Historic Sites New England

Milmore Memorial, ‘Death and the Sculptor’ // 1889

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The haunting yet beautiful monument, “Death and the Sculptor” in Forest Hills Cemetery is quite possibly my favorite piece of sculptural art and a gentle reminder to not take life for granted. Commissioned in 1889 and dedicated in 1893, the bronze monument was designed by Daniel Chester French, a sculptor best known for his 1920 monumental statue of Abraham Lincoln at the Lincoln Memorial, to memorialize sculptor, Martin Milmore and his brother Joseph, a stone-cutter. Rather than portraying death as frightening or violent, French depicts a serene winged figure gently staying the hand of a young sculptor at work, suggesting a peaceful transition from earthly labor to eternal rest. The sculpture’s quiet grace, emotional depth, and masterful craftsmanship have made it a landmark of American memorial art, inviting visitors to reflect on mortality, creativity, and the enduring power of beauty in the face of loss. To tie the work to its subjects, the young sculptor is carving a Sphynx, modeled after the 1873 sculpture the brothers worked on together that is located at Mount Auburn Cemetery in Cambridge. A marble version of the work can also be found at the Metropolitan Museum of Art in New York, carved in 1917 by the Piccirilli Brothers.

Forest Hills Cemetery – Grace Sherwood Allen Memorial, “Girl in the Glass” // 1880

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Similar to the story of Louis Mieusset, the “boy in the boat” at Forest Hills Cemetery, the memorial of Grace Sherwood Allen stands as a testament to parent’s ever-lasting love of their children. “Gracie” Allen (1876-1880) was born in Boston, the only daughter of William H. and Emily Jones Allen. She died several months prior to her fifth birthday from whooping cough and was later immortalized by sculptor Sydney H. Morse, who depicted the young girl in a buttoned dress, boots and bow-tied hair. In her hand are drooping flowers, the petals of which have begun to fall, showing her life fading. The life-size white marble sculpture is covered in a bronze and glass vitrine, to protect the fragile stone from acid rain, which would stain and weather the delicate monument.

Forest Hills Cemetery – Louis Mieusset Memorial, “Boy in the Boat” // 1886

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Louis Ernest Mieusset (1881-1886), just shy of his fifth birthday, died of Scarlet Fever and nephritis. His mother, Madame Louise Mieusset, took every penny she had saved for her son’s education and put it towards a commission of a funerary sculpture, depicting her late son’s playful spirit. The memorial of four-year-old Louis Mieusset is marked by a brilliant white marble figure depicting the young boy in a boat with a tennis racket in one hand and a shell in another. Marble was popular during the mid-19th century but it was understood that marble was too soft to stand up well outdoors, so it was additionally enclosed in a bronze and glass vitrine to protect it from acid rain and staining. Carved into the base, it states, “MY ONLY AND DARLING CHILD…A MOTHER’S TRIBUTE OF AFFECTION”. Madame Mieusset worked as a hat-maker in Boston, and after the death of her son, she struggled financially to support herself between frequent visits to mourn her son, even decades after his death. Louise planned to be buried next to her son, but died penniless in 1936. As she did not leave funds for burial in Forest Hills Cemetery, her body was buried in a pauper’s lot, until (legend says) Boston Mayor James Curley paid her burial expenses, funding the relocation of her body, allowing for her eternal rest with her late son Louis.

A similar monument, known as the “Girl in the Glass” is also found at Forest Hills.

Old Sharon Sanatorium – Former Kendall Whaling Museum // 1891

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The old Sharon Sanatorium was built on former farmland in Sharon, Massachusetts, as a medical facility for the cure of pulmonary infectious diseases. The rural medical institution was designed in 1890 by the architectural firm of Longfellow, Alden and Harlow and completed a year later. The Sharon Sanatorium for Pulmonary Diseases opened formally in February 1891 with the purpose to provide affordable care for patients suffering from Tuberculosis and other pulmonary diseases. At the time, tuberculosis was a major health concern and treatment often included fresh air, so facilities such as this were designed with access to open air sleeping porches and forested surroundings. The Sharon Sanatorium was sited to catch the prevailing breezes on the side of Moose Hill, the second highest ascent between Boston and Providence. In 1916, the Sanatorium opened a Children’s Pavilion, which was reserved for children less than fourteen years of age suffering from tuberculosis. By 1938, the threat of tuberculosis was under control, and the Sanatorium began admitting patients suffering from arthritis and rheumatic fever until the facility closed in 1947. The Sanatorium integrated with the Boston Children’s Hospital in 1949 and soon after, the property was bought by Henry Plimpton Kendall (1878-1959), a wealthy entrepreneur and industrialist, for use as the Kendall Whaling Museum, showcasing his personal collection of paintings, prints, and tools of the whaling industry in New England. In 2001, the museum merged with the New Bedford Whaling Museum and today, the property is managed by the Trustees of Reservations as their Archives and Research Center.

Derby Summer House // 1793

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The Derby Summer House sits on the Glen Magna Farms property in Danvers, Massachusetts, and is a rare and excellent example of a formal 18th century garden house in the Federal Style. The structure was built in 1793-94 by Samuel Mclntire, the noted craftsman-carpenter of Salem, on the country farm of Elias Hasket Derby in South Danvers. The Derby Farm was sold off by the family, but in 1901, Mrs. Ellen Peabody Endicott, a descendant of the original owners, bought the Derby Summer House and transported it to Glen Magna Farm, their own summer residence. A shopping center now occupies the original location of the Derby Farm. Inside the structure on the first floor, there are two small rooms which are divided by a central hall that extends through the structure. The steps and vestibule at this level are surfaced in white marble. The second floor, where tea was served, was decorated in an Oriental manner. A wood parquet floor, dating from the first decade of this century is still in place. The structure with its carved figures has been studied and replicated by architects and historians for decades, but nothing beats the original.


Robert Frost Farm // c.1820

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Robert Frost, the famed American poet is best known for his realistic depictions of rural life in New England. Frequently honored during his lifetime, Frost is the only poet to receive four Pulitzer Prizes for Poetry, and in 1961, he was named poet laureate of Vermont, one of his favorite places to write. Though his writing is often beautiful, Robert Frost did suffer tragedies. His beloved wife, Elinor, died in 1938, causing him to resign from a teaching position at Amherst College. In the fall of 1940, the Frost family experienced another tragedy when Robert’s only son Carol committed suicide at 38 years of age. Robert Frost, who suffered from depression himself, would buy this farm in rural Ripton, Vermont, that year. The farm was a respite to escape to nature and be free from painful memories of the past. Frost chose the site eight miles from Middlebury College, and two miles from the Broad Loaf Inn, where each summer the college sponsored the Bread Loaf Writers’ Conference, the oldest and most prestigious writers conference in the country. The farm he purchased was established by and known as the Homer Noble Farm. The farmhouse seemingly dates to the early 19th century, and the property was added to by a cabin built for Mr. Frost to write and occupy when spending summers on the farm. The property would serve as his country retreat for summers away from his main residence in Cambridge, Massachusetts, until his death in 1963. The property is now owned by Middlebury College. The grounds are open to the public during daylight hours.

Stone Memorial Building // 1896

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Designed by New Hampshire architect William Butterfield in 1896, the Stone Memorial building in Central Weare is a significant example of a Neo-Classical style structure in a village setting. The building was constructed with money donated by Joseph Stone in honor of his father, Phineas J. Stone, who was born in Weare and moved to Charlestown, MA, later serving as its seventh Mayor. The building would “provide suitable room for a public town library” and a room for memorials to the Civil War soldiers who fought and died for the Union. When the town hall burned, offices there were relocated to this building. Eventually, the library and town offices left this small building, and it has since been home to the Weare Historical Society.

Cragin-Frye-Savage Mill // 1858

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There’s not much that is more picturesque and stereotypical New Hampshire than old, wooden mill buildings. When I was looking for a town to explore in NH, I got stuck on a photograph of the old Cragin-Frye Mill in Wilton, and off I went! Daniel Cragin (1836-1921) was born in Merrimack, NH of Scottish descent. In 1856, age 21, he rented a room in a woolen goods mill, and he built knife trays and wooden toys which he turned into a business. He started his business with ten dollars, and turned a profit from the beginning, so much so that by 1858, he accumulated enough money to purchase a nearby existing building for his own operation. The mill was water-powered and grew quickly. The Daniel Cragin Mill began production of sugar boxes and dry measure boxes. The mill closed briefly after Cragin retired in the early 20th century. In 1909, Whitney Morse Frye and his father, Dr. Edmund Bailey Frye, bought the mill from Cragin. Frye continued the Cragin line of wooden trays, boxes, and pails in addition to his normal processing of grains. Whitney Frye died in 1961, and his employee, Harland Savage Sr. purchased the old mill, continuing operations. After his retirement in 1981, his son Harley and his wife Pam Porter Savage took over operations and they have operated the mill to the present day as Frye’s Measure Mill. The mill is one of a few remaining operating water-powered measure mills in the United States!