Architecture

North Wilmot Church // 1829

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Off the beaten path (like much of the town of Wilmot, NH, you can find this stunning old New England meeting house. Erected in 1829, the North Wilmot Church stands as the oldest extant church in the small town. Five denominations—Congregational, Christian Baptist, Freewill Baptist, Universalist, and Methodist, together collaborated to build this structure then known as the North Union Meeting House. Each denomination held services at the church, as they were all too small separately to warrant their own buildings. Decades after it was built, it was determined that the church should be moved down the hill. In 1846, the church was lifted and placed on rollers (logs), and with the help of oxen, rolled down the hill. It is said that the builder of the church, Josiah Stearns, rode in the belfry. The Different congregations later built churches elsewhere and the building was under-utilized, and it was converted to a meeting space, but allowed a congregation to use the structure. In 1983, with the agreement of remaining North Wilmot Congregational Church members, the North Wilmot Union Meeting House Society was established to maintain the structure and arrange for services in July and August.


Boston Consolidated Gas Company Building // 1927

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The Boston Gas Light Company was incorporated in 1823 and for thirty years was the sole company producing coal gas in the City of Boston. In the second half of the 19th century, several additional gas light companies were formed in and around Boston to make loads of money with the booming industrial growth seen there. They continued until it was determined that with the proximity of competing pipelines and the overlap of service areas it would be more efficient to consolidate into a single company. The Boston Consolidated Gas Company was chartered in 1903 to to combine numerous smaller corporations operating in the City of Boston under one conglomerate. The organization had a small building in Downtown, which was outgrown decades later. The company hired the local firm of Parker, Thomas & Rice, to design the new mid-rise office building on the outskirts of the fashionable Back Bay neighborhood. The base of the Classical Revival building follows the base, shaft and capital form. The base is traditional with three stories of rustication, ornamental capitals, carved detail at the arches and the elegant bronze window frames. The central stories are clad in dressed limestone, streamlined with punched openings, emphasizing verticality. Stories 12 and 13 are framed by colossal engaged columns with arched windows and bas reliefs. The ground floor today is home to a recently opened restaurant, Nusr-Et Boston, which was created by the famous chef, Salt Bae.

Hennessy’s Bar // c.1826

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St. Patricks Day in Boston is not the same this year. It has been a year since I have been crammed into a dimly lit, wood-paneled Irish Pub, with a pint of Guinness and good conversations with strangers. So for now, I will drink my sorrows in highlighting one of many Irish pubs in Boston, Hennessy’s. The building was constructed as one of a row around 1826 along with the adjacent buildings on the block (today containing Son’s of Boston and Blackstone Grill). All four buildings were identical and stood 3-1/2 stories as Federal style commercial buildings with retail space at the ground floor and office or residences above. The buildings were sold off separately and in the 1960s, this building was acquired by the Charlestown Savings Bank, who thought to “Colonialize” the building. They removed 1-1/2 stories and altered the openings at the ground floor (it could have been MUCH worse). The bank moved out just decades later and the building has since been home to Hennessy’s.

Bretton Arms Inn // 1896

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The historic Omni Bretton Arms Inn, adjacent to the Omni Mount Washington Hotel in the White Mountains of New Hampshire, was built as a private home in 1896. The home was designed by, and occupied by architect Charles Alling Gifford, while he oversaw the design and construction of the iconic Gilded Age hotel. After the hotel nearby was opened, the interior was converted to hotel rooms, and opened to guests in 1907. The Colonial Revival building features a central mass with two wings. The building was occupied in 1944 as the headquarters for the Conference Secretariat during the 44-nation Bretton Woods Monetary Conference. The Inn was granted National Historic Landmark designation in 1986 and has recently undergone a $1.4 million renovation focused on bringing the outdoors in. Part of the Omni Mount Washington Resort, this property offers more seclusion and less crowds compared to its larger neighbor. Just down the road from the Bretton Arms is the equally stunning Bretton Woods Stable, likely built at the same time.

Rosebrook Lodge // 2020

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Located at the top of Rosebrook Mountain in the Bretton Woods Ski Resort, this stunning modern lodge building provides possibly the best mountain views in New England. After a couple runs on the slopes, I took the gondola up to the top, exiting to a sweeping view of the White Mountains and the iconic Mount Washington Hotel (more on that later). At the top, is this large, well-sited lodge which is perched upon the mountainside, and an excellent example of Contemporary design done right! Appropriately named Rosebrook Lodge, the new building was just completed in 2020 by designs from architectural firm Bull Stockwell Allen from San Francisco, with help from TruexCullins on the interior design. The two-story lodge is constructed from of timber, steel, stone and glass, which complement the region’s rugged natural beauty and provide a sleek space for on-mountain dining or aprés ski. Inside, the building highlights the outside with walls of windows with warm lighting and woodwork that make relaxing effortless.

Linden Place // 1810

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For the last post in this series on Bristol, Rhode Island, I am leaving you with a house that is architecturally stunning, but holds a dark history. Linden Place was built in 1810 by slave trader, merchant, privateer and ship owner George DeWolf and was designed by architect, Russell Warren. The DeWolfs of Bristol, who became the biggest slave-trading family in U.S. history, transported well over 11,000 Africans to the Americas between 1769 and 1820. The U.S. banned the slave trade in 1808, but the DeWolfs continued dealing in the slave trade until the 1840s by going through Cuba, where they had numerous plantations. They also got help from a DeWolf brother-in-law, who served as a customs inspector in Bristol — thus ensuring family slave ships continued to come and go. In 1825, George DeWolf suffered major financial hits and he and his family fled to his plantation in Cuba, where they’d be beyond reach of his creditors. Stories explain that with the possibility of legitimate payment out of the question, the townspeople sought compensation for George’s debts where they could, and they broke down the front door of Linden Place, and took everything, even peeling the silk wallpaper off the walls.

Following DeWolf’s bankruptcy, the house was bought by his uncle James DeWolf, who was alleged to have directed the murder of a female African slave in 1789 who was sick with smallpox on the slave ship Polly, which he commanded; she was bound to a chair and lowered overboard. James DeWolf was tried and effectively acquitted; which, sadly, should not surprise anyone based on historical precedent. In fact, James DeWolf financed another 25 slaving voyages, usually with other members of his family and was thought to be the second richest man in the United States upon his death in 1837. In later years the house passed to Samuel Pomeroy Colt, a grandson of George DeWolf (as well as the nephew of the inventor of the Colt revolver). His son Russell married actress Ethel Barrymore, who was the great-aunt of current actress Drew Barrymore, and lived in the home. Today, the grand estate is a house museum and event space.

Bradford-Norris House // 1792

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William Bradford (1729-1808), who would become Deputy Governor of Rhode Island from 1775 to 1778, came to Bristol to practice medicine by 1758. When he arrived, he rented Mount Hope Farm (featured before), before building a home in town. When the British Navy bombarded Bristol on October 7, 1775, his home was among the buildings destroyed. He afterward went aboard ship to negotiate a cease fire, saving what was left of the town. In 1792, he built a 2 1/2-story Federal style, boxy house on this lot, close to the street. The home was willed to his son Hersey, who resided there until the 1840s, when he mortgaged the house to Francis Dimond, who resided in a Greek Revival temple front home (also featured on here previously). He gifted the modest Federal home to his daughter, Isabella, possibly as a wedding gift upon her marriage to Samuel Norris, a sugar refiner. Mr. Norris and Isabella hired architect Russell Warren, who designed her father’s home nearby, to renovate the house in the spring of 1845, moving the house away from Hope Street. The house was given its third floor and additional bay, along with the ornate design which characterizes it to this day, including the Ionic porch and Chinese Chippendale balustrade. The house remained in the Norris family until 1942 and is now a B&B.

Luther-Babbitt House // 1809

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In 1809, Giles Luther built this two-story, 5-bay, hip-roof Federal house, which has been substantially enlarged and altered over the years in succeeding styles. Original detailing on the facade includes the Palladian window, modillion cornice, quoins, and wide-beaded window casings with splayed lintels. Giles Luther (1775-1841), a shipmaster, merchant, and farmer, was more importantly the first Grand Marshall of the Bristol Fourth ofJuly Parade, which is believed to be part of the oldest Fourth of July celebration in the country. In 1825 Luther’s business failed; the Commercial Bank took this house and sold it in 1828 to Jacob Babbitt. Babbitt owned part of a wharf in town and in his will of 1849, he left the “use and improvement” of this house to
his son Jacob, Jr. (1809-1862). The younger Babbitt was wealthy and likely made the mid-19th century modifications to the home, including the Italianate triple-arched door and full-width porch with delicate cut-out posts and railings. The home was occupied for much of the 20th century by the Bristol Nursing Association, and sold in the 1970s to a private owner. The home was for a period ran as a bed & breakfast but appears to be back to a private residence today.

Russell Warren House // 1807

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Architect Russell Warren (1783-1860), who I have featured on here numerous times, built this 2-story, 5-bay, hip-roof Federal house in Bristol, Rhode Island. This residence as interpreted by Warren as an example of the Federal style with stylistic features most notably being the angulated quoins (at the corners of the house). The house was designed for William Van Doom, a Bristol tailor of modest means. In 1814, Warren, a young and aspiring architect, saw the significant wealth in Bristol and decided to buy this home he designed. Siting himself in the vicinity of the extremely wealthy DeWolf family, he gained recognition and success by designing three expensive and elaborately crafted houses for them at this time, only Linden Place remaining. Warren lived in this house from 1814 until 1823.

“Seven Oaks” // 1873

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When strolling around Bristol, Rhode Island, you are overloaded with gorgeous early 19th century house styles, primarily in the Federal and Greek Revival styles. Among these, one house (or should I say mansion) stands out as a flamboyant Victorian Gothic showpiece at the southern end of the downtown area. Built in 1873 for Augustus O. Bourn (1834-1925), the founder of the National Rubber Company (and from 1883 to 1885 governor of Rhode Island), “Seven Oaks” could go toe-to-toe with any house in the state. Bourn’s architect was James Renwick of New York, one of the most celebrated architects of his time. Before designing Seven Oaks, Renwick’s resume included: Smithsonian Institution Building, Washington, D.C.; St. Patrick’s Cathedral, New York City; and the Renwick Gallery, Washington, D.C.. Seven Oaks is a large, hip-and-cross-gable-roof Victorian Gothic mansion constructed of stone, with multiple towers and a slate roof capped with iron cresting.