North Easton Railroad Station // 1884

Frederick Lothrop Ames (1835-1893) was born in Easton, MA, the son of Oliver Ames Jr. who ran the Ames Shovel Works in town. On the death of his father in 1877, Frederick became head of the Ames & Sons Corporation also inheriting upwards of six million dollars, which he invested in railroads. From this, he eventually became Vice President of the Old Colony Railroad and director of the Union Pacific railroad. At the time of his death, Ames was reported to be the wealthiest person in Massachusetts! Due to his role for the Old Colony Railroad, Ames had a rail station built in his hometown, adjacent to his family’s factory. Henry Hobson Richardson, who designed many other buildings in town for the Ames Family, designed this station in his signature Richardsonian Romanesque style with its large arches, varied rustication of stone, and brownstone trimming. The building was completed two years before Richardson’s death. Rail service here was cut in the 1950s, allowing the Ames family in 1969 to buy the station back from the consolidated New York Central Railroad, gifting it to the Easton Historical Society.

Ames Memorial Hall // 1881

There are few buildings that make you stop and stare in marvel at their perfect architectural proportions, detailing and design, the Ames Memorial Hall in Easton, Massachusetts is one of them for me! In the late 1870s, the children of Oakes Ames commissioned the great American architect Henry Hobson Richardson to design the Memorial Hall as a tribute to their father. Richardson, the architect of Boston’s beloved Trinity Church in Copley Square, responded with a picturesque masterpiece using his signature architectural elements of rounded arches, dramatic roof lines, and heavy masonry adorned with carvings. The building was provided to the inhabitants of Easton “for all the ordinary purposes of a town hall”. Oakes Ames (1804-1873) was partner in the family business, O. Ames & Sons, a U. S. congressman, an early investor in the Central Pacific Railroad, and, at the urging of President Abraham Lincoln, a prominent force in the building of the first transcontinental railroad. The Richardsonian Romanesque building stands on the solid foundation of a natural ledge, from the northeast corner of which rises the beautiful octagonal tower, on whose frieze are carved the twelve signs of the zodiac.

Pomfret Congregational Church // 1847

Located in North Pomfret, Vermont, the North Pomfret Congregational Church is one of many white clapboard church buildings constructed in the mid 19th century. Built in 1847 by the Church of Christian Brothers and the Congregationalists, the church was used by the two religious societies as a joint meeting house, each society holding services in the church on alternating Sundays. The Greek Revival style church features a prominent tiered, boxed bell tower with louvered lancet openings and a slender octagonal spire.

Woodshed // 2017

“Woodshed”. Image by Jim Westphalen.

In researching historic buildings in the tiny Vermont town of Pomfret, I was stunned to find images of this stunning Modern design in the town. Designed by the Birdseye Design Firm based out of Richmond, VT, “Woodshed” was completed by 2017 and serves as both a guest house and entertainment space for the main residence down the road. From the firm’s website, “The project is conceptually inspired by the vernacular woodshed, a familiar and iconic element in the Vermont landscape. The residence is composed of two asymmetric gable roof forms, akin to the traditional woodshed, connected by a central entryway”. The common thought on new construction is typically bland and “cookie-cutter” McMansions or boxy apartments, but this project is a testament to thoughtful Modern design found in even the smallest towns in the region!

Pomfret Methodist Church // c.1850

Located across the street from the Congregationalist Church (now Town Hall) in Pomfret Center, the Methodists in Pomfret Vermont built this church building just a couple years after their neighbor was completed. Replicating the Greek Revival style seen across the street, the building showcases a templed form with projecting portico, as an excellent vernacular example of the style. Similar to its neighbor, this church was sold to the Town of Pomfret in the 1880s, modernized in the early 20th century, and converted to a district schoolhouse.

Stone Machine Shop // 1849

Located across the street from the main collection of remaining Shaker buildings in the Enfield Shaker Museum campus, this historic stone structure stands as a lasting remnant of the workspaces built for the active Shaker community there. Once part of a larger group of structures that once stood here (the machine shop being the only extant), including a tannery, blacksmith shop, animal sheds, and broom shop, this stone structure shows the significance of rural industry in Enfield. This structure was built in 1849 and was water powered. Stone Machine Shop was powered by a nearby stream and mill pond. Water flowing through the stream would enter into the mill’s head race, move across several water wheels, and exit through the tail race before being dumped back into the stream

Brethren’s East Shop // 1819

This 1819 building was originally located next to the first dwelling house on the present location of the Great Stone Dwelling in Enfield Shaker Village. The Shakers moved this structure to its current location in 1834 to make room for their new stone dwelling house. The building was primarily used as a school building for the Shaker children, but was soon converted to a tailor’s shop after the boy’s and girl’s schools were joined into one room. In Shaker communities throughout the United States, it was customary for Shaker tailors to create the clothing for the men of the community. A brother’s standard uniform consisted of a great coat, dress coat, waistcoat, and trousers.

Turner House // 1825

In New England, brick houses are more scarce for the simple fact trees are everywhere, brickyards were not. As towns and cities developed all across the region, some towns found they had a lot of clay in their soil, perfect for the manufacturing of brick. In Thetford, a man named Hezekiah Porter was the first to start a brickyard, manufacturing bricks for construction projects around the area. By the 1820s, a couple brick houses were built in the Thetford Hill area of town including the Hosford House, one of the earliest. Thomas Turner, a builder constructed the Hosford House and this home nearby for his own use, both utilizing Porter’s bricks. This fine Federal home was likely a great advertisement for Turner’s building skills.

Burton Hall, Thetford Academy // 1845

Burton Hall was constructed in 1845 as a boy’s dormitory for Thetford Academy on a lot given by Orange Heaton (who lived nearby), just north of the original Academy Building. The structure was named Burton Hall in memory of Asa Burton, one of the Academy’s founders. The structure was sold by the Academy by about 1860 for $200, to a J.H. Huntington, who moved it across the street to its present site to replace his house which had burned the year prior. In the late 1930’s, Dwight Goddard, the owner of the home at the time, gifted the building back to the Academy since which time it has been known as Goddard Hall.

Fun Fact: Buildings historically were much more likely to be moved than demolished as the cost of building materials was much more than labor. Today, the opposite is true so many developers and owners prefer to demolish.

Hosford-Slade House // 1821

Is there anything better than a brick Federal style house?

This house in Thetford, Vermont was built for Heman Hosford in 1821 from bricks produced by Hezekiah Porter, who established the earliest known brickyard in Thetford. Hosford sold the house to Enoch Slade in 1837 and it remained in the Slade Family for over seven generations. He became a prominent citizen of Thetford, was a surveyor and for many years justice of the peace, and in the latter part of his life was generally known by the title of “Squire Slade.” He was a supporter and trustee of Thetford Academy, in which his children and grandchildren were educated. He was a member of the Congregational church and an earnest supporter of the principles of the Republican party. The brick gable front home features a louvered sidelights and fan over the front door and in the gable.

White-Heaton House // 1795

This transitional Federal house in Thetford was built around 1795 for an Isaac White. The house was later owned by Orange Heaton (who’s name perfectly fits the color of the leaves in the photo). The design is refined, yet stately with the enclosed, gabled, projecting entrance porch. Louvered panels and an elliptical louvered fan frame the door.

Lebowich Tenement House // 1895

One of the most photographed buildings in North End is arguably this tenement block, built in 1895 at the corner of Prince and Salem Streets. As the North End continued to redevelop into a diverse immigrant community, tenement houses were constructed by those with the means, providing housing at low cost to those who arrived to Boston in the late 19th and early 20th centuries. Max and Etta “Ethel” Lebowich, Russian Jews, immigrated to Boston, settling in the Jewish quarter of the North End and opened up a dry goods store at the corner. The business did well, and the couple redeveloped their land and hired Swedish-born architect Charles A. Halstrom, to design the prominent apartment house. The Renaissance Revival building features massive pressed metal oriels and brick and stone construction. I am unsure if the oriels are truly copper, which would have been fairly expensive for a tenement building, or if they are pressed tin. Any insight would be much appreciated.

North Adams Universalist Church // 1893

Tucked away off Main Street in North Adams you’ll find this charming little church. The Universalists were organized in North Adams in 1842, restoring an existing church near the Hoosic River. The congregation chose a site for a new church in 1852, and erected a white wooden chapel. It is unclear if the church was outgrown or a fire destroyed it, but the Unitarian society voted to build this church for a cost of approximately $25,000 in 1892. Architect Henry Neill Wilson of Pittsfield drew the plans, and the firm of Porter and Harnam of North Adams constructed the church. Due to the declining population in town in the mid-20th century, the church struggled and was sold to a private owner. The building began to decay by the 1970s and was later sold in 1996 to Barbara and Eric Rudd to house artist Eric Rudd’s installation entitled “A Chapel for Humanity”. The building is currently used as the Berkshire Art Museum Annex.

Church Street Tenements // 1872

Industrial cities and towns all over New England drew in thousands of European immigrants looking for work. Due to the massive influx of workers and families, many towns and companies constructed tenement housing and other worker’s housing to provide living spaces close to factories and mills. This six-unit tenement house was built in 1872 and is a high-style Second Empire example of worker’s housing in North Adams. The use of brick, mansard roof, and window hoods was likely a concerted choice by the developers as they were located on a street lined by mill owners houses and the who’s who of North Adams.

Trinity Methodist Church // 1878

Located on Trinity Park in Wesleyan Grove (aka the Martha’s Vineyard Camp Meeting Association), this 1878 church served the year round Methodist community in Oak Bluffs. The Trinity Methodist Church is a towered, Victorian Gothic structure of some distinction. Edward M. Hyde, a Methodist minister who had trained in architecture and art, designed it. The property that the church and Parish House sit on belongs to the Association, but the buildings are maintained by the congregation. Interestingly, should the congregation disband, the buildings would return to the Association.