Stick Style

Old New Gloucester Public Library – New Gloucester Meetinghouse // 1895

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The original New Gloucester Public Library is located in the central village of New Gloucester, Maine, and is one of the finest architectural buildings in the town. The library was established in 1888 when voters passed a resolution to establish a public town library as before this, a private, social library existed here. A committee was chosen to purchase books and make decisions for expenditures and staff. The library was originally located in the town hall building, and was supported by an annual poll tax of 50 cents. The first librarian was Helen A. Moseley, with a salary of $50 a year, she remained the town’s librarian until 1920. By 1895, the library had grown to more than 2,100 volumes and it was decided a new, purpose-built library was needed. That next year, a lot was purchased and this Victorian style building was constructed adjacent to the Town Hall. The wood-frame building has a decorative central section with recessed, arched entry and gable with decorative Stick style ornament. Additionally, a tower protrudes from the roof, giving the building additional whimsy. The library was eventually outgrown and relocated in the former High School, two buildings down the street. The old library has ever-since been the town’s meetinghouse.

Leatherbee House // c.1870

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Andrew F. Leatherbee (1842-1920), a wealthy lumber dealer in Boston, built this large Stick style victorian house in Newton Center around 1870, likely using his own lumber products! The large frame house is prominently sited on a corner lot on Beacon Street, a short walk to Crystal Lake, a natural pond in the center of town. I could not find information as to who the architect was, but it was likely a notable local firm. As Andrew got older, he downsized and relocated to a smaller apartment in Cambridge. Upon his death in 1920, the property was sold by his heirs to Mae Van Dusen. The house is a high-style example of the Stick style of architecture, with large half-timbers, heavy porch bracing, and a central tower with pyramidal roof. Swoon!!!

Wales House // 1883

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Built in 1883 for a member of the Thomas Wales family, this house in Clam Point, Dorchester, possesses a compact essentially rectangular clapboard and wood shingle-clad form. The architect, John A. Fox, designed the main façade elegantly with an open Stick style porch projecting from the center of the first floor which is enclosed by a steeply-pitched roof. The pitch of the porch roof is echoed in the small and shallow gable-like lintels which are really unique to the area. The treatment makes the facade read somewhat like a face.

Charles Gilman House // 1871

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Southport, the coastal village in Fairfield, Connecticut is an old house lover’s dream! Case-in-point, the Charles Gilman House. Charles Gilman, a Bridgeport lawyer, constructed this house on the ridge parallel to Main Street in Southport between 1871-1874. The building is a fine example of the Stick style of architecture, in which the decoration on facades and gable ends reflects the building’s internal structure. Gilman used the services of two New York architects, J. Cleaveland Cady and William H. Beers, to design the house and the later (1900) library addition, respectively. In the 20th century, the house was owned by Richard Joyce Smith, an attorney who was hired to guide the New Haven Railroad through a long and tricky bankruptcy reorganization ending it it being acquired by the Penn Central in 1975.

St. John the Evangelist Church // 1885

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One of the most bucolic and beautiful buildings I have ever seen is this church in the Catskills, just outside of Elka Park, NY. Wow I wish New England could claim this one! The St. John the Evangelist Chapel was developed as part of a smaller enclave of summer cottages for rusticators from the Philadelphia-area, which was largely established by Mr. Alexander Hemsley (1834-1904) a chemist from Philadelphia who would later die from anaccidental chemical explosion at his factory. In 1883, Hemsley sold cottage lots to friends and family to erect summer houses in the Catskills and in 1884, decided to develop a lot for an Episcopal summer chapel. In that same year, Hemsley hired his future son-in-law, William Halsey Wood, to design the chapel. The Stick-style Victorian chapel blends the rustic use of natural materials found on the property with an elegant siting and attention to detail, not typically found in rural chapels. The native stone and stylized half-timbering really stood out to me. The church is used still in the summer with regular services on Sundays in July and August.

Sargentville Chapel // 1889

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The Sargentville Chapel in Sedgwick, Maine was built in 1889 to provide a more convenient site for services, meetings and other community activities for residents of the Sargentville Village in town, a distance from Sedgwick’s main village. A building committee was established with the goal to erect a new chapel, and A.J. Long, a lumber manufacturer and builder submitted the lowest bid of $1,100 to “put up the building, finish the outside, and put on one coat of paint”. The offer was accepted and the first meeting in the chapel took place in January. 1890. The small chapel has been an active community space for members of the Sargentville section of Sedgwick since the late 19th century and the group continues to maintain the Victorian Gothic building extremely well to this day.

Deacon Robert Palmer House // 1884

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Perched on the highest hill in the coastal village of Noank, Connecticut, you will find this absolutely enchanting gingerbread Victorian mansion. The house was built in 1884 for Deacon Robert Palmer (1825-1913), a wealthy man who wasn’t only deacon of the village’s Baptist church, he was the owner of a flourishing shipyard, and it was his shipyard workers who built him, with loving care, a house he could be proud of! Robert ran the shipyard in town first with his brother, and then with his son. During the late nineteenth and early twentieth centuries the shipyard was the largest facility for building and repair of wooden vessels in southern New England, employing over 300 men. The yard specialized in building railroad car floats, schooner barges, and dump scows as well as fishing smacks. Robert Palmer and Son went out of business in 1914 with the passing of the Robert. The Stick style mansion with mansard roofed tower remained in the Palmer family until the early 2000s when it sold and was restored to her former glory. The residence features exposed rafters, a pagoda-like second story balcony, a frieze with geometric cut-outs, and a wrap-around porch which provides sweeping views of the ocean. I can only imagine how beautiful this old Victorian is on the inside!

Dimock Center – Cary Cottage // 1872

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The New England Hospital for Women and Children (known today as the Dimock Community Health Center), is comprised of eight major buildings on a nine acre site located on a small hill in the Roxbury neighborhood of Boston, close to the border with Jamaica Plain. The complex is significant for its role in the history of women in medicine as both a teaching and a practicing hospital, as well as for its architecture. The facility was incorporated as the New England Hospital for Women and Children in 1863, almost five years before Roxbury was annexed to Boston. The Hospital was founded by Dr. Marie E. Zakrzewska together with Lucy Goddard and Edna Dow Cheney in order to provide women with medical care by competent physicians of their own sex and to educate women in the study and practice of medicine. As such, it was one of the first hospitals of its kind in America. The oldest building in the complex is the Cary Cottage, pictured here. The charming building was constructed in 1872 by the architecture firm of Cummings & Sears. The Cary Cottage served as the hospital’s original maternity cottage, and is also important as an almost intact example of Stick Style architecture. The building was intentionally detached from the general surgical facilities to minimize the dangers of infection during childbirth.

“The Lodge” // 1870-1899

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Believe it or not, but Newport, Rhode Island was once a “tear-down town”. Despite having arguably the largest extant collection of Gilded Age mansions, many older, properties were razed and redeveloped as tastes changed between the mid-19th century and the turn of the 20th century. And then there was the 1960s… But that’s for another time. This stunning mansion formerly on Bellevue Avenue was built in 1870 for Elizabeth Underhill Coles (1813-1891), the widow of William F. Coles of New York City by the high-society architect Richard Morris Hunt. The “cottage” was their summer residence and one of the finest Stick style residences built in the seaside town. The irregular layout, half-timbering and complex roof forms show the influence on the emerging Queen Anne style. The mansion was sold out of the Coles Family after Elizabeth’s death and was razed by 1900 for the second mansion on the site (next post).

“Morningside” // 1872

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While many of the summer cottages in Newport retain much of their architectural and historical integrity, it is not always the case. This cottage, named “Morningside” barely resembles its original 1873 design. The summer home was built for William Barton Rogers (1804-1882), a scientist, educator, and best-known as founder of the Massachusetts Institute of Technology. He sought a place of rest and leisure, away from the stresses of Boston and running a new college, so he hired the Boston firm of Cabot & Chandler to design a Stick style cottage for him to spend the summer months at. In his diary for October 11, 1872, Mr. Rogers wrote, “Removed [from Cliff House Cottage] to our new home on Gibbs Avenue, at 4.30 o’clock. I have decided to name the place ‘Morningside.'” The house was his respite from stresses and he loved to spend time here with his family. President Rogers died after collapsing during a speech at MIT’s 1882 commencement exercises. His last words were “bituminous coal.” After the property sold out of the Rogers estate, the house was remodeled with stucco siding and much of the original Stick detailing was removed or covered. Morningside is now divided into condominiums.

Morningside c.1880s