Church

Saint Lawrence Catholic Church // 1896

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The parish known today as Infant Jesus-St. Lawrence Church was established in 1898, two years after its original chapel building – shown here – was erected to serve as a mission church of St. Mary of the Assumption in Brookline Village. The St. Lawrence Church was built in 1896 on Boylston Street in the Chestnut Hill/South Brookline area of the town, built to serve a more local, well-off population in the area. The church (and the adjacent rectory) was designed by Franz Joseph Untersee, a Swiss-American architect, and Brookline resident, who designed many Roman Catholic churches throughout the eastern part of United States. The Neo-Gothic church building is built of wood and stone with stucco and applied half timbering. Besides the large stained glass window and applied ornament, the church is notable for its square, irregularly-laid granite tower with crenelation. The church remains active in the community and very-well preserved inside and out.

Holyhood Cemetery Chapel // 1857

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Holyhood Cemetery in Brookline, Massachusetts, was laid out in 1857 under the direction of Father Joseph M. Finotti, pastor of Assumption Parish , which included Brookline and Brighton. The cemetery reflects the mid-19th century influence of the Rural Cemetery movement and the romantic landscape cemetery planning begun at Cambridge’s Mount Auburn Cemetery in the 1830’s. A plan of the cemetery was drawn up by Shedd & Edson and published in August 1857. It shows curvilinear avenues and paths named after former bishops of Boston and Biblical figures. All were welcome to be buried except those who “died in a state of Drunkenness, Duel, or by self-destruction, unbaptized, non-Catholic, or otherwise opposed to the Catholic Church.” In the 1857 Shedd & Edson plan for Holyhood Catholic Cemetery, a chapel was located at the center on the hill shown in a small drawing on the edge of the plan. Known as St. Joseph’s Chapel, the stone building was designed by Patrick Keely, the successful and influential New York architect of many mid-19th century Catholic churches. The chapel would be dedicated in 1862. Decades later, a cemetery office was planned and built across Heath Street from the cemetery gates, but was demolished sometime in the 20th century. The cemetery grew and it along with the mid-19th century chapel, has been lovingly maintained to this day.  

First Congregational Church of Chicopee // 1825

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The First Congregational Church Society of Chicopee was organized as the Second Church of Springfield in 1751, when residents of land today known as Chicopee and Holyoke (then a part of Springfield) sought a parish church closer to their homes. Before Chicopee officially split from Springfield in 1844, the Second Church of Springfield built this Federal-Greek Revival style church building in 1825. Shepherd and Whitmarsh, prominent builders of Springfield were hired to erect the church. Both were trained under architect, Isaac Damon, thus the close resemblance to his designs for this church in Chicopee. The clapboard structure is simply designed but holds strong proportions and symmetry. The church has a four-columned portico with Ionic columns and a two-story square tower containing the belfry, blind octagonal stage with molded trim above, all capped by a dome surmounted by a weathervane. While the church now has replacement windows and plastic, ill-fitting shutters, the building is in great shape and tells the story of the early days of the development of Chicopee from sleepy parish town to industrial city.

Assumption Roman Catholic Church // 1922

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As Chicopee developed into one of the major industrial cities in Western Massachusetts, immigrant groups moved there, finding work at some of the major manufacturing companies. Irish and Polish churches were built and French and French Canadian residents too built their own church, where they could gather and worship in their native language. A wood-frame church was first built in the 1870s and used until it was destroyed by fire in 1912. It took a decade for the congregation to gather enough funds to purchase a new lot and build a new church, but patience was a virtue as their church is a stunner! The cornerstone for the church was laid in 1922 and the building was designed by local architect, George P. Dion, and constructed at the cost of $200,000. The building was dedicated in 1925 and is one of the finest, and most unique churches in the state. Italian Renaissance Revival in style, the church stands out for its 85-foot-tall campanile and cast-stone high-relief in the pediment at the facade. It is believed that within the relief, that depicts the figure of Mary surrounded by Cherubs, depicting the “Assumption of the Virgin,” George P. Dion used the likeness of his granddaughter as a face of one of the cherubs. The congregation moved out of the building but has been recently mortgaged to a new church, Iglesia Cristiana Casa De Paz y Restauración, showcasing the ever-changing demographics that keep our cities vibrant and stewards that do right by our collective history and buildings.

Third Congregational Church of Chicopee // 1868

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The Third Congregational Church of Chicopee was built on a prominent lot on Springfield Street in 1868, replacing the congregation’s first church there, which was outgrown. The present building was designed by Charles Edward Parker, a Boston-based architect, who was an expert in Gothic architecture. He would design the Chicopee City Hall just years later. The building is constructed of brick and atop a granite base and features lancet (pointed arch) doors and windows, a corner steeple, and steep gable end with large rose stained glass window. The interior is preserved as well. Due to shifting demographics in Chicopee in the early 20th century, the church merged in 1925 with the Central Methodist Episcopal Church, forming the Federated Church of Chicopee. The congregation eventually closed and the church has sat vacant in recent years, and was briefly listed for sale in 2024, 9,339 square feet for just $200,000.

Basilica of St. Stanislaus // 1908

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The Basilica of St. Stanislaus is a landmark church building in Chicopee, Massachusetts, with strong ties to the city’s industrial and immigrant past as well as a landmark of the city’s rebirth and growth. The congregation was founded and financed by Polish immigrants who had arrived in Chicopee, beginning in the 1880’s. The young Poles were determined to establish and finance their own church in which they could worship in their own native language and espouse their Polish customs and traditions with a sense of community. The church was founded at a time where Polish immigrants were settling in Chicopee, finding work at local factories. The Polish population of Chicopee surged in the late 19th into the early 20th centuries from just 200 residents in 1885 to over 9,000 in 1914. The first St. Stanislaus Church was a small frame structure built on this site in 1891. The present church was built in 1908 from the designs of architects Robert J. Reiley and Gustave E. Steinback and is Byzantine Revival in style. Constructed of brownstone with cathedral-like qualities, the facade is dominated by a pair of monumental masonry towers. Its spires are composed of copper drums which are surmounted by graceful belvederes and are pierced by arched openings. In 1991, Pope John Paul II raised the status of the church to a “minor basilica“, a classification that remains to today, one of just a handful in New England.

Church of the Holy Name of Jesus, Chicopee // 1857

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With crop failure a common occurrence in 1830s Ireland, immigration from Irish to New England surged with workers and families looking for a better life. Labor opportunities were abundant in the newly established mill town of Chicopee, with the Irish flocking here to dig canals, build dams and mills and later work in those same buildings. Their wives and daughters would work as cooks and maids, but later as operatives in those same mills. As many Irish were Catholic, it became apparent that a Catholic congregation should be established, St. Matthew’s was first organized in Chicopee in 1838. An earlier wood-frame church was built and used for a number of years until a large site on South Street was purchased by the Diocese for a new campus. Irish-born ecclesiastical architect Patrick Keely designed the church building which was constructed between 1857-1859 in the Gothic Revival style. The church was dedicated the “Holy Name of Jesus” church and exhibited sandstone-topped buttresses, rows of pointed dormers running down the clerestory on the sides, and a prominent central steeple. In 1910, the present copper spire replaced the original steeple which was damaged and burned in a lightning strike. The complex grew throughout the 19th and 20th centuries, with a rectory, schools, convent and monastery built on the site. Sadly, due to dwindling membership and fiscal considerations, many of these buildings were demolished in the past decades. The church appears now to be closed and is still owned by the Archdiocese of Springfield. I hope something can be done to preserve this landmark structure and the remaining buildings on the site.

Cornwall Hollow Baptist Church // 1844

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During the nineteenth century several small, rural settlements dotted the landscape of Cornwall, Connecticut. The hamlet of Cornwall Hollow this building, the Baptist Church, and contained a tannery, store, gristmill, sawmill and cemetery. The church at Cornwall Hollow was erected following dissolution of the Baptist congregation at nearby Cream Hill in 1843. A new church constitution was adopted in 1844 and this new meetinghouse erected the following year. At its height the congregation included 100 members. The Greek Revival style church once had a belfry, but it was removed sometime in the 20th century, likely due to repair costs. The interior included a curved ceiling, and windows line the side elevations. The congregation saw dwindling numbers and closed in the early 20th century. It is now privately owned, but lovingly preserved.

West Cornwall Congregational Church // 1877

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One of the few Gothic style buildings in the enchanting town of Cornwall, Connecticut is this large church-turned-residence in West Cornwall village. As West Cornwall developed in the second half of the 19th century into the largest district in town, residents here began to discuss the idea of building their own Congregational church, rather than travel to the central village church to attend services. In the 1870s, West Cornwall congregationalists raised over $4,000 to acquire a building lot and erect this fine church. Dedicated in January 1878, the wood-frame church is a rare example of the Victorian Gothic/Stick styles with clapboard siding, lancet (pointed arched) windows, a corner tower with belfry, vertical sheathing in the gables, and ornamental applied stickwork. The church closed in the 20th century and was converted to a private residence, and is presently for sale!

All Soul’s Chapel, Poland Springs // 1912

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As part of the ever-growing Poland Springs Resort in Poland, Maine, the operators of the Poland Springs Hotel sought to erect a house of worship for guests and local community members. In 1909, fundraising had risen to total of $15,000 and that, along with a matching contribution by the Ricker Family, who owned the Poland Springs Resort, allowed for the hiring of an architect and the project to commence. Boston-area architect George Henri Desmond furnished the plans for the chapel, and were also hired by the Ricker family to complete plans for alterations to the Mt. Kineo House on Moosehead Lake during the same time period. All Souls Chapel is a Neo-Gothic Revival building constructed of irregular granite blocks with a gable roof covered with slate. It has a central tower with a flat parapet roof and a belfry with ornate louvered openings. The tower is square in plan and contains the principal entrance to the chapel. When the chapel was opened in 1912, it was opened as an interdenominational place of worship for use by Catholics and Protestants. Guests contributed much of the interior furnishings and all of the memorial hand-painted windows placed in the chapel were sponsored by guests or relatives of longtime guests. Today, the chapel hosts weddings, baptisms, and other similar events.

Fourth Byfield Parish Church // 1931

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The Byfield Parish Church at 84 Warren Street in Georgetown, Massachusetts, was built in 1931 and is the fourth meetinghouse to occupy the site. The congregation dates to 1701, when sixteen families in this section of Rowley (now Georgetown) near Newbury were set off separate from the Rowley First Parish. Travel for religious services became too arduous, so the local residents petitioned to create their own parish, Byfield. Some accounts state that the first meetinghouse was built in 1702 and it is said to have been razed by 1746 to make way for a new wood frame church with a steeple, a spire, and a weathervane. This church burned in 1833, and it was replaced by a new meetinghouse soon after. The 1833 church was used for almost a century until, in March 1930, it was struck by lightning and burned to the ground. The congregation banded together and had this brick church built, its fourth. Completed in 1931, the Colonial Revival style building was designed by architect, George M. Champney, partner in the Boston office of Derby, Barnes & Champney. The church is sited within a historic cemetery containing the remains of many of the churches members, dating back to 1670. The Byfield Parish Church moved to a new building (its fifth) nearby in 1987, and in 1993, sold this church building to a private owner (retaining and maintaining the cemetery themselves) with the 1931 church converted to a single-family dwelling. How cool!

First Parish Congregational Church of Pownal // 1811

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Completed in 1811, the First Parish Congregational Church of Pownal, Maine, is an excellent and well-preserved example of a vernacular Federal-period church in a rural setting. Located across from Mallett Hall and built at the foot of Bradbury Mountain, the church was built by a crew headed by master-carpenter Uriel Whitney, a Revolutionary War veteran who moved to the area after the war. He was active in this church and is buried in the church cemetery. Little remains of the original Federal Style architecture, as its current Greek Revival Style (architects unknown) dates from remodeling apparently undertaken in 1838 and 1857.

New Gloucester Universalist Meeting House // 1839

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Constructed in 1839 by local carpenter/builder Jeremiah Cotton, the Universalist Meeting House of New Gloucester, Maine, is a dignified example of the Greek Revival style in a rural context. The First Universalist Society of Christians in New Gloucester was organized in 1805 with members drawn from nearby communities including those of Gray and Poland. In 1830, the congregation reorganized itself into the First Universalist Society of New Gloucester and Pownal. During its early history services were apparently held at various places in the community for it was not until November of 1838 that a meeting was called “…to take such measures for Building a meeting house as a majority of Subscribers or proprietors may think proper.” After World War I, membership began to decline and from the 1930s until the society’s demise in 1957 services were infrequently held. In 1969 the property was acquired by the New Gloucester Historical Society, who maintained and restored the building. The flushboard siding, fully pedimented gable, pilasters, and symmetrical façade containing two entry doors, all work together to display the Greek Revival style in a high-style example, but in a rural setting. The building appears to be opened periodically by the Historical Society.

New Ipswich Congregational Church // 1903

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The New Ipswich Congregational Church was built in 1903, replacing the former 1813 Meeting House on the site, the fourth in the town, which stood here until a fire caused by lightning destroyed it in 1902. Interestingly, the design is more Victorian than Colonial Revival, which makes this church stand out amongst the village dominated by Georgian, Federal and Greek Revival style residences. The present building blends the Shingle style with Gothic elements with the tracery at the belfry and lancet windows. The architects were Gay & Proctor of Massachusetts who created a statement building with iconic tower that has been well-preserved by the congregation ever since.

First Parish Church of Ashby // 1809

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Welcome to Ashby, Massachusetts; a rural and historic town that was first settled in 1676 but due to the continued threat of native hostilities, permanent European settlement in the town did not occur until about 1750. The town incorporated in 1767 and was reputedly named for the abundance and quality of white ash trees found in the area by early settlers. Today, the town has just over 3,000 residents. At the center of the town village, the First Parish Church of Ashby stands as a significant Federal-period meetinghouse, and an integral piece of the town’s history. The present building was constructed in 1809, replacing an earlier structure from 1771. Carpenters for the building were Joseph Kendall and Darius Wellington of Ashby, who utilized plans from Asher Benjamin’s American architectural pattern book of 1797. Facing the town common, the church is a two-story gable front building with a three-stage tower including an octagonal open belfry rising from the pedimented front pavilion.