Maine

Colonial Inn, Ogunquit // 1897

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As Ogunquit surged in popularity as a coastal summer retreat in the late 19th century, the flocks of city-dwellers needed a places to rest their head after splashing in the crisp Maine ocean. The original structure began with a mid-19th century house, likely in the Greek Revival style. It was expanded in the 1880s when it opened as a hotel for tourists, equipped with a mansard roof. The hotel consistently sold out of rooms in the summer months and the proprietors decided to expand in about 1897 with a sizeable Queen Anne style addition. A fire in 1951 destroyed the rear wing of the building and the conical tower roofs were removed, resulting in the final form seen today. The hotel is historically significant because it is the only surviving 19th-century hotel in Ogunquit that still serves as a hotel and largely retains its historic appearance, enhanced following a 2013 restoration by the owners who worked with David Lloyd of Archetype Architects. Other hotels of the period have either been converted to condominiums or been engulfed by modern alterations. The hotel was thus placed on the National Register of Historic Places, a large, and worthy addition!

Nellie Littlefield House // 1889

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One of the most charming buildings in the quaint village of Ogunquit Maine has to be this Victorian inn, located right on Shore Road, the town’s main thoroughfare. The house had its beginnings in 1889 when Joseph H. Littlefield constructed it for his wife Ellen “Nellie” Perkins and their family of four children. Joseph was a member of the esteemed Littlefield Family, which goes back to before Edmund and Annis Littlefield and their six children traveled from England and settled in the town of Wells in 1641. The family was prosperous in the area, and Joseph used his wealth and position in local affairs to develop summer cottages and buildings at the beginning of the town’s large development boom in the late 19th century and early 20th, catering to summer residents and tourism. The Littlefield House was passed down to Joseph and Nellie’s children after their passing, last occupied by Roby Littlefield (1888-1988), who served in local and state politics. It was Roby who was instrumental to establishing the Ogunquit Beach District, which allowed the government to acquire the beachfront in Ogunquit, making it public. The old Littlefield House is now an Inn, known as the Nellie Littlefield Inn & Spa, and it retains so much of its original charm.

Ogunquit Playhouse // 1937

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Opened in 1933 in a converted garage and relocated to the existing building upon its completion in the summer of 1937, the Ogunquit Playhouse is an important part of Maine’s historic twentieth-century cultural landscape. The Playhouse was founded by former Hollywood director and Broadway producer Walter Hartwig and his wife Maude, and the building was designed by theater architect Alexander Wyckoff. The site on Rt-1 was intentional as the highway was the main coastal route for the inter-war summer tourist travel. The Colonial-inspired theater was in keeping with the historic nature of New England, but with the grandeur to attract a nation-wide summer audience. Early articles mentioned the building constructed of “…steel and wood, painted white with green shutters and roof, is simple in line, suggesting the Colonial architecture of New England”. Walter Hartwig died in 1941, and his widow Maude took over as the producer for the upcoming season. In 1947, she engaged George Abbott, New York’s most distinguished playwright/producer to share in the managerial duties, and in 1950 John Lane arrived as co-producer. Lane acquired the property in the following year, counting among his first tasks the rebuilding of the stage which was destroyed by a storm the year prior and changing the landscape to move the parking lot in front of the building to the side. The Ogunquit Playhouse continues its 26-week season runs from May through October, with off-season co-productions at The Music Hall in Portsmouth, NH. Go see a show before the season is over!

Old Ogunquit Methodist Church // c.1880

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Ogunquit, which means “beautiful place by the sea” in the indigenous Abenaki language, was first a village within Wells, which was settled in 1641. Ogunquit grew as a fishing village with shipbuilding on quiet tidal waters protected within smaller alcoves. By the late 19th and early 20th centuries, the village was discovered by artists, who flocked to the area for the natural scenery and bucolic coastal scenes perfect for painting. At this time, summer residents came to the sleepy village en masse, facilitating the construction of summer resort hotels and commercial buildings. Ogunquit seceded from Wells in 1980, and has been one of the most visited villages in Maine. Ogunquit has been a destination for LGBT tourists and businesses, adding to the rich culture there. This church building, shows the history of the town well. It was constructed as the village’s Methodist Church after 1872 in a vernacular Gothic style with lancet windows and entry. The church merged with the nearby Wells Methodist Church in the 1970s and later moved to a new church building between the two towns. The former Ogunquit Methodist church was purchased and converted to a gift shop, frequented by locals and tourists alike.

Knight Library // 1912

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Prior to 1899, the Ladies Sewing Circle of Waterford carried on a lending library at the Ambrose Knight store, run by Sarah and Carrie Knight. Interest in the library grew and more room was needed for books. The Knight sisters began construction of a stone building, but both died only a few weeks apart in August 1911 during its construction. The building was completed in 1912. On Oct. 1, 1937 a fire destroyed parts of the library and other nearby buildings. In early 1938, the library’s second floor was reconstructed in the new Dutch Colonial style, giving the library a very different look.

Lake House Hotel // 1797

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Eli Longley (1762-1839) came to Waterford, Maine by way of Bolton, Mass., in 1789 and erected a log cabin in town. As the first settler to build in this part of town, he owned a substantial piece of property, which was frequently travelled through as the area was being developed. Seeing a need for lodging, he built a one-story tavern in the location of this building, which was added onto and modified as demand and the area’s population grew. Longley would also subdivide some of his land for house lots along the new town common, selling to new settlers as they arrived. Longley sold the tavern in 1817, which was acquired later in 1847 by Dr. Calvin Farrar. Taking advantage of a nearby mineral spring, Dr. Farrar opened a successful hydropathic spa, which used natural waters to cure patients of their ailments. The spa was taken over by Dr. William P. Shattuck, who expanded the site as the “Maine Hygienic Institute”, a hospital exclusively for lady patients employing eclectic treatment. This business and the tourism it generated helped shift the town from a sleepy village to a tourist destination by the late 19th century, where city-dwellers would flock to view the natural scenery and breathe in the clean air. In the 1860s-70s, Shattuck “modernized” the Lake House Hotel with the two-story Victorian-era porch and sawn decorative trim.

Ambrose Knight House // c.1810

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The most architecturally significant example of the Federal style in Waterford, Maine, is this c.1810 home built for Ambrose Knight, who operated a store in town. The high-style Federal home features a well-proportioned fanlight over the entrance with a Palladian window above, all with geometric moulding. The home was likely built by a housewright who employed designs from Asher Benjamin’s pattern books for builders, as the high-style features and Palladian windows are uncommon in this part of Maine.

Dr. Leander Gage House // 1817

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Dr. Leander Gage (1791-1842) came to Waterford from Bethel, Maine in 1817. He erected and lived in this Federal style house which overlooks much of the South Waterford village. Gage was a prominent medical practitioner in town and involved in local politics as a moderator at town meetings and as a school committee member until his death. The home has a Federal style stable and 1840s barn attached and had remained in the Gage family until at least the 1980s.

Waterford Odd Fellows Hall // 1904

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Built soon after a massive fire destroyed much of North Waterford Village in Maine, the Iocal order of Odd Fellows decided to rebuild, constructing this building for their members. Though active for several decades after the building was reopened, an aging and dwindling membership forced this chapter to merge with the Odd Fellows of nearby Norway, Maine. After, this building was occupied by the Daughters of Rebekah, an auxiliary group of the IOOF for women until 1973 when it was donated to the recently formed Waterford Historical Society. The society has since moved, and listed the building for sale in 2020 for just $10,000!!

North Waterford Congregational Church // 1860

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The Town of Waterford, Maine was created as the result of a 1774 grant made by the General Court of Massachusetts to the descendants of a company of Massachusetts soldiers involved in a 1690 expedition against the French in Canada, leading to the Battle of Quebec. The land was surveyed in 1774; in spring of 1775, David McWain of Bolton, Massachusetts arrived with his dog at a lot he bought for $40. He cleared land and built a log cabin, returning to Bolton for two winters until he settled permanently at Waterford in spring of 1777. The town grew around agriculture and industry with sawmills built at streams to manufacture the region’s abundant timber into lumber. The town later became more of a resort area in the early 20th century, with urban-dwellers flocking to the area to take in the fresh air and natural scenery.

This church in North Waterford is located in a more rural part of the town, and was constructed in 1860 by a group of local residents from designs by Maine architect Thomas Holt. The Italianate influence is evident from the round-arched windows set in a recessed arch and a bracketed cornice. The steeple looks to be more contemporary and slightly turns, giving it a really interesting presence.