Main Street Architecture

Old Brooklyn Savings Bank // 1928

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One of the most intact and architecturally significant buildings in Killingly is this stunning example of a bank built in the Georgian Revival style. Located on Main Street in the village of Danielson, the former Brooklyn Savings Bank was designed by the New Haven-based architectural firm of Norton & Townsend for the Brooklyn Savings Bank, which was founded in the adjacent town, Brooklyn, in 1872. The bank relocated to the economic center of the two towns, Danielson, in 1915, later building this landmark bank structure as its primary facility. The two-story bank is covered in red brick with elaborate limestone and marble trim and detailing, showcasing the wealth and stability of the banking institution for potential members. The façade features a two-story pedimented pavilion, round arched windows, and an elaborate swans neck pediment over the door. The structure has been very well-preserved in its nearly 100 year existence and now appears to be the home of a state judicial court.  

Hall’s Block // c.1883

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This diminutive commercial block sits on Water Street in Warren, Rhode Island while small in size, packs an architectural punch! The late-Italianate style wooden block exhibits its original wooden storefronts, second floor round arched windows with stained glass, and ornate detailing including the brackets, parapet and period-appropriate paint colors which allow those details to pop. The shop was owned in its early days by the Hall family, who sold drygoods. Later, the building was used as an antiques shop on the ground floor with a studio for author and illustrator, David Macaulay on the second floor. These types of smaller-scale commercial spaces are some last remaining (relatively) affordable spaces for small businesses to operate. So lets make sure we

Warren Industrial Trust Building // 1906

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This monumental Georgian Revival bank building sits on Main Street in Warren, Rhode Island, and is one of the finest buildings of the style in the entire state. The Warren Industrial Trust in 1906 hired Edmund R. Willson of the Providence architectural firm of Stone, Carpenter & Willson to design the bank for the town after it had absorbed the town’s multiple banks, under one roof. Four Corinthian columns support a robust pediment over the entrance with the red brick elevations enlivened with arched windows, oversized keystones, and pilasters with contrasting capitals and bases. The building shows that Colonial Revival architecture, while often seen as a refined, classical style, can be festive and ornate.

Old Head Tide Store // c.1890

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Every village needs a general store, and the store in the Head Tide village of Alna was this vernacular building constructed around 1886. The store was operated for years by John Allen Jewett, who’s ancestors settled in Alna generations before. Jewett sold grain from the building to local farmers and residents and lived across the street in the family home. Vernacular “mom and pop” stores like this are becoming more rare, but they are among the most charming in New England. Be sure to shop local and support small businesses when you can!

Grader Block // 1885

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Commercial districts and Main Streets in historic New England towns are full of amazing architecture that is meant for pedestrians. Strolling through these areas, the varied styles, materials, storefronts, and signage provides a sense of artistry and community that is impossible to achieve in suburban strip-malls and shopping centers. Historic buildings serve not only as visible anchors to communities, but are more often occupied by local, women, and/or minority-owned businesses compared to modern buildings and districts. Marblehead has many historic (sometimes Revolutionary-era) buildings that are commercial and contribute so much to the town’s vibrancy. This building was constructed in 1885 as a high-style Italian Renaissance Revival style commercial block, replacing a late 18th or early 19th century building. The Grader Block features a rounded corner, scored siding to resemble ashlar masonry construction, and Classically inspired design features like pilasters and pediments. Today, the storefronts are occupied by local small businesses.

Roswell B. Fitch Store // 1851

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Roswell Burrows Fitch (1833-1908) was born in the seaside village of Noank to parents Elisha and Mary P. Fitch. At twelve years of age he commenced to be self-supporting, and from then until he was fourteen, occupied a clerkship in a general store in town. In his teens, summers were spent aboard ships fishing for a livelihood, and his winters attending school. Upon completing his education, he became clerk in a store, and was afterwards engaged to assume the management of a union store which was erected for the special purpose of being placed under his charge. This building was constructed as the union store in 1851 with eighteen-year-old Roswell becoming an active partner in the business. In his twenties, he slowly bought out, one-by-one, the twelve other owners, until he possessed absolute control. The eclectic Greek Revival and Italianate style building features classical detailing, but with a bracketed cornice and gambrel roof which is capped by a parapet. Mr. Fitch retired from business in 1890 and got to work “Victorianizing” his nearby home. Stay tuned for the next post which features his home in Noank.

Printer’s Exchange Building // 1866

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Why is commercial architecture from the second half of the 19th century so perfect? This structure in Downtown Portland is known as the Printer’s Exchange Building and was built in 1866, amongst the ashes of the buildings lost in the Great Fire of 1866. Charles Quincy Clapp is credited as the designer of the structure, which is Italianate in style with the paired round arched windows set into larger openings. The rounded corners are a really subtle but splendid touch in the design. The building got its name as it was home to the Eastern Argus and the Portland Daily Press, among other newspapers who rented the space from owner, Horatio Nelson Jose. I really like this one!

Thompson Block // 1868

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Another of Portland’s stunning mid-19th century commercial blocks is the Thompson Block, built in 1868. The structure is one of the most high-style commercial buildings in Maine and is in a great state of preservation. The building was designed by George M. Harding, a VERY busy architect after the disastrous Great Fire of 1866, which destroyed much of Downtown Portland. The building stands three-stories tall with a polychrome slate mansard roof providing a full fourth floor, a subtle and great way to get extra height without making a building too overbearing. The mansard is broken up at the facade by dormers with round-arch windows and keystoned and eared hoods. If only all cities held off urban renewal, we would have so many more structures like this!

Rackleff Block // 1867

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Late 19th century commercial architecture in downtowns all across New England always transport me to the past because they evoke the days of carriages in the streets and the hustle and bustle of post Civil War American cities. After Portland’s Great Fire of 1866, many standing or damaged wooden buildings were replaced with fireproof construction in the event of another conflagration. Five years before the Great Chicago Fire, this was the greatest fire yet seen in an American city. It started in a boat house then spread across the city. Amazingly, only two people died in the fire, but ten thousand people were made homeless and 1,800 buildings were burned to the ground. This is one of the buildings constructed in the rebirth of the downtown/waterfront of Portland. The Rackleff Block was built in 1867 from plans by architect George M. Harding, who designed the building with details reading Italianate and Victorian Gothic. The building retains its original cast iron storefronts and ornate cornice with brackets.

Peru Creamery House // 1895

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The Creamery House in Peru, Vermont is perhaps the most “Vermont” building I have ever heard of. The building was constructed in 1895 George Richardson (1852-1920), a local farmer who operated the use as a place where cheese was made from the excess (unsold) milk of the area farmers. Eventually, the building was acquired by the Town of Peru and converted to a town hall, used for meetings, dances, dinners and parties, serving as the true town gathering place. The town relocated its offices to the former Peru Schoolhouse (featured previously) and this building went back to its roots and is presently home to the Peru Historical Society and the Main Street Makery, a community craft workshop and new town gathering place!