I have a thing for temple-front Greek Revival homes, and this is no exception. This marvelous home was built in 1832 for Francis Dimon Perry (1809-1884), who inherited some of his father’s wealth and became President of Southport National Bank in town. He was a devoted member of Trinity Church throughout his life. Upon Mrs. Perry‘s death in 1893, couple left their residence to the Trinity Church to be used as the parish rectory.
In the 1840s in New England, one architectural style commanded a large majority of all new house styles, Greek Revival. A divergence from the Classical designs of the Georgian, Federal and Greek Revival styles which dominated at the time, the Romantic movement began its first true breaths across New England. The Gothic Revival and Italianate styles are often thought to be the first couple styles which brought the frills and detailing personified by Victorian-era architecture.
This home in Fairfield, Connecticut was built in 1840 to a design by Joseph Collins Wells, it is one of the oldest-known and best-documented examples of architect-designed Gothic Revival architecture. The home was built for for Jonathan Sturges (1802–1874), a businessman and patron of the arts. It is one of the earliest known examples of architect-designed Gothic Revival architecture, a style more often taken by local builders from pattern books published by the style’s proponents. The home was likely a pre-cursor to architect Joseph Wells later commission, the famous Roseland Cottage.
Originally built in 1775, the first iteration of the Burr Homestead, home of Thaddeus and Eunice Burr, which actually saw the marriage of John Hancock, President of the Continental Congress, to Dorothy Quincy. Thaddeus was the cousin of the famous Aaron Burr, Jr., who was the 3rd vice-president of the United States alongside Thomas Jefferson as President. Aaron Burr Jr. is best-known today through his portrayal in the popular play “Hamilton,” where he shoots Alexander Hamilton in a duel. The house was rebuilt in 1794 in its former location in Fairfield, Connecticut after a fire by the British in Fairfield destroyed the first. The home was willed to Thaddeus’ son General Gershom Burr, who eventually sold the mansion to Obadiah Jones. Mr. Jones updated the home by, ““taking out the dormer windows and lifting the roof, taking away the porch and building the broad veranda with its lofty massive fluted columns”. The home was eventually gifted to the Town of Fairfield and is presently maintained by the Fairfield Museum and History Center.
The Ames Free Library first opened its doors in 1883. Under the terms of the will of Oliver Ames II, $50,000, in trust, was left for the construction and support of a library for the benefit of the inhabitants Easton. The library was designed by Henry Hobson Richardson in 1877 and opened in 1883, becoming one of the finest public libraries in the region. The library is built of Milford granite with the same Longmeadow trim used on his famous Trinity Church in Boston. The very low cavernous arch over the doorway was used here by Richardson for the first time and became one of the most prominent and widely imitated characteristics of his style.
There are few buildings that make you stop and stare in marvel at their perfect architectural proportions, detailing and design, the Ames Memorial Hall in Easton, Massachusetts is one of them for me! In the late 1870s, the children of Oakes Ames commissioned the great American architect Henry Hobson Richardson to design the Memorial Hall as a tribute to their father. Richardson, the architect of Boston’s beloved Trinity Church in Copley Square, responded with a picturesque masterpiece using his signature architectural elements of rounded arches, dramatic roof lines, and heavy masonry adorned with carvings. The building was provided to the inhabitants of Easton “for all the ordinary purposes of a town hall”. Oakes Ames (1804-1873) was partner in the family business, O. Ames & Sons, a U. S. congressman, an early investor in the Central Pacific Railroad, and, at the urging of President Abraham Lincoln, a prominent force in the building of the first transcontinental railroad. The Richardsonian Romanesque building stands on the solid foundation of a natural ledge, from the northeast corner of which rises the beautiful octagonal tower, on whose frieze are carved the twelve signs of the zodiac.
Located adjacent to the Entrance Gate at Forest Hills Cemetery in Boston, the Administration Building and Chapel perfectly compliments the Gothic Revival collection of structures welcoming all visitors to the cemetery. Designed by the firm of Van Brunt & Howe, the building was completed in 1884, when the cemetery’s popularity with visitors (alive and deceased) was at a high. The building is in the Gothic Revival style and is constructed of
Roxbury puddingstone, with sandstone trim on the original parts of the building and yellow freestone trim on the 1921 addition. The building remains as a perfect partner to the entrance gate, serving as a physical portal between metaphorical life and death.
The bell tower at Forest Hills Cemetery is an octagonal Gothic revival structure located on Snowflake Hill just past the entrance gate and administration building and was completed in 1876. The 100-foot tower is constructed of Roxbury puddingstone and trimmed with granite. The roof is clad with granite tiles and topped with an ornate copper weathervane. Originally its swinging bell tolled, but it has since been replaced with an electronic carillon. The bell tower rises dramatically from massive
outcrop of Roxbury puddingstone known as Snowflake Hill which is offset by smooth lawns and Victorian planting beds. While the large trees surrounding partly obscure the tower, it truly is a stunning building.
Forest Hills Cemetery was founded in 1848 by Henry A. S. Dearborn, then mayor of Roxbury. He designed this magnificent cemetery to offer the citizens of his community a place to bury and remember friends and family in a tranquil and lovely setting. Forest Hills embodies the ideals of the rural cemetery movement, which begun at nearby Mount Auburn Cemetery, in Cambridge in 1831, which was co-founded by Dearborn. Many rural cemeteries have elaborate entrance gates, possibly serving as a dramatic transition from the secular world to the spiritual realm of the cemetery, and perhaps as a metaphor for the journey from life to death. This entrance gate was built in 1865, replacing an earlier Egyptian Revival gate constructed in 1848. Designed by Charles Panter, the gate is constructed of local Roxbury puddingstone, with three arched openings with ornate iron gates surmounted by decorative scrolled ironwork. The central gateway is
framed by two conical spires and a central stone pediment, all topped with stone crosses.
Josiah Hosford of Thetford, Vermont built this stone house for his family in about 1835. Hosford was a stone mason who built a series of stone houses in town, using stone quarried in nearby Lyme, New Hampshire. Josiah Hosford (1802-1883), was the grandson of Aaron Hosford, one of the earliest settlers in the North Thetford area. The distinguished family contributed resided and contributed to the town’s vibrant history, as ministers, teachers, artists, farmers, and tradespeople. A fire at the home in the early 1900s gutted the interior, and the owner at the time, a carpenter, reconstructed the interiors, shingled the side gables, and added on the porches.
When an architect designs their own home, they typically focus on the minute details which can make such a difference, often because they know what works and what doesn’t! This home was designed and built for William F. Goodwin, an architect with an office in Downtown Boston. After the Waban Station was built in 1886, he sought open space and a large home in suburban Boston, to get away from the hustle-and-bustle of daily life. Years after he moved into his home, he gifted his services to design the neighborhood’s first church, the Church of the Good Shepherd.
Buildings of New England 