleman farmer, building this Gothic Revival home in town. In 1854 Morrill was elected to the Thirty-fourth Congress as a Whig. He was a founder of the Republican Party, and won re-election five times. In 1866, Morrill was elected to the U.S. Senate as a Union Republican, serving until his death in 1898. Morrill is best known for sponsoring the Morrill Act, also known as the Land Grant College Act. This act was signed into law by Abraham Lincoln in 1862, and established federal funding for higher education in every state of the country. Senator Morrill primarily used this house as a summer residence, as he spent much of his time in Washington, DC. The property remained in the Morrill family, until World War II. The house was eventually acquired by preservationists, who sold it to the state in 1969 for use as a Historical Site and museum.

Justin Morrill Barn

Trinity Church, Southport // 1862

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The Trinity Episcopal Church in the Southport section of Fairfield, Connecticut was established in 1725. Twenty families met for worship at its first meeting house in the center of town on Thanksgiving Day, 1725. Since then, the church has constructed five different places of worship in locations around town. Architect Albert C. Nash designed the church which was constructed during the years 1854-56. Sadly, the building’s near total destruction by wind during a tornado on January 1, 1862, required the church to be completely rebuilt as originally planned, with a few structural alterations. Trinity Church is an excellent work of early Gothic Revival church architecture in wood, one of the best I have seen in my trips around the region.

Sturges Cottage // 1840

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In the 1840s in New England, one architectural style commanded a large majority of all new house styles, Greek Revival. A divergence from the Classical designs of the Georgian, Federal and Greek Revival styles which dominated at the time, the Romantic movement began its first true breaths across New England. The Gothic Revival and Italianate styles are often thought to be the first couple styles which brought the frills and detailing personified by Victorian-era architecture.

This home in Fairfield, Connecticut was built in 1840 to a design by Joseph Collins Wells, it is one of the oldest-known and best-documented examples of architect-designed Gothic Revival architecture. The home was built for for Jonathan Sturges (1802–1874), a businessman and patron of the arts. It is one of the earliest known examples of architect-designed Gothic Revival architecture, a style more often taken by local builders from pattern books published by the style’s proponents. The home was likely a pre-cursor to architect Joseph Wells later commission, the famous Roseland Cottage.

Unity Church of North Easton // 1875

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The Unity Church of North Easton, Massachusetts looks like it could stand toe-to-toe architecturally with the large churches in major American cities. The church was a gift to the Unitarian Society in town, by Oliver Ames II, who hired renowned Gothic architect Henry Vaughan to design a chapel, worthy of the town’s wealth. The church contains various tablets and memorials to the Ames Family, with stunning stained glass windows by John LaFarge, recently restored by the church! Behind the grounds is the cemetery where many of the Ames family members are buried.

Forest Hills Administration Building & Chapel // 1884

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Located adjacent to the Entrance Gate at Forest Hills Cemetery in Boston, the Administration Building and Chapel perfectly compliments the Gothic Revival collection of structures welcoming all visitors to the cemetery. Designed by the firm of Van Brunt & Howe, the building was completed in 1884, when the cemetery’s popularity with visitors (alive and deceased) was at a high. The building is in the Gothic Revival style and is constructed of
Roxbury puddingstone, with sandstone trim on the original parts of the building and yellow freestone trim on the 1921 addition. The building remains as a perfect partner to the entrance gate, serving as a physical portal between metaphorical life and death.