Vernacular Architecture

Gouldsboro Townhouse // 1884

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Welcome to Gouldsboro, Maine! The town is a charming community made up of many small fishing villages and neighborhoods dotting the rugged Maine coastline. Land in what was then part of Massachusetts, was given to Colonel Nathan Jones, Francis Shaw and Robert Gould in 1764 by the General Court of the Commonwealth of Massachusetts. Francis Shaw and Robert Gould were both merchants from Boston. Francis Shaw had worked hard to develop Gouldsboro, and reportedly died broke because of it, and his son Robert Gould Shaw returned to his parents’ native Boston. Development in the area was slow and never really took-off due to the distance from Boston, but fishing, mills, and villages were built and remain to this day. Now, much of the area is home to summer residents flocking to the area from urban areas. This building was Gouldsboro’s second townhouse. It was constructed in 1884, soon after the first townhouse burned a year prior. The structure was used for town meetings and elections until 1983. It is now owned by the Gouldsboro Historical Society. It is a late, vernacular example of a Greek Revival townhouse.

Green Mountain Hall // c.1860

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This simple Greek Revival style country church in Whitingham, Vermont is similar in form to the Methodist Church (last post) with a gable front double entry, large full pediment, corner pilasters, and centered two-tiered steeple. Also like the Community Church nextdoor, this was built circa 1860 as a church, but for the Universalist Unitarians in town. In 1892, the church was transferred to the Green Mountain Club, giving it the informal name “Green Mountain Hall,” and in 1905 the Town of Whitingham took it over. The building was used for dances, meetings, social gatherings, and other events until the Whitingham Historical Society took it over in a lease in 1971 to develop into a museum. The well-preserved vernacular building with its c.1920 front porch is a great representation of Vermont architecture, reuse for new uses and update. No waste, and a whole lot of charm!

Abraham Chase House // c.1860

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One of the cutest old houses in Whitingham Village in Vermont is the Abraham F. Chase House, just a stone’s throw from the country store and post office. Abraham Chase was a dealer in dry goods, groceries, boots, shoes, and hardware in this village, possibly from half of this building. The vernacular one-story clapboarded frame house has some Gothic details like the rear steep double gable wall dormer. I am actually a huge fan of the green doors and newer stone porch wall, they really make this cottage pop!

East Blue Hill Post Office // c.1884

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Before the days of USPS trucks delivering mail to your door, mail was delivered to local post offices for pick-up daily. Due to this, many villages had their own post offices to service local communities better due to ease of access by residents. A post office first arrived in East Blue Hill Village, Maine in 1873, likely due to the distance traveled to the central village for mail. By 1884, George Long built this vernacular structure as the village post office, which belonged to members of the Long family, who also served as postmasters, until 1997. The post office is distinct in the state as the only known example of a purpose-built post office facility that is not owned by the United States Postal Service, and that was not built or adapted to its standards. The building sold out of the Long family in 1997, when it was purchased by the East Blue Hill Village Improvement Association, who have preserved it ever-since!

Belding Homestead // c.1820

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David Belding (1785-1860) was born in Swanzey, NH and at 25 years old, moved to Moretown, Vermont in 1810, marrying an eighteen-year-old Florinda Freeman a year later. The couple built a farmhouse on the outskirts of town near a brook. David worked as a farmer and would later officiate as a justice of the peace, the town lister, selectman, and represented the town in the State Legislature for two terms. From his enhanced wealth, David appears to have expanded his farmhouse in the 1820s or 30s with this vernacular Federal and Greek Revival style residence. The Belding Homestead would remain in the family for decades and eventually became the Belding House Bed & Breakfast.

Moretown Town Hall // 1835

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The township of Moretown, Vermont was chartered on June 7, 1763 by Governor Benning Wentworth of New Hampshire. The original charter contained approximately 23,040 acres of land to be divided into about 65 shares of proprietors. Active settlement did not occur until after the Revolutionary War with early buildings constructed on the Winooski River (the northern boundary of the town) and subsequent development along the Mad River (which cuts through the middle of town). Saw and grist mills were built and the town developed as a rural farming and industrial community on the rivers. The Moretown Town Hall was erected in 1835 in the Greek Revival style. It has a pedimented portico with Doric columns that support a large pedimented gable peak in imitation of a Greek temple. Like most buildings in the Mad River Valley, the building is unapologetically Vernacular which means it relies on local materials, local builders, and not on architect-designed finishes. This is an aspect of Vermont architecture that makes the state so charming.

South Duxbury Church and Hall // 1855

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This is the first church ever built in Duxbury, Vermont. On December 18, 1854, at the South Duxbury schoolhouse, representatives from six denominations in the newly formed town, gathered to form the First Union Society of Duxbury. The participants were: the Congregationalists, Universalists, Free Will Baptists, Protestant Methodists, Episcopalian Methodists, and the Adventists. Twenty-five names appear on the original subscription list, indicating the pledged money or materials that each would contribute to the construction of the church. Samuel Cook Turner was contracted to build the church, with pews inside purchased by individual families to help fund the construction. The building is vernacular and modest due to the rural character of the congregations and town’s location, but it has a more Classically inspired door enframement. In 1890, funds were gathered for a church hall, which sits nextdoor. The meeting hall would serve as the meeting space for a temperance organization known as the “Independent Order of the Good Templar”. The church hall appears to have some deferred maintenance, but both buildings together share an early history of a rural and often overlooked small Vermont town.

Katherine Forrest Home and Studio // c.1860

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This vernacular cottage in Noank was built in phases (and likely added onto from other historic buildings) since 1860. While the building dates to the 1860s, its significance derives from a later owner, Ms. Katherine Forrest. Katherine Forrest (1883­-1952) was a graphic designer and part of the Arts & Crafts movement of the early 1900s. She specialized in textile design and printmaking. Forrest came to Noank in 1914 and purchased her house in 1926. She was locally known by the nickname ‘Speedy’ and was remembered for dying textiles in a bathtub outside the house. The building’s vernacular character and its significance as a locally historic site as part of the village’s rebirth as an artist colony in the 20th century showcases how even smaller, unpretentious buildings in New England can tell a story.

Coolidge Cheese Factory // 1890

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Does it get more Vermont than a cheese factory?! The Coolidge Cheese Factory in Plymouth Notch, Vermont was built in 1890 by Col. John Coolidge (President Calvin Coolidge‘s father), James S. Brown, and two other local farmers so that they would have a convenient market processing milk produced by their farms into cheese. The vernacular building was a short walk from the original Coolidge home and is evocative of many such buildings in rural Vermont. The cheese factory continued to operate until the 1930’s. The factory was renovated in the early 1970s in honor of President Coolidge’s 100th birthday and now produces cheese according to the original formula. The cheese would make a great Christmas gift!

The Cheese Factory // c.1850

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This absolutely charming vernacular Greek Revival home was built in the mid-19th century in East Dorset Village. By the end of the 19th century, it was converted to a cheese factory a model in adaptive reuse and historic preservation. In the late 1930s, as Dorset became a popular summer colony for artists and upper-middle class residents of New York and the Mid-Atlantic, the cheese factory was purchased by artists Norman and Silvia Wright. The artists relocated the small building to the Kent Hill neighborhood of town, restoring the home and adding wings onto it. I also love the chocolate color paint!

Laura Wade House // 1935

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This charming cottage in Dorset is one of four houses in the village which were moved here by Charles Wade in the 1920s and ‘30s. Wade was born in Dorset and saw declining population with the marble industry failing. He sought to re-invigorate the town by advertising its natural beauty and brought in homes and buildings from nearby to fill the “missing teeth” (including the building that presently houses the Dorset Historical Society). Assembled from parts of various Enfield, Massachusetts buildings moved to Dorset this 1½-story, wood-framed, clapboard house stands on a marble ashlar foundation and is said to have been built by Wade for his daughter, Laura Wade.

Kent-Harwood House // 1850

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Originally owned by marble dealer Daniel Kent (1793-1858) in the 1850s at the height of marble quarrying in the town of Dorset, Vermont, this house shows the history of Dorset very well in its alterations and ownership. After the marble dealer Kent passed away, the property was owned by watchmaker Luke B. Gray (1825-1878). Soon after, homeopathic physician Charles Farrar Harwood (1833-1902) and family moved in. His son, Elmer Harwood (1885-1960), the first Rural Free Delivery mailman in Dorset, continued living here, likely renovating the home with the oversized front porch and charming rustic quality. Harwood oversaw the delivery of mail to the rural farmhouses and village of Dorset, which previously made individuals living in remote homesteads had to pick up mail themselves at sometimes distant post offices or pay private carriers for delivery. In 1965, the home was remodelled and sold it to Hugh Vanderbilt, the son of Robert Thurlow Vanderbilt (yes of that family) whose primary residence was in Greenwich, Connecticut. This new ownership showed how the town of Dorset became popular as a rural/country retreat for the wealthy, many of those families remain here today, preserving these old homes.

Blanchard House // c.1778

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One of the oldest extant homes in Wilton Center is this Revolutionary-era Georgian house. The home was likely built in the 1770s and has a sloping saltbox roof at the rear. The house was the property of the Blanchard Family to this day. The house shows the more rural, vernacular Georgian style common in small towns in New Hampshire from the 1700s.

Newfane Odd Fellows Hall // c.1830

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Constructed circa 1830 for Anthony Jones, this clapboard building in Newfane, Vermont originally contained tenements and was called the “long building” during the nineteenth century. Around the turn of the 20th century, a federal judge acquired the building and some of its rooms were used as offices during sessions of the county courthouse across the street. Subsequently, the local Odd Fellows Group (I.O.O.F.) occupied a hall on the second story, and for a half century after 1910, part of the first story served as Newfane’s telephone exchange. In 1971, the building was converted to apartments and has remained so since that time.

Windham County Courthouse // 1825

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When the Windham County courts were transferred from Westminster in 1787, they were housed in the village known as Newfane on the Hill. Four decades later, influential residents convinced their townsmen to shift the village down to their land in a flat part of town, a location better suited for waterpower and commerce and ease of travel in the winter months. The first two buildings constructed were the courthouse and jail on a common. The village center grew rapidly as people moved old buildings down the hill and remodeled them or built anew, establishing a particularly unified townscape. This courthouse building is very stately for such a small town and packs an architectural punch. The two-story building is capped with a belfry and was designed in the Federal style with fan motifs over the windows and door. In the 1850s, nearby Brattleboro tried to usurp Newfane’s county seat status, so they in turn expanded the courthouse, raising the ceiling on the upper floor and adding the monumental Doric portico and pediment to give the building a decidedly Greek Revival appearance.