Located on Amory Street in Brookline, this handsome Arts and Crafts style residence dates to about 1908 and while clearly Craftsman in style, does appear to follow the horizontality and form of the Prairie School of architecture, popularized by famed architect, Frank Lloyd Wright. While the architect of this house is unclear, we do know that the first owners were Mr. Frank T. Partridge and his wife, Edith Stevens Partridge. The stucco house features a horizontal belt course, shallow hip roof with broad eaves supported by brackets, and elaborate entry and porches. The colors enhance the architecture of the home perfectly.
One of the many houses in the Cottage Farm-adjacent neighborhoods of Brookline, Massachusetts, is this great blending of the Tudor Revival and Arts and Crafts styles of architecture, which dominated residential architecture in the Boston suburbs in the early 20th century. This residence was built in 1906 for Mr. Frank Moseley and his wife, Martha Hawes Moseley from plans by architect Robert C. Coit. Covered in stucco siding and half timbering, the charming house evokes the countryside of England, right here in Brookline. After WWI, the house was owned by Ms. Lizzie Widger, a water color artist and member of Copley Society of Boston, and her husband, Samuel Widger, a cotton broker. The Moseley-Widger House looks as it did 120 years ago and is in a great state of preservation, thanks to generations of loving stewards.
Edward Russell Norton (1871-1960) and his wife, Lillian (1870-1968) got married in 1904 and immediately began planning their dream home. They purchased a building lot on Powell Street in Brookline, Massachusetts, and hired architect, Robert Coit, to furnish plans for the new home which was completed by the next year. The house blends Arts and Crafts and Tudor Revival styles with a pleasing design and architecturally appropriate paint scheme.
This stately house on Powell Street in Brookline, Massachusetts, was built in 1906 for Charles H. Owens, Jr., and his wife, Nellie. Charles was a “house decorator”, who built the house next door just two years earlier before moving into this larger home in 1906. Both houses were designed by the architectural firm of Loring & Phipps, who Owens likely collaborated on commissions with in his career. The house is 2 1/2-stories with a shallow hip roof and is an excellent example of an academic interpretation of the Colonial Revival style. The principal facade has flush board siding with round-arched windows on the first floor along with a squat fanlight transom over the center entrance.
By the end of the 19th century, Brookline’s connection to Boston via the streetcars opened the town up to suburban development unlike anything seen before. From this, Boston businessmen could move to the suburbs for more land and live in larger single-family homes while commuting to the city for work. This large house in the Cottage Farm neighborhood was built in 1899 on speculation and purchased by George and Annie Andrews, who two years later, built a stable on the adjacent lot. Architect Robert Coit, specialized in large suburban houses, primarily in the Boston-area suburbs, and showcased his design talents for this Tudor Revival home. Tudor Revival style ornament include the second story over-hangs supported on brackets, the diamond pane sash and casement windows, vergeboard with finials, and portico with steep gable.
One of five houses built by developer Albert Jewell along Powell Street in the Cottage Farm neighborhood of Brookline, this residence stands out for its materiality and stately design. The house was designed by J. Williams Beal, an architect who trained at Massachusetts Institute of Technology and then worked for McKim, Mead & White before opening his own business. The house was first purchased from Mr. Jewell by Grace and Edwin Kramer, who worked as superintendent for R. H. White & Co., the large dry goods store in Boston. The next long-term owner was Harry B. Duane, a wealthy grocer. The Kramer-Duane House is unique for the stone veneer at its facade, gambrel roof covered in slate, and varied window styles including: bay windows, dormer windows, and an eyebrow dormer window at the roof.
Completed in 1974 for the now defunct Pine Manor College in Brookline, Massachusetts, this interesting Contemporary/Shed style building is modern, yet employs materials and a general form that fits into its surrounding context. When Pine Manor College received a grant by the Abercrombie Foundation, planning began immediately to design and build the Abercrombie Fine Arts Wing of the school. The building was designed by Paul J. Carroll & Associates, and features a bold roofline with clerestory windows, used to provide ample natural light for the classroom and art studio spaces inside. The building remains a part of the newly established Messina College, a Boston College campus enrolling first-generation high-financial need students, giving all an opportunity for education, no matter their circumstances.
Built on the expansive grounds of “Roughwood”, a country estate in Brookline, Massachusetts, this former carriage house has seen many iterations in its lifetime. Like the mansion house, the carriage house is a blending of Queen Anne/Shingle styles with fieldstone and shingle construction, designed by the architectural firm of Andrews, Jacques & Rantoul. When the Roughwood Estate was purchased and converted to Pine Manor College, the carriage house was adaptively reused and added onto as the Annenberg Library with a large imaginatively designed wing by Shepley, Bulfinch, Richardson and Abbott completed in 1986. The building remains as a library as part of the newly established Messina College, a campus of Boston College, which opened in July 2024 for over 100 first-generation college students. Gotta love adaptive reuse!
Roughwood is a historic estate house on Heath Street in Brookline, Massachusetts. The main residence and the various outbuildings on the grounds were designed by the Boston architectural firm of Andrews, Jaques and Rantoul, and built in 1891 as the summer estate of William Cox, a wholesale dealer in the footwear industry. Mr. Cox died in 1902 and the property was sold to Ernest Dane, the year before he married Helen Pratt, the daughter of Charles Pratt, a wealthy New York businessman and philanthropist. Mr. Dane was a banker who served as President of the Brookline Trust Company. The Dane’s owned the property for decades until the property was eventually purchased by Pine Manor Junior College in 1961. The estate house remained a centerpiece of the campus. In the early 21st century, Pine Manor College saw financial distress, and was saved by Boston College, who acquired the campus and its existing students as Messina College, which opened in July 2024 for over 100 first-generation college students. Architecturally, Roughwood is a high-style example of the Queen Anne/Shingle style of architecture. The mansion is built with a puddingstone and brownstone first floor and a second floor of varied patterns of wood shingles, all capped by a slate roof. The facade is dominated by towers and dormers and the great rustic entrance portico with dragon’s head brackets. To its side, a 1909 Tudor Revival addition served as a music room for the Dane’s family and while stylistically unique, is designed with impeccable proportions.
The parish known today as Infant Jesus-St. Lawrence Church was established in 1898, two years after its original chapel building – shown here – was erected to serve as a mission church of St. Mary of the Assumption in Brookline Village. The St. Lawrence Church was built in 1896 on Boylston Street in the Chestnut Hill/South Brookline area of the town, built to serve a more local, well-off population in the area. The church (and the adjacent rectory) was designed by Franz Joseph Untersee, a Swiss-American architect, and Brookline resident, who designed many Roman Catholic churches throughout the eastern part of United States. The Neo-Gothic church building is built of wood and stone with stucco and applied half timbering. Besides the large stained glass window and applied ornament, the church is notable for its square, irregularly-laid granite tower with crenelation. The church remains active in the community and very-well preserved inside and out.
Buildings of New England 