Tucked away in the middle of a residential neighborhood in the dense city of Central Falls, Rhode Island, this Neo-Gothic style church more closely resembles an English country church than one typically found in a dense, industrial city. This is the St. George’s Episcopal Church, located at the corner of Central and Clinton streets, and built for the local Episcopal congregation there in 1922. The church was designed by the Rhode Island architectural firm of Clarke & Howe and is built of rough-faced stone with limestone trim. The highlight of the design is the large central tower with lancet, stained glass window, and belfry.
As the city of Central Falls, Rhode Island, continued to see population growth spurred by the industrial development, immigrant groups began to seek to establish their own community centers and houses of worship. The local Polish population was a major immigrant group that organized and became one of the Polish Catholic Churches in New England. Founded in 1905, the St. Joseph Parish waited years until it had the funding to erect this church, which was designed in 1915 by Providence architect John F. O’Malley. The brick and stone church is Neo-Gothic in style with ornate masonry and detailing.
The First Universalist Church of Salem, Massachusetts, is a landmark example of a brick, Federal style church in New England. Tucked away within a network of Urban Renewal-era townhomes and backing up into a busy thoroughfare, the church is overlooked by many who pass behind its rear elevation, not knowing how special the building’s primary facade truly is! The church was constructed between 1808-1809 with early Church records showing that the interior carvings were done by Samuel McIntire, a Salem native, who was trained as a wood carver and later became an architect. It is unclear if any of McIntire’s work remains as numerous building modifications were completed throughout the 1800s; including a major exterior remodel in 1855 by architect Enoch Fuller, changing the appearance from Federal to Italianate. The church would again fall back to changing tastes in 1924, when they restored to an approximation of its original appearance by the office of R. Clipston Sturgis, a prominent Boston architect who specialized in Colonial Revival architecture. While the building’s significance is lessened by the urban renewal infill and streets surrounding it, the building remains one of the oldest in Salem and a significant architectural landmark in the city.
The Tabernacle Congregational Church at Washington and Federal streets in Salem, Massachusetts, was built in 1923 for one of the oldest congregations in the Commonwealth. The Tabernacle Church’s congregation traces its origins to the founding of the First Church of Salem in 1629. The church was originally located a few blocks away until a fire destroyed the wooden building in 1774. The congregation built a new wooden church on this site by 1777, and have remained on the site ever since the United States was established. The present, stone church building, was constructed from designs by the Boston firm of Philip Horton Smith and Edgar Walker in 1922. This dignified and graceful Colonial Revival church building (with attached parish house) is the third ecclesiastical structure to stand on this site. It replaced a large wooden Italianate church which the parish occupied from 1854 until it was torn down in 1922. Its predecessor, which stood from 1776 to 1854, possessed an elegant three-stage tower which Samuel McIntire added in 1805. The Tabernacle Church is a stone-veneered masonry building with a prominent engaged tower which contains a large arched entry, and a giant order porch consisting of four Tuscan columns and associated pilasters of the same type, which supports a pedimented roof that shelters the entrance. The tower is surmounted by a square, wood-frame belltower with pilastered corners above which is an open octagonal cupola with bell-cast roof. What a great Colonial Revival style church!
This Shingle-style church building on Lynde Street in Salem, Massachusetts, was built in 1897 as a satellite chapel for the First Congregational Society in Salem. The chapel was constructed from designs by the Boston-based architect Edward B. Stratton. From 1908 to 1979, the building was owned by the Christian Science Church and was eventually sold to private ownership in 1979, where it has since been home to the Witch Dungeon Museum. The building has retained much of its original design, including the large Gothic sanctuary window, tower, and decorative trusses at the gable. Sadly, the original shingles have been replaced by later siding.
The parish known today as Infant Jesus-St. Lawrence Church was established in 1898, two years after its original chapel building – shown here – was erected to serve as a mission church of St. Mary of the Assumption in Brookline Village. The St. Lawrence Church was built in 1896 on Boylston Street in the Chestnut Hill/South Brookline area of the town, built to serve a more local, well-off population in the area. The church (and the adjacent rectory) was designed by Franz Joseph Untersee, a Swiss-American architect, and Brookline resident, who designed many Roman Catholic churches throughout the eastern part of United States. The Neo-Gothic church building is built of wood and stone with stucco and applied half timbering. Besides the large stained glass window and applied ornament, the church is notable for its square, irregularly-laid granite tower with crenelation. The church remains active in the community and very-well preserved inside and out.
Holyhood Cemetery in Brookline, Massachusetts, was laid out in 1857 under the direction of Father Joseph M. Finotti, pastor of Assumption Parish , which included Brookline and Brighton. The cemetery reflects the mid-19th century influence of the Rural Cemetery movement and the romantic landscape cemetery planning begun at Cambridge’s Mount Auburn Cemetery in the 1830’s. A plan of the cemetery was drawn up by Shedd & Edson and published in August 1857. It shows curvilinear avenues and paths named after former bishops of Boston and Biblical figures. All were welcome to be buried except those who “died in a state of Drunkenness, Duel, or by self-destruction, unbaptized, non-Catholic, or otherwise opposed to the Catholic Church.” In the 1857 Shedd & Edson plan for Holyhood Catholic Cemetery, a chapel was located at the center on the hill shown in a small drawing on the edge of the plan. Known as St. Joseph’s Chapel, the stone building was designed by Patrick Keely, the successful and influential New York architect of many mid-19th century Catholic churches. The chapel would be dedicated in 1862. Decades later, a cemetery office was planned and built across Heath Street from the cemetery gates, but was demolished sometime in the 20th century. The cemetery grew and it along with the mid-19th century chapel, has been lovingly maintained to this day.
The First Congregational Church Society of Chicopee was organized as the Second Church of Springfield in 1751, when residents of land today known as Chicopee and Holyoke (then a part of Springfield) sought a parish church closer to their homes. Before Chicopee officially split from Springfield in 1844, the Second Church of Springfield built this Federal-Greek Revival style church building in 1825. Shepherd and Whitmarsh, prominent builders of Springfield were hired to erect the church. Both were trained under architect, Isaac Damon, thus the close resemblance to his designs for this church in Chicopee. The clapboard structure is simply designed but holds strong proportions and symmetry. The church has a four-columned portico with Ionic columns and a two-story square tower containing the belfry, blind octagonal stage with molded trim above, all capped by a dome surmounted by a weathervane. While the church now has replacement windows and plastic, ill-fitting shutters, the building is in great shape and tells the story of the early days of the development of Chicopee from sleepy parish town to industrial city.
As Chicopee developed into one of the major industrial cities in Western Massachusetts, immigrant groups moved there, finding work at some of the major manufacturing companies. Irish and Polish churches were built and French and French Canadian residents too built their own church, where they could gather and worship in their native language. A wood-frame church was first built in the 1870s and used until it was destroyed by fire in 1912. It took a decade for the congregation to gather enough funds to purchase a new lot and build a new church, but patience was a virtue as their church is a stunner! The cornerstone for the church was laid in 1922 and the building was designed by local architect, George P. Dion, and constructed at the cost of $200,000. The building was dedicated in 1925 and is one of the finest, and most unique churches in the state. Italian Renaissance Revival in style, the church stands out for its 85-foot-tall campanile and cast-stone high-relief in the pediment at the facade. It is believed that within the relief, that depicts the figure of Mary surrounded by Cherubs, depicting the “Assumption of the Virgin,” George P. Dion used the likeness of his granddaughter as a face of one of the cherubs. The congregation moved out of the building but has been recently mortgaged to a new church, Iglesia Cristiana Casa De Paz y Restauración, showcasing the ever-changing demographics that keep our cities vibrant and stewards that do right by our collective history and buildings.
The Third Congregational Church of Chicopee was built on a prominent lot on Springfield Street in 1868, replacing the congregation’s first church there, which was outgrown. The present building was designed by Charles Edward Parker, a Boston-based architect, who was an expert in Gothic architecture. He would design the Chicopee City Hall just years later. The building is constructed of brick and atop a granite base and features lancet (pointed arch) doors and windows, a corner steeple, and steep gable end with large rose stained glass window. The interior is preserved as well. Due to shifting demographics in Chicopee in the early 20th century, the church merged in 1925 with the Central Methodist Episcopal Church, forming the Federated Church of Chicopee. The congregation eventually closed and the church has sat vacant in recent years, and was briefly listed for sale in 2024, 9,339 square feet for just $200,000.
Buildings of New England 