House Museum

The Elms // 1899

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One of my favorite things to do each holiday season is to explore Newport and the mansions all gussied up with lights, ornaments and holiday cheer. This year, I visited The Elms, one of my absolute favorite buildings in Newport, which is a house museum! Stay tuned for some room features, similar to my series last year on The Breakers mansion.

The Elms was commissioned in 1898 by coal baron Edward Julius Berwind (1848–1936) and his wife Sarah Torrey Berwind (1856-1922) as a summer cottage where the couple could escape the woes of city life for a few weeks of every year. Edward was “new money” (his parents were middle-class German immigrants); and by the 1890s, he was hailed as “one of the 58 men who rule America”, making him one of Newport’s most important summer residents. To live up to his new status, he hired Philadelphia architect Horace Trumbauer, who took inspiration from the 18th century Château d’Asnières in France. The site on the iconic Bellevue Avenue is not directly on the water, so Trumbauer sought to enhance the siting of the mansion by elaborate landscaping (more on that later). The house was built to be fireproof, after the complete loss of the original Breakers mansion in 1892 and is clad with Indiana limestone. The couple held many lavish parties in the Elms until 1922, when Mrs. Berwind died. Mr. Berwind invited his youngest sister, Julia, to become his hostess at his New York and Newport houses. Mr. Berwind died in 1936 and Julia continued to summer at The Elms until her death in 1961. Childless, Julia Berwind willed the estate to a nephew, who did not want it and fruitlessly tried to pass The Elms to someone else in the family. Finally the family auctioned off the contents of the estate and sold the property to a developer who wanted to tear it down. In 1962, just weeks before its date with the wrecking ball, The Elms was purchased by the Preservation Society of Newport County for $116,000. It remains one of the most visited house museums in the nation to this day.

Lounsbury House // 1896

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One of the (many) stately homes on Ridgefield’s Main Street, this massive Neo-Classical mansion is also among the most visited in Fairfield County. Lounsbury House was built in 1896 by former Connecticut Governor Phineas C. Lounsbury. While attending the 1893 Chicago World’s Fair, Governor Lounsbury was so taken by the Connecticut State Building that he built a replica to serve as his family home. The Connecticut State Building was designed by Waterbury-based architect, Warren R. Briggs at a cost of $112,000! Gov. Lounsbury loved this house, which he named “Grovelawn” until his death in 1925. After his death, his heirs were unable to maintain the massive home, and it started to decay. The Town of Ridgefield did not want to see the mansion demolished, and in an early example of historic preservation, the town purchased Lounsbury House in 1945. A school was built behind and nearly ten years later, the home was leased to the The Ridgefield Veterans’ Memorial Community Association. The home is now managed by a board and rented for weddings and community events.

Keeler Tavern // 1713

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Around the year 1713, Benjamin Hoyt built a home for himself and his family on Lot 2 of the laid out building lots along Main Street of Ridgefield CT. The building was originally a one room dwelling with a stone fireplace and no basement and was located next to the David Hoyt mansion (aka The Fountain Inn). After several years, he expanded the property by building around and above the structure, to give it the gambrel roof and size we see today. More than 50 years later, in 1769, the property was purchased by Hoyt’s son-in-law, Timothy Keeler. Timothy Keeler and his wife converted the building into an inn in 1772, just prior to the beginning of the American Revolutionary War. Keeler sided with the American revolutionaries and was active in the local militia. After the Battle of Ridgefield, British forces fired on the Keeler Tavern, because Keeler was an enemy. One of the cannons used to pummel the tavern is still lodged in a corner post of the house to this day. After later owners in the Keeler Family, the property was purchased by world-renowned architect Cass Gilbert, who turned it into his family’s summer home in 1907. In doing so, he made various improvements and additions to the building, in particular he designed a Garden House and added a sunken around the year 1910. Gilbert would also design a fountain as a gift to the town, which sits almost opposite his family’s summer residence. The property was purchased in the 1960s and has since been a historical museum.

Governor Henry Lippitt Mansion // 1865

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North (secondary) facade

New England is lucky to have so many diverse house museums where architecture and history nerds like me can tour old houses and envision what it was like to live in that era. The Governor Henry Lippitt mansion in Providence stands out as one of the most significant Victorian-era homes in Rhode Island, and contains one of the best-preserved Victorian interiors in America. The mansion was likely designed by local architect Russell Warren, and modified by Henry Lippitt (1818-1891), heir to one of Rhode Island’s leading textile manufacturing families, for his wife Mary Ann Balch (1823-1889) and their six children who survived to adulthood. While Henry was a prominent businessman, his wife Mary may have been even busier. Mary owned and managed rental properties in Providence, including this mansion, giving her husband Henry life tenancy. She oversaw day-to-day running of the mansion, supervising the servants while teaching her daughter Jeanie, who became deaf at age four due to complications from scarlet fever, to read lips and continue to develop her speech. The Lippitt Mansion is an early, and high-style example of an Italianate Villa/ Renaissance Revival design, which moved away from the more prescribed forms of architecture towards the more eclectic, Victorian-era mode. The home features two main facades, with the smaller, west (main) facade featuring a central pavilion with ornate foliate frieze and Corinthian columns, and the north (side) facade – my favorite – with a more commanding presence with a bold porte-cochere. The home remained in the Lippitt family for 114 years, and was later acquired by Preserve Rhode Island, who opened it to the public as a museum in 1993.

Faulkner Homestead // 1707

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One of three pre-1725 houses in South Acton, the Faulkner Homestead is the best preserved First Period house in the area and displays elements from its First Period construction date of 1707 and from the later Georgian period. The home was built for Ephraim Jones, who was one of the first millers starting what was to become the Faulkner mills located near the old homestead. The home was known as a Garrison House, built as a refuge for the settlers in times of Indian raids, but there is no record that it was ever used for that purpose. In the 1730s, the home was rented by Ammi R. Faulkner (1692-1756), who purchased it years after he moved in. The Faulkner Homestead remained in the Faulkner Family for over 300 years, when it sold our of the family in the 1940s.

Chesterwood // 1901

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Chesterwood is the former summer home, studio and gardens of American sculptor Daniel Chester French (1850–1931), who is best known for creating two of our nation’s most powerful symbols: the Minute Man (1871–75) at the Old North Bridge in Concord, Massachusetts, John Harvard in Harvard Yard, and Abraham Lincoln (1911–22) for the Lincoln Memorial in Washington, D.C. Daniel Chester French was one of the most successful artists of the late 19th and early 20th centuries, producing more than 100 works of public sculpture. In the fall of 1895, he and his wife drove by horse and buggy and discovered the resort town of Stockbridge. They returned the next summer and purchased the Marshall Warner farm from the family who had purchased the land from Mohican Native Americans. The French family and two maids moved into the white clapboard farmhouse the next summer. To ensure that his summer would be productive as well as restful, he improvised a studio in the barn. He asked his friend and colleague, architect Henry Bacon, to design a studio for him (Bacon would later work with French on the Lincoln Memorial). Soon, in spite of renovation, the original farmhouse was deemed inadequate and French commissioned Bacon to design a residence, completed in 1901. The family owned the home for decades, even after Daniel Chester French’s death. Much of the credit for Chesterwood’s preservation and metamorphosis from summer retreat to public site belongs to Margaret French Cresson (1889–1973), the sculptor’s daughter. After her parents’ death, she maintained the property and began to use it year-round, assembled the work of her father, and established the estate as a historic site of the National Trust for Historic Preservation.

Thomas and Esther Smith House // c.1758

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The Thomas and Esther Smith House in the Feeding Hills area of Agawam, Massachusetts is a 1½ story, vernacular Georgian style house with a gambrel roof. Feeding Hills, so named for its bountiful soils, is an agricultural plain approximately five miles west of the Connecticut River at the eastern foot of Provin Mountain. The land was highly sought after by farmers, with many agricultural uses still taking place here to this day. This parcel of land was purchased by Thomas Smith, a carpenter, in 1757, who likely built the home soon after for his new family. The family occupied the home into the mid-19th century, harvesting crops and raising cattle for sustenance and sale. The agricultural property was subdivided numerous times and now sits on just an acre. The home and remaining land was purchased by the Agawam Historical Society in 2002, who maintain the property and educate on Agawam’s agricultural heritage.