Elijah Waters (1773-1846), a hardscrabble farmer in West Millbury inherited his father’s large farm and resided there for over thirty years before wanting something more his style. Unmarried and without children, Elijah (who was 72 at the time), had this impressive Greek Revival farmhouse constructed near his old family homestead. He was possibly looking to spend money saved up and without a wife or heirs to will it to. The massive temple-front Greek Revival mansion has a stunning doorway and six columns supporting a projecting pediment. Within a year after the home was built, Elijah died. The home was willed to his nephew, Jonathan Waters. The house is for sale for $384,000 which is a STEAL!
William “Willie” Winfred Windle (yes that is a real name) was born in Millbury at the height of the town’s industrial growth and prosperity. He ran the W.W. Windle Mill just west of downtown and with his wealth, was able to buy a house lot on one of the most fashionable residential streets in town. His home was built in the early 20th century and is a stunning example of Tudor Revival architecture. In 1911, Windle traveled to England to inspect mills there and was likely inspired by some of the residential architecture he viewed on the trip. The house elegantly blends stone walls with half-timbered wood, with a prominent entry. The timber and stone entrance porch which has decorative bargeboard and corbels, has been enclosed. The home remained in the Windle family at least into the 1940s, when it was occupied by William Winfred Windle’s son, Winfred Woodward Windle. By the 1970s, the home was occupied as the Millbury Society of District Nursing.
Not just your typical white New England church here… this one was moved! This church was built in 1804 in the north parish of Sutton (present day Millbury, Massachusetts). In the 1700s, the members of the northern part of Sutton petitioned to have a parish church of their own, rather than trekking across the large town to gather for town meetings and religious purposes. They were permitted to erect a parish church inn 1743, and built a church. The building was replaced in 1804, thanks to the wealth and new members of town moving there for manufacturing. Years later, the parish petitioned the Commonwealth of Massachusetts to have the North Parish of Sutton become the town of Millbury, due to the difference in needs being a mill town compared to Sutton’s more pastoral living, and they were designated as a town in 1813. The first town meeting of Millbury was held at First Congregational Church of Millbury that year on the town common. As industry along the Blackstone River picked up, so came waves of workers, many of whom were recent immigrants to New England. It was soon decided that the town church should relocate to provide a new center for town. In 1835, this church was moved about a mile away and erected high on a hill, in Bramanville village, a bustling industrial village. The church has remained in its location in Bramanville, even after the town center again moved, this time eastward to its present location. The Greek Revival style church elegantly reflects the significance of ecclesiastical buildings in early New England towns.
Not to be confused with The Villa, an extant mansard-roofed cottage in Newport, this beautiful example of the Second Empire style sadly is no longer around for us to gawk at. “Train Villa” was built as a summer cottage for George Francis Train (1829-1904), a nutty, attention-seeking businessman, who in 1870-1, traveled around the world in 80 days. The feat caused a sensation, but only after a writer named Jules Verne fictionalized it, naming the main character Phileas Fogg. Train was already one of the most famous men in America, but he was not happy that Verne co-opted his story. “Remember Jules Verne’sAround the World in 80 Days?” he told English reporters. “He stole my thunder. I’m Phileas Fogg.” Train undertook a total of three trips around the world, each time attempting to beat the record of 80 days, with his final trip clocked in at just sixty days. Ironically, Amazon Prime just released the story as a new series (literally airing days ago). Before his inaugural trip around the globe, Train had this summer cottage built in Newport, where he could relax after his globetrotting. After his death, the property was renamed “Beachholm” and owned by Woodbury Blairof Washington D.C..The home was one of the most eye-catching in town and was located in front of the Seaweed Cottage (featured previously), until a fire in the early 1970s led to its demolition.
If anyone knows me, I absolutely LOVE Tudor and French Norman style houses, but they are much less common compared to the Colonial Revival style, which dominated residential architecture in New England for nearly a century. Located on Ledge Road, at the southeasternmost peninsula of Aquidneck Island in Newport, you’ll find this absolutely giant estate as you conclude walking Newport’s iconic Cliff Walk. “The Waves”, was built in 1927 by architect John Russell Pope (1874-1937) as his own residence. He built it over the ruins of the former Gov. Lippitt Mansion which was previously built on the site and demolished by Lippitt’s heirs. In designing The Waves, Pope wanted to focus on the natural, rocky site and build a structure that would blend in. The Tudor style mansion features stucco and stone siding, half-timbering, and a complex roof covered in slate, all in a U-shaped form. Years after completing his home in Newport, Pope would become even more well-known for designing major public buildings in Washington D.C., including the National Archives Building (1935), the West Building of the National Gallery of Art (1941), and the Jefferson Memorial (1943). After Pope’s death, the massive home became the first mansion in Newport to be converted to condos, a great preservation tool that maintains these massive mansions, and allows for them to be utilized today.
One of the more architecturally modest and refined Gilded Age summer cottages of Newport sits on one of the most picturesque pieces of land at the southeastern point of Aquidneck Island and is aptly named Land’s End. The cottage was built in 1864, Land’s End was designed by John Hubbard Sturgis for Boston banker, Samuel Gray Ward, his father’s business associate. The home features a refined Italianate style base with a roof comprised of a variation of the Second Empire mansard style called a “turtleback roof”. Land’s End is probably most famous as the residence of Edith Wharton (1862-1937) after she acquired the property in 1889. She worked with Boston designer Ogden Codman, Jr., to experiment with a style of subdued classical interiors and a remodel of the exterior, which was later featured in their book, “The Decoration of Houses”. Wharton was inspired to show what good taste is after the influx of Vanderbilts and other newly moneyed summer residents of Newport. The book focused on how to build and decorate houses with nobility, grace, and timelessness. It would, they hoped, lead its readers out of what Wharton called (pace the Vanderbilts) a “Thermopylae of bad taste” and into an aesthetic Promised Land. Wharton only lived at Land’s End for a decade, when the “stuffiness” of high-society there led her to move to the Berkshires in Massachusetts, where she worked with architect Ogden Codman to design her new home, The Mount. It the monstrous Lippitt Mansion, Breakwater was built at the time, just next door! did not help that Sadly, many of the interiors have been altered since Wharton’s time there, but with more recent interventions, but the book did help shift some of Newports later homes to a more refined, classical taste.
Merry Christmas from The Breakers! This 1895 Gilded Age mansion is the best to explore during December, when the halls are decked and stunning Christmas trees adorn the lavish rooms (learn more about the mansion in my last post) When you walk into The Breakers, you enter the Great Hall. Architect Richard Morris Hunt designed the Great Hall after the open-air courtyards in Italian villas, but enclosed due to the tough New England winters. The palatial space (measuring 50 foot square), even if crowded by tourists trying to get the perfect shot on their smartphones, feels spacious yet somehow welcoming given the art museum-like detailing. The walls are made of carved limestone from Caen on the coast of France and adorned with plaques of rare marbles. Elaborately carved pilasters decorated with acorns and oak leaves support a massive carved and gilt-cornice which surrounds a ceiling painted to depict a windswept sky, further expressing the open-air courtyard feeling envisioned by Hunt, the architect. Four bronze chandeliers dangle from the gilded ceiling, and flood the room with warm light, evoking warm summers in Italy.
The Lawton-Warren House is one of the few large, brick Federal mansions in Newport, and is located a short walk from the Tillinghast House (last post) and the mysterious Newport Tower in Touro Park. The collapse of maritime trade in Newport following the British occupation was so complete that this house style, prevalent in Providence, is virtually nonexistent here. Robert Lawton was a sea captain and merchant who died at sea in 1818 off the coast of Africa and left the house to his wife, Penelope. After Penelope’s death in 1855, the traditional Federal style home was given Italianate detailing at the second floor. The home was likely painted around this time, which thankfully has been removed. The home was purchased in 1932 by George Henry Warren and his wife Mrs. Katherine Urquhart Warren. Katherine was a preservationist and art collector interested in preserving the Colonial town of Newport. To assist with this endeavor, she convinced the Countess Szycheni, a descendant of the Vanderbilt family and owner of The Breakers, to open The Breakers mansion to the public for tours. It was the start of the Preservation Society of Newport County. She would later be appointed by First Lady, Jacqueline Kennedy, to the committee to restore the White House in 1961. Katherine died in 1976, she willed the home here to the Preservation Society, and it held offices there until 1994. The home was sold to a private owner who restored the home to near original conditions, keeping the Italianate detailing.
Newport in 1774 had approximately 153 free Black residents residing in 46 households comprising of thirty-percent of Newport’s population at this time. One of these free Black families was the Jack family who resided around Levin Street (Memorial Boulevard today). The Jack Family appears to have been from Antigua and may have had ties to the Redwood Family (the namesake of the Redwood Library), who owned a plantation on the island and resided in Newport. Alexander Jack, Jr. was a free African American whose trade was a cordwainer or shoemaker. He bought his land in 1811 and is thought to have begun construction almost immediately. Jack heirs remained on this property until 1881. The Newport Restoration Foundation purchased the house in 1969, moved it that same year to Mill Street to save it from urban renewal and the widening of Levin Street as Memorial Blvd.
One of the oldest houses in Newport, the Charles Cotton House stands on Church Street, and has a similar story to its neighbor, the Langley House (featured previously). The home was built around 1720 and is named for Dr. Charles Cotton who owned it in the early nineteenth century. Cotton was born in Plymouth, MA, and was a direct-descendant of ministers John and Josiah and worked as a surgeon aboard the USS Constitution during the War of 1812. From Newport Restoration Foundation: “The original structure was probably a small, single-chimney house of one-and-a-half or perhaps two stories. The house as seen today was obviously enlarged in the Georgian style in the mid-eighteenth century and received further improvements in the early nineteenth century.” The likelihood of the building’s incremental growth is evident from the two chimneys are not of the same size above the roofline, nor are they in line with each other. Had the house been built new in the later Georgian style, elements on the exterior probably would have been more symmetrical and balanced. This building, like the Langley House was moved by Newport Restoration in the 1970s to save it from the wrecking-ball. In its original place, a parking lot.
Buildings of New England 