Acton, Massachusetts, was once part of Concord, the first inland colonial town established in the Massachusetts Bay Colony in 1635. 100 years later in 1735, land that we know today as Acton, separated from Concord to become their own town. Acton’s second Meetinghouse was located here in Acton Center, which was selected for its location more accessible to all houses and farms in the town. The Second Meetinghouse was built in 1806, and burned to the ground in 1862. Immediately after, a town committee was formed to construct a new town hall. Opening in 1863, Acton’s Town Hall stands as a stunning Italianate building with tripartite arched windows, corner quoins, a two-stage cupola with clock, and a bold (and historically appropriate) paint scheme. Acton’s Town Hall remains as one of the finest extant in the state.
Located adjacent to the Administration Building at the Tewksbury State Hospital, the Superintendent’s Residence, built in 1894, combines elements of the Craftsman and Colonial Revival styles wonderfully. The home is two-stories, and built of red brick laid in Flemish bond, capped with a slate hipped roof with exposed rafters. A massive uncovered porch wraps around the home and sits atop a rubblestone foundation. Like the adjacent Administration Building, the Superintendent’s Residence was also designed by Boston architect John A. Fox. From this residence, the massive almshouse and asylum would be run by the superintendent, who oversaw day to day activities and made sure everything was running smoothly. The house appears vacant now.
While I love the quintessential white, wood-frame New England churches that proliferate the region, the stone, Gothic churches always make me stop in my tracks; and this example in Bristol is no exception! St. Michael’s parish was founded in 1718 as one of the Rhode Island’s four colonial churches, funded and overseen from London. The first church, built in 1720, was ironically later burned during a British raid in 1778. It was replaced in 1785 by a plain wooden meetinghouse with funds from local residents and partitioners. In 1833, it was replaced by a wood-frame Gothic church which burned in 1858. Undeterred, the church hired New York City architects Alexander Saeltzer and Lawrence B. Valk, who designed the present brownstone Gothic Revival church. Just over a decade later, the church hired Worcester architect Stephen C. Earle, to design a chapel and parish house, across the street. The chapel building follows the Gothic Revival style, but with more Victorian flair, and is also constructed of brownstone to compliment the church. Together, the two structures transport you to the English countryside with their design and presence on the main street in town. What do you think of them?
In 1687, William Throope 1637-1704, who migrated to Bristol from Barnstable, Massachusetts by way of England, purchased land in Bristol, Rhode Island. On it, he constructed a small, one-room deep, two-story house. Throope’s grandson, Thomas, Jr. (1710-1771), enlarged the house about 1760, when he constructed this four-bay Georgian home, adding the old 1687 Throope house to the rear. Interestingly, house moves were very common in America to the early 20th century, as materials such as glass, nails, and brick were more expensive while labor was much cheaper, making the reuse of original structures and materials common. The farm eventually passed to Isaiah Drown Simmons (1810-1882), a dairy farmer, in 1830, and remained in the Simmons family until 1922. Records show that the original 1687 house that was moved to the rear of the 1760 house was replaced in the 1830s by Simmons. The home remained in the Simmons Family until after the death of their only daughter Elizabeth, who died in 1914. It appears that the existing front portico was added after that time, which appears more Colonial Revival.
On a rise above the Cape Elizabeth’s rocky shore stands Beckett’s Castle, a picturesque Gothic cottage of a century ago. Designed and built by the Portland literary figure Sylvester Beckett for his summer residence, the Castle was begun in 1871 and finished in 1874. It is said that Beckett constructed the cottage from local gray fieldstone largely with his own hands, though he must have had help, or fabricated this fiction as he would have in his own books. The home was patterned after a typical English castle, but on a much smaller scale, and is tucked away from the street. Sylvester Blackmore Beckett was born in Portland, Maine in 1812, as the son of English parents. Although never attending college, he acquired a modest education and became a prominent journalist and articulate writer. He was admitted to the bar in 1859 and spent much of his time administering and settling estates becoming well-connected in town. Beckett held massive parties in the home, and invitations to the social gatherings held there were highly prized; guests were served expansive dinners cooked in primitive fashion in a large fireplace. Sylvester Beckett died in 1882, and went to his only child, Lizzie. The home fell into disrepair in the 1970s, but was restored by the most recent owner. It was sold in 2018, and the listing photos show some great interior spaces.
At the southern tip of Cape Elizabeth, Maine, two lighthouses have long provided a beacon to ships that sailed the rocky coast where the town protrudes into the ocean. The story of Cape Elizabeth’s Two Lights begins in 1614, when Captain John Smith, who sailed along New England’s shores, gave the appellation to the cape in honor of Princess Elizabeth, King Charles’ sister. After the American Revolution, Portland Harbor became an important trading port, and ships from all over the world would dock there. In 1827, the decision was made to use two lights at this location, a fixed light in the east tower and a revolving light in the west one, so the station would not be confused with the lights at nearby Portland Head Light or Wood Island Light in nearby Biddeford. After land was purchased for a mere $50, the towers were built, spaced by 895 feet and topped by octagonal wrought-iron lanterns housing lamps and reflectors, first shone their lights in October 1828. The stone towers were poorly constructed and keepers would consistently complain about poor working and living conditions. A $30,000 appropriation was made in 1873 to fund the erection of two matching sixty-seven-foot, brick-lined, cast-iron towers set 923 feet apart and featuring elegant Italianate details. In 1878, a new wood-frame, one-and-a-half-story dwelling was built for the principal keeper near the east tower, designed in the Gothic Revival style. During World War II, the west tower became an observation tower after a cylindrical turret was installed atop, which had had its lantern room removed after being discontinued. It was auctioned to the highest bidder in 1959. In 1971, actor Gary Merrill, ex-husband of Bette Davis, purchased the west tower for $28,000. Merrill sold it in 1983, and a new house was built next to it. The keeper’s cottage at the east tower is also privately owned, but the tower is retained by the Coast Guard, and is automated today.
The Nantasket area of Hull on Boston’s south shore had been a popular summer destination since the middle of the 19th century, when resort hotels were developed there to take advantage of the ocean breezes and sweeping vistas. Paragon Park, an amusement park developed at the turn of the century was a great addition to provide activities for the summer visitors and resident alike. Convenient transportation in the form of steamship service and an electric railroad from Boston added to the appeal of the area. The park developed rapidly over the early 20th century and featured rides, activities and shows. The park was thought to be a mini World’s Fair, featuring a lagoon at the center with small boats to ride, and new expositions and features added every summer. The park struggled in the second half of the 20th century as the land value was more expensive and the park was only open a couple months a year. It sold in 1984 to developers who sold off many features and demolished almost all of the structures. The Giant Coaster, built in 1917 was one time, the largest roller coaster in New England. When the park was purchased, the roller coaster was sold to Six Flags America near Washington D.C. and is now The Wild One.
This gambreled Georgian cape house was built around 1744 and first occupied as a tavern. Local tradition holds that in this house, the town officials held meetings and managed governmental duties. After the Revolution, a new town hall was built and the tavern reverted back to its former use. It was occupied by Samuel and Olive Lovell until Olive’s death in the 1840s, she possibly ran the tavern alone for the thirty years she outlived her husband. The home is an excellent example of a pre-Revolutionary Georgian home, with a cedar shingle roof to top it all off!
Likely the oldest home in the town of Hull, the Loring House has ties to the significant Loring Family, who’s descendants include individuals on both sides of the American Revolution, the US Civil War, and today live across North America, Spain, England and Australia. This house was built on land purchased by Thomas Loring (1600-1661) who came to Hingham in 1634 from England. He built a larger estate in town until a fire destroyed all his belongings, and he chose not to rebuild, but acquired property in the adjoining plantation of Hull. In Hull, he served as constable (court officer and tax collector), and raised his family there. His eldest son, John, married in 1657 and likely had this home built on his father’s vast land holdings within the year. John worked as a house-wright and likely built the home himself. He had two wives (his first wife Mary died at 39), and 15 children at the home, though some likely did not live past infancy as was common in early colonial days. John died in 1714, but left a lasting legacy in New England and beyond. Notably, his grandson was Joshua Loring, a British Loyalist who built the famous Loring-Greenough House in Boston. The old Loring House in Hull is very-well maintained inside and out and serves as a time-capsule of days past.
St. Paul’s Church in Burlington, Vermont, was organized in 1830, when Burlington’s population was about 3,500. About 55 Episcopalians met at a local hotel and laid the groundwork for the parish. In 1832, the fledgling parish dedicated its new building, a neo-Gothic limestone structure, which was enlarged multiple times as the congregation grew as the city did. In 1965, the Diocesan Convention voted that St. Paul’s Church be designated a Cathedral Church of the Diocese (one of two in the state). Just six years later, it was destroyed by fire, sparked by an electrical malfunction in the basement, leading to a new evolution of the church. At the time of the fire, the City of Burlington was engaged in massive urban renewal projects. As a part of this program, the City offered to swap the land on which Old St. Paul’s had stood for a spacious new tract overlooking Lake Champlain and the Adirondacks. Although the decision to change locations was a contentious one, the parish did accept the offer. When discussing designs for a new cathedral, there was a strong desire to make a new statement in architecture, diverging from the traditional Gothic or Colonial designs seen all over the country. An international competition was held to determine the architect of the new Cathedral. The winner was the local firm Burlington Associates, now Truex, Cullins & Partners. Completed in 1973, the Cathedral is made of stressed concrete. The structure stands strong and firm, yet is welcoming. Windows provide sweeping views of Lake Champlain and the distant Adirondacks.
Buildings of New England 
