Victorian Gothic

The Arcade // 1870

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Prior to 1866 the area now called Oak Bluffs was largely undeveloped with the exception of the famed Methodist meeting camp at Wesleyan Grove that had been established in 1835. By the 1860s the meeting camp was attracting large numbers of middle class visitors from Boston and surrounding towns who came for summer retreats; in 1868 approximately 600 tent and cottage lots were being leased in the Methodist compound. The Land & Wharf Company catalyzed this success into profit, by developing a more commercial presence on Circuit Avenue and developed housing on large lots to the east.

The first major structure built by the Land & Wharf Company was the Arcade Building. In it, they established their office from which they directed development of the resort. The central open arcade provided access to the campground from the heart of Oak Bluffs’ commercial area. The Arcade was designed by Boston carpenter/architect/inventor Samuel Pratt (1824-1920) who was also responsible for many of the cottages in Oak Bluffs. The Arcade remains a historically significant and well-preserved commercial building in town. My bad photo doesn’t do it justice! 😦

Crystal Palace // c.1870

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The Crystal Palace cottage Pequot Avenue in Oak Bluffs was built by Henry Clark, a local builder of many summer homes on the island of Martha’s Vineyard. The cottage is a charming blend of Stick, Shingle, and Queen Anne styles, which works perfectly. The wrap-around porch is supported by turned posts with a balustrade capped by urns, the square tower has two elongated windows with eyebrow lintels resembling a face with bushy eyebrows. Oh the charm of Oak Bluffs, architectural eccentricity on every street!

The Tabernacle // 1879

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The year after Trinity Methodist Church was constructed, the Martha’s Vineyard Camp Meeting Association at Wesleyan Grove, built the wrought-iron Tabernacle, the most significant single building in the campground. The beautiful iron Tabernacle, which seats over 2,000, was designed and built in 1879 by John W. Hoyt of Springfield, Massachusetts. The building was completed in less than four months after the contract was signed. The Tabernacle covers the original consecrated ground of 1835 where the first Methodists erected canvas tents to worship under the trees. By 1869, the attendees at the revival meetings needed more protection from the sun and rain because the large oaks that had attracted the founders 35 years before had begun to die. Since 1870, the Association erected a mammoth canvas tent supported on tall poles every summer. The tent proved unsatisfactory because of ventilation problems and a tendency to collapse in storms. In 1878 the Association solicited designs for a large wooden tabernacle a building of vast roofs, minimal supports, and open walls. The plans it received, which were elaborate versions of the wooden
tabernacles or “arbors” of southern camp meetings, proved too expensive to build on this site. Campground resident John W. Hoyt solved the problem with a much cheaper wrought iron structure that was largely prefabricated and could be speedily erected on the uneven site. The gorgeous Victorian Gothic tabernacle remains today as the centerpiece of the Wesleyan Grove National Historic Landmark District, an esteemed historical designation.

Image courtesy of John G. Hoey.

Trinity Methodist Church // 1878

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Located on Trinity Park in Wesleyan Grove (aka the Martha’s Vineyard Camp Meeting Association), this 1878 church served the year round Methodist community in Oak Bluffs. The Trinity Methodist Church is a towered, Victorian Gothic structure of some distinction. Edward M. Hyde, a Methodist minister who had trained in architecture and art, designed it. The property that the church and Parish House sit on belongs to the Association, but the buildings are maintained by the congregation. Interestingly, should the congregation disband, the buildings would return to the Association.

“Seas the Day” Cottage // 1875

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This quaint little summer cottage in Wesleyan Grove was built in 1875 for Hanson Arnold, a merchant and methodist from Woonsocket, R.I. The home is typical of many other summer cottages in Oak Bluffs on Martha’s Vineyard, with its delicate stick work, turned posts, full-length porch, and second story balcony with pierced bargeboards. The home was at one point named “Seas the Day”, a trend of naming the cottages occurred sometime in the 20th century by families who summered on the island, many incorporating the family’s name somehow. The home was restored recently with all new detailing and a reversion back to the original porch configuration.

Riday-Evans Cottage // c.1880

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This cottage on Ocean Ave in Oak Bluffs was built before 1880 for J.F. Riday, a manager at the American Mail and Export Journal at the Wesleyan Building on Bromfield Street in Boston. The quaint cottage was photographed shortly after it was built with Riday and two women (one likely being his wife) posing on the front porch overlooking the ocean. By the early 20th century, the home was owned by George and Corielle Evans, a couple from Mexico. They likely modified the home with the shingled siding and front porch with sheltered balcony above, while the original lancet windows and doors remained.

Jones Cottage // 1876

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This charming little cottage in Oak Bluffs was built in 1876 for Charles N. Jones, a resident of Medford, MA who had a home built there in 1872. His family’s summer cottage on Martha’s Vineyard was designed by the Ripley Brothers, Alonzo and Walter, carpenters who lived in town and designed and built many of the charming little summer homes there. The home features a wrap-around porch, a covered balcony at the second floor, and pierced board balustrade and cornerboards. Oh, and the paint scheme is perfect!

Aunt Georgia’s House // c.1880

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Located on the iconic Circuit Street in Oak Bluffs, this Eclectic Victorian cottage has a storied past related to Black history on the island. Even though Oak Bluffs was a relatively safe place for African Americans to be, there were still limits on their rights. In some parts of Oak Bluffs there were laws that said that certain property could only be owned by whites. The island became a vacation spot for thousands every summer in the 19th century and seeing a lack of options for Black travelers, Mrs. Georgia O’Brien and Ms. Louisa Izett began to operate an inn for people of color. The inn was one of two such residences in Oak Bluffs and has since been listed on the African American Heritage Trail of Martha’s Vineyard. The home has since been named the Tivoli Inn and retains much of the original gingerbread trim. In recent years, Martha’s Vineyard was given the nickname, “The Black Hamptons,” due to its popularity as a place for wealthy African-Americans to vacation, it remains a very diverse island in summer months.

Tall Timbers Cottage // c.1870

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Tall Timbers is one of the more unique cottages in the Wesleyan Grove development, a religiously oriented summer community in Oak Bluffs on Martha’s Vineyard. The cottage was actually built in two phases. The small two story cottage was built first before 1870 and features gothic bargeboard, lancet windows, and paired doors. It was purchased around 1870 by William Newell, of Rhode Island, who had a three-story wing added to serve as a summer cottage. The addition is notable for the full-length vertical boards that rise through the entire three stories without a break like trees after harvesting, likely the inspiration for the name of the cottage. William Newell was a manufacturer of brass fixtures and ran a foundry in Central Falls in Rhode Island. Mr. Newell was active in politics and early in his career joined the cause of the anti-slavery party, which was likely solidified in his experiences in the ethnically diverse Martha’s Vineyard.

Hotel Boylston // 1870-1894

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C.1875 image of Hotel Boylston, BPL image.

Standing just 24 years, the Hotel Boylston at the corner of Boylston and Tremont Streets, evoked the Victorian-era grandeur of Boston. Built in 1870, the Victorian Gothic hotel (what we consider apartment building today) was designed by the architectural team of Cummings and Sears, who were very busy at the time in Boston and beyond. The 5 1/2-story building was constructed of sandstone and featured Gothic arches, dormers of varied sizes and shapes, and a mansard roof with iron cresting. The building (and the three others on Tremont Street) was razed in 1894 and replaced with the Hotel Touraine a few years later.