Landscape

Prospect Hill Tower // 1903

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Originally part of the town of Charlestown, Massachusetts, Prospect Hill is now located in the nearby town of Somerville, established in 1842. As one of the hills closest to the city of Boston, the hill played a pivotal role in the line of defensive works constructed after the Battle of Bunker Hill. The area developed slowly, with old farms around Prospect Hill, largely subdivided in the late 19th century for residential development. Around this time, in 1886, the Prospect Hill Park Association was formed, and in 1898, land here was purchased for a public park. The focal point of the iconic neighborhood park is the stone castle structure at the top. Completed in 1903 to commemorate soldiers of the Revolutionary and Civil wars, the rusticated granite tower was designed by Ernest W. Bailey, the City Engineer of Somerville, who also worked to landscape the surrounding park. The granite blocks were shipped in from Deer Isle, Maine. By the 1960s, the structure began to suffer from deferred maintenance. The City of Somerville added the concrete retaining walls to shore up the landscape, which worked for some time. Decades later in the early 2000s, the structure was at risk of further deterioration. Through Community Preservation Act funds, the tower and surrounding landscape were restored and made safer, making this important memorial accessible and enhanced for all to enjoy. 

Island Grove Park Memorial Arch // 1912

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The Abington Memorial Arch and Bridge at Island Grove Park was dedicated on June 10, 1912 as part of the town’s bicentennial observances. The Grove had been a popular meeting place for the Massachusetts Anti-slavery Society, with William Lloyd Garrison, Wendell Phillips, Abby Kelley Foster, and Lucy Stone among the many prominent reformers who spoke there. Abington resident and Civil War veteran, Capt. Moses Arnold, donated a large marker in 1909 to commemorate the abolitionist meetings at Island Grove, this act led the local GAR Post to begin planning a Civil War Memorial Bridge and Arch for the community. The 17-acre park is comprised of a peninsula jutting into Island Grove Pond, a 35-acre body of water which was created by impounding the Shumatuscacant River in c. 1700 for industry. The area has a significant history, first as an industrial site, then as an amusement park, before it became the wooded park it is now. The Memorial Arch and Bridge serves as the main entrance to the park, and was designed collectively by architect, J. Williams Beal, landscape architects, the Olmsted Brothers, and sculptor, Bela Pratt. The municipal park is a beloved local landmark and host to many events.

Cogswell Tower // 1904

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The crown jewel of the nearly one square mile city of Central Falls, Rhode Island, is Jenks Park, the only large park in one of the densest cities in America. The land was a gift of Alvin Jenks, a descendant of the family which had been among the town’s earliest settlers and one of its leading industrial families, and provided a much-needed recreational/open space for the dense industrial city. In 1890, planning began on the park with consists of hilly terrain cut through by paved paths, rocky outcroppings, and large metal gazebos which were fabricated at the nearby Fales and Jenks machinery works. At the crest of the park’s hill is Cogswell Tower, a clock and observation tower given by a former resident, Caroline E. Richards Cogswell. The stone tower was designed by architect Albert Humes, who ironically, was serving as mayor of Central Falls at the time, which may represent somewhat of a conflict of interest to gain the commission… The Cogswell Tower stands 70-feet-tall and is constructed of rough stone with a pyramidal roof that was once surmounted by an eagle. Its most remarkable aspect, a circular, iron structure which surrounds the base appearing from below as a sort of Hula-Hoop to the tower. Jenks Park and the iconic Cogswell Tower remain as a source of pride for the City of Central Falls.

Derby Summer House // 1793

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The Derby Summer House sits on the Glen Magna Farms property in Danvers, Massachusetts, and is a rare and excellent example of a formal 18th century garden house in the Federal Style. The structure was built in 1793-94 by Samuel Mclntire, the noted craftsman-carpenter of Salem, on the country farm of Elias Hasket Derby in South Danvers. The Derby Farm was sold off by the family, but in 1901, Mrs. Ellen Peabody Endicott, a descendant of the original owners, bought the Derby Summer House and transported it to Glen Magna Farm, their own summer residence. A shopping center now occupies the original location of the Derby Farm. Inside the structure on the first floor, there are two small rooms which are divided by a central hall that extends through the structure. The steps and vestibule at this level are surfaced in white marble. The second floor, where tea was served, was decorated in an Oriental manner. A wood parquet floor, dating from the first decade of this century is still in place. The structure with its carved figures has been studied and replicated by architects and historians for decades, but nothing beats the original.


Salem Willows Park // 1859

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The Salem Willows neighborhood of Salem, Massachusetts sits at the extreme tip of Salem Neck, which juts out into the Atlantic Ocean. The area here was sparsely used until the 19th century, when a smallpox hospital was built here in 1800, mainly used for sailors to recover and be treated. Soon after, a man by the name of Hezekiah Williams planted rows of Willow trees for the enjoyment of patients, which would give the area (and later park) its name. The hospital burned in 1846. Part of the land on the Neck became a park, and a former farm known as the Derby Farm, was purchased and redeveloped with new streets and house lots laid out for summer cottages in the early 1870s. The neighborhood became known as Juniper Point. The Salem Willows Park was enhanced in the late 19th and early 20th centuries with bathing facilities, pavilions, and amusement and commercial buildings. The park is today well-maintained by the City of Salem and is an important protected site that documents the city’s history of the 19th and 20th centuries. I was also pleased to find the 1965 Memorial Shell Band Stand with accordion metal roof designed by the architectural firm of Robert Charles, Associates.

Vesper Hill Children’s Chapel // 1960

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After the Tamarack Lodge hotel of Rockport, Maine, burned down in 1954, nearby resident Helene Bok began to envision what would be the best use of the charred landscape. Her project became the Vesper Hill Children’s Chapel, an absolutely stunning outdoor chapel that is open to the public. Her dream was to build a refuge that would be open for all people and “speak in and of itself of the beauty, goodness and truth of nature, life and God.” It is not clear to me who the designers were, but the structure and grounds are elegantly sited on the hill, overlooking the harbor in the distance. Helene planned the chapel to partially sit atop the rustic stone foundation of the former hotel on the site, with an open post-and-beam wooden structure above. After Helene’s death, Elmer Crockett, a designer for years on the Olmsted staff in Maine, oversaw the grounds and maintained a biblical herb garden. The chapel is today approached by a roofed stairway and surrounded by mature trees and locally harvested stones. It is truly a hidden gem in Mid-Coast Maine.

The Elms – Gardens // c.1911

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For my last post on the spectacular Elms Mansion in Newport, Rhode Island, I wanted to highlight something I rarely feature on this page, a garden. When the mansion was completed by 1901, architect Horace Trumbauer and his firm went to work to produce plans for a natural landscape with a large lily pond at the far edge of the property. After 1907, the Berwind’s and high-society shifted and landscape ideals were influenced by newer theories in American landscape architecture, which sought influence from historical European gardens. Trumbauer reworked The Elms’ garden to reflect this new emphasis on reviving classical European garden design alongside landscape architects Ernest W. Bowditch and Jacques Greber advising on the parterre design in the sunken garden. A grand allée on the scale of 18th century French palace gardens extends across an expansive lawn toward two formal marble pavilions situated along a minor cross axis above a sunken garden. The marble pavillions appear to have been designed by Trumbauer and are inspired by 18th-century French garden pavilions. The grand context for the gardens is a park-like collection of specimen beech, elms, maples, linden and other large canopy trees. Many of the large trees have since succumbed to disease, but the formal Italian sunken garden remains one of the finest in the United States.

Harkness Estate – Water Tower // 1910

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One of the most unique buildings on the grounds of the Harkness Estate has to be the most functional, the 1910 water tower. The structure was designed by architect James Gamble Rogers, a really under-appreciated architect who was commissioned by Edward and Mary Harkness to revamp their summer compound. The water tower features a skeletal frame with concrete block tower protecting it, surmounted by a shingled water tank which once had a functioning wind mill on it! Nearby the water tower, a garden designed by female landscape architect Beatrix Farrand frames the tower very well. In that garden sits a 110+ year old Japanese Thread Leaf Maple tree, which is probably the most beautiful tree I have ever seen.

Juniper Hill Cemetery Gate Lodge and Chapel // 1869 & 1913

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As Bristol grew to be a dominant financial center in Rhode Island in the mid 19th century, prominent families there decided that their loved ones (and later themselves) needed a place of beauty to rest eternally. In 1855, descendants of Levi DeWolf, of the infamous slave-trading family, donated 22-acres of land for use as a cemetery. The old Levi DeWolf home remains fronting Hope Street, featured previously as the Reynolds-DeWolf House. It is a fine example of the mid-19th century rural cemetery movement, with winding lanes and paths. The landscape was designed by Niles Bierragaard Schubarth, who had done similar work at other Rhode Island cemeteries. Upon the opening of Juniper Hill, many families relocated their loved ones from other cemeteries in town here, so the families could be interred nearby each-other. The cemetery has three main structures; a gateway, the gate lodge, and a chapel/receiving tomb. The gate is a massive stone archway set at the entry to the cemetery, and was built in 1876 by the Smith Granite Company of Westerly, R.I. The Gate Lodge was built years earlier is located at the side of the entry into the grounds, and is a stone Victorian Gothic Revival building, designed by Providence architect Clifton A. Hall and constructed of granite quarried on the site during construction of the landscape. Yards away, the charming Amory Chapel and Receiving Tomb, built in 1913, is a 1-story stuccoed structure with a tile roof, designed by the firm of Angell & Swift of Providence. The small chapel stands out as it is a rare example of the Spanish Revival style, but has seen better days, and is apparently being used as a tool shed.

Ames Mansion-Borderland // 1910

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One of the more stunning homes and parks in Massachusetts is located in Easton, known as the Borderland State Park. Borderland was the 1,200-acre estate of Blanche Ames Ames, an artist, political activist, inventor, writer, and prominent supporter of women’s suffrage and birth control. Blanche Ames’ husband, Oakes Ames (of the Ames Family of Easton), came from a wealthy Massachusetts family that owned the Ames Shovel Works. Marrying in 1900, Blanche and Oakes (who were not related even though they had the same last name) constructed their stone mansion in 1910 and created a system of ponds and dams on their property. Blanche and Oakes, who wanted a fireproof house, became displeased with the work of their architect because of the challenges he faced with their design and engineering requirements. Dismissing the architect, Blanche took over the design and construction management of the mansion and hired the Concrete Engineering Company to draw plans according to her specifications. Also on the grounds is a hunting lodge with fireplace, overlooking the large pond on the estate.

Once the mansion was completed, Blanche set up a studio on in the house and developed a scientific color system for mixing paints. She became the sole illustrator of her husband’s botanical books (Oakes was a renowned authority on orchids and taught botany at Harvard from 1900 until his retirement in 1941). Later in life, Blanche became the co-founder of the Birth Control League of Massachusetts and the Treasurer of the League of Women Voters from 1915 to 1918. She also gained notoriety for her political cartoons depicting the struggle for women’s suffrage. In addition to these many accomplishments, Blanche was an inventor who, in 1939, designed a hexagonal lumber cutter. During World War II she designed, tested and patented a method for ensnaring enemy airplanes in wires hung from balloons. Remaining active her entire life, Blanche received a patent for a water anti-pollution device in 1969, a year before her death.

The estate remained in the Ames family for 65 years, until 1971, when the Commonwealth of Massachusetts was gifted the Borderland Estate and all furnishings inside for use as a State Park.