The Hills Library is a formal building standing at the summit of Institution Hill, so-named as the home of the Newton Theological Institution (and most recently as the Andover Newton Theological School). The library was constructed in 1895 from plans by architects Henry H. Kendall and Edward F. Stevens of the firm, Kendall & Stevens. Designed in 1894 in the Neo-Classical style, the library has a stately portico in the Ionic order with a pediment above. The building is constructed of yellow brick with stone and terracotta trimmings with banks of vertical windows. The library would be added onto at the rear, with the main entrance later closed for an accessible entrance in a rear addition. The building is now known as the Hanns Sachs Memorial Library for the current owners and stewards, the Boston Psychoanalytic Society & Institute (BPSI).
The Georgetown Peabody Library began on September 19, 1866, following a generous gift from George Peabody (1795-1869), a great man who is considered the father of modern philanthropy. George Peabody’s interest in the town was due to the fact that it was the birthplace of his mother, Judith (Dodge) Peabody, and for many years the home of his sister, Mrs. Judith Peabody Russell. Mr. Peabody decided to donate funds for the town’s first public library and also had 2400 books brought from London for its initial book collection. The wooden library building was designed by the Boston architectural firm of Bryant & Gilman and opened in 1869. After a few decades, the first library proved inadequate for the town’s needs and the present building was built with invested Peabody funds. In 1904, construction began on the new, present library building, a robust, brick structure in the Romanesque style with the firm of Cooper & Bailey furnishing the plans. The building has since been added onto as the town grew, but it retains its significance architecturally and historically for ties to Mr. George Peabody.
This building, the present New Gloucester Public Library, was originally constructed in 1902 as the town’s high school, a use that remained until 1962, when pupils would go to a modern school building in nearby Gray, Maine. The building is an excellent example of the Colonial Revival style with a symmetrical facade dominated by a row of multi-light windows separated by paneling, a segmental-arched dormer, and cupola at the roof with a bell. When the high school moved to its present location, this building sat vacant for some time and would be occupied by the New Gloucester Historical Society for storage and display of their collections until the public library moved into the building by the early 1990s.
The New Ipswich Public Library is a one-story Shingle style building on Main Street in the charming village of New Ipswich, New Hampshire. The library building was likely designed by Ernest M. A. Machado, one of the best, and relatively unknown architects of the late 19th and early 20th century in Salem. The entrance which faces the side, is flanked by two diamond-pane windows, which can also be found on the primary facade. A special ten-light vertical window is recessed within a shingled depression in the gable, which adds some complexity to the design.
The Ashby Public Library in Ashby, Massachusetts, was built in 1902, completely funded by a donation from Edwin Chapman (1841-1915) who lived across the street from the new library. Mr. Chapman was raised in Ashby and became a wealthy Boston-area merchant in the meat trade by the late 19th century. Before this library was built, the town’s library collection was housed in the Wyman Tavern. The building was designed by architect Henry M. Francis in the Neoclassical style with Romanesque detail in brick and brownstone to make the building fireproof. The library was added onto in the rear in 2006 by The Galante Architecture Studio, which is recessed and mostly visible from the rear parking area. The addition is Modern in style to distinguish itself from the main library building.
In 1906, the citizens of Boothbay Harbor voted to establish a free public library for all to enjoy. In 1923, the need for more library space, along with a desire for a World War I Memorial, led to the approval of a bond for the purchase of a 1842 Greek Revival style house on Oak Street. The building was remodelled for use as a library by the Boston architect William Stanley Parker, and was enlarged in 1966 to a design by Parker’s son, Stanley Jr. The temple-front, Neo-Classical entry was added at this time and harkens back to the original classical style Greek Revival home, while clearly showing a grander scale seen in the 20th century.
One of the best parts about New England is the diversity of the architecture and history of local public libraries. The Morrill Memorial Library in Norwood, Massachusetts, was erected by George H. Morrill in memory of his daughter Sarah Bond Morrill, who apparently died in 1895 of Typhoid Fever at the age of 22. George Morrill made his fortune as one of the largest producers of printing inks in America. The business was founded by Samuel Morrill, father of George H. Morrill in 1845 in Andover, but in 1856, he moved the works to South Dedham (present-day Norwood). The company grew rapidly and factories were built in Norwood and expanded to meet increasing operations. Mr. Morrill built a massive estate in Norwood (no longer extant) and also houses for his family members nearby to create a small enclave for the family. One of the lots on Walpole Street was utilized for a memorial library in honor of his late daughter. Architect Joseph Neal, who originally worked for Shepley, Rutan & Coolidge in Boston, designed the Richardsonian Romanesque library constructed of rough-faced granite blocks with a red terracotta tile roof above. The main entrance was deeply recessed within a great Assyrian arch typical of an arch-type that was a hallmark of the public and ecclesiastical buildings of Boston architect Henry Hobson Richardson during the 1870’s and 1880’s, but has since been enclosed by a vestibule, somewhat diminishing the original entry. The library was originally cruciform in plan but one-story additions constructed in the 1960s, on either side of the original facade have altered its original volume, but at least they are of a similar material. The library is one of the more unique in the Boston area and a testament to a father’s love to their children.
Located on a slight rise above Main Street and across from the sprawling Hiram Village Cemetery, this one-story library with walls of textured concrete blocks was dedicated in August of 1915 and has been a center for cultural activities in the town of Hiram, Maine, since that time. The Soldier’s Memorial Library was built with funds provided largely by Virginia Barker Jordan, a granddaughter of local businessman Benjamin Barker. Also instrumental in organizing Hiram’s first free public library was Llewellyn A. Wadsworth, local poet and cousin of Henry Wadsworth Longfellow. Beyond the unique use of concrete block construction for a library, other interesting exterior architectural features include the wide-flaring eaves with exposed rafters and the bands of windows on the first story walls, which hint of the Arts and Crafts/Bungalow styles. The library building was designed by Boston architects Robert Wambolt and Amos A. Lawrence.
In the 1840s, Archibald Babcock (1780-1862) from Ashford, Connecticut, went west to engage in the California Gold Rush to seek his fortune. He did well and upon his return, moved to Charlestown, Massachusetts and began purchasing property for redevelopment. Upon his death in 1862, Mr. Babcock bequeathed $3,000 to the Town of Ashford start a “free” library there. For the next 60 years the library was located in a variety of private homes and country stores in town until the 1920s when this stone structure was built to house the town hall and library. Construction was made possible by a gift from Charles Knowlton, whose family had lived in the area since the 18th century. When built, it featured a number of modern innovations, including electrical service (generated on site), and steam heat. In addition to town offices and the library, the building also has an auditorium which is used for town meetings. Architect Herbert Loud furnished plans for the building which is rustic Arts and Crafts in style with randomly laid fieldstone walls with wide mortared joints. The roof eaves show exposed rafter tails below the shallow hipped roof.
How many buildings do you know of that straddle two countries?! Well, here is one of the most iconic buildings in Vermont, the Haskell Free Library and Opera House of Derby. The building was gifted to the villages of Derby Line, Vermont and Rock Island, Quebec, by Martha Stewart Haskell and her son, Horace Stewart Haskell, who wanted to leave their mark on the town. The building was designed by James Ball of Rock Island, Quebec and is a high-style structure comprised of both a library and opera house for residents. Designed in a eclectic mix of Romanesque Revival and Classical Revival, there is a lot to look at from both countries! Some of the outstanding features of the building include the structural and ornamental use of granite, stained glass windows imported from Scotland, ornate fireplaces and rich woodworking on the library interior, and one of the most elaborate opera house interiors in a completely preserved condition in Vermont.
Buildings of New England 