Stone Church

Warren Baptist Church // 1844

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The Warren Baptist Church on Main Street in Warren, Rhode Island, is a landmark example of an ecclesiastical building in the Gothic Revival style completed in stone. Like many communities in Rhode Island, Baptists in Warren, were the first and largest denomination in the community, dating back to the 18th century. The congregation’s first purpose-built church was constructed in 1764 and was burned by the British in 1778 as they left Warren. Its replacement (1784) was demolished for the present building sixty years later. Interestingly, this site is significant additionally as the site of the founding of Brown University. as when Reverend James Manning was called in 1764 to take over the congregation and its new church building, he did so with the proviso that he could open a school for the training of Baptist ministers because all existing colonial colleges at the time provided for training only in the Congregational and Episcopal ministries. The school was located behind the present location of the church and it spent its first four years here in Warren, holding its first commencement in that church until the new school (and Reverend Manning as president) were lured to Providence, where Brown University has remained ever since. The present Warren Baptist Church was built in 1844 and was designed by famed Rhode Island architect, Russell Warren, who is best-known for his work in the Federal and Greek Revival styles, but here shows his expertise and skill in the Gothic mode. The building is notable for its lancet-arched windows and belfry with narrow lancet arched louvered windows set below the clock faces set in triangular trefoil tracery. The congregation also maintains Tiffany windows donated by members of the church.

Clara Hall Elliott Memorial Church // 1909

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This handsome stone church in South Willington, Connecticut, was commissioned in 1909 by Gardiner Hall Jr., a terminally ill industrialist, in memory of his late daughter Clara, who tragically died in 1899 at the age of 30. The church was used by area residents, many of which included mill workers hired to work at Mr. Hall’s factory nearby and lived in mill housing just behind this church. Following the construction of this Memorial Church in South Willington, Baptist and Congregational Churches of Willington merged to form the Federated Church of Willington, which has worshiped at this location ever since. Neo-Gothic Revival in style, the church is constructed of multicolored random ashlar sandstone with limestone trim and features a corner clock tower with belfry, buttresses, stained glass windows, and limestone tracery. The church was designed by Boston architect, Thomas Marriott James and was completed by 1911.

Immanuel St. James Episcopal Church // 1843

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The Gothic Revival style Immanuel St. James Episcopal Church of Derby is a landmark example of the style in this part of Connecticut and serves as the eastern anchor to the Birmingham Green in town. The church dates to 1843 and was built by The stone church was was built by stonemason, Harvey Johnson and Nelson Hinman, a carpenter. The land for the church was donated by Sheldon Smith and Anson G. Phelps, wealthy industrialists in town. The building originally had a wooden steeple, which was replaced by the present stone belfry in 1853. The church merged with another area congregation, which together, have preserved this significant structure, though the communications antennae on the battlements on the belfry is unfortunate.

Stone Village Unitarian Church // 1845

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The Stone Village of Chester, Vermont, is said to be the largest collection of stone buildings in the state, and is anchored by its largest building, the Unitarian Church. Built in 1845, the Unitarian Universalist Church is one of a few dozen “snecked ashlar” buildings in the region, where rubblestone is laid up with mortar using small long stones called “snecks” to tie an outer and an inner wall together. The construction method is said to have been brought to the area by masons from Scotland and Ireland which is known there as ‘Celtic Bond’. Oral tradition state that Scottish masons from Canada introduced the technique to local masons while erecting a mill in nearby Cavendish in 1832. Local Chester resident, Dr. Ptolemy Edson became such a fan of the building that in 1834, he had his home, the first stone building in Chester, built in this method. Dr. Edson served on the building committee for the new village church, and likely pushed for a cohesive material and construction method for this church and other buildings soon after. The Stone Village Unitarian Church blends Greek Revival and Gothic Revival styles in a more vernacular way, typical in many rural Vermont communities. The building exhibits stained glass windows that were added sometime in the late 19th or early 20th century.

All Souls Church, Onteora Park // 1894

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Onteora Park is one of many notable summer colonies in the Catskill Mountains that were developed in the late 19th and early 20th century. Onteora Park is located in Hunter, New York, and is comprised of a development of over 100 residential properties along with club buildings and the All Souls Church. The development of Onteora Park is largely credited to Ms. Candace (Thurber) Wheeler, one of America’s first woman interior and textile designers and co-founder of the Society of Decorative Art in New York City. In 1883, she and her wealthy brother, Francis Beattie Thurber, purchased land here with sweeping views of the Catskill Mountains, and built two summer houses for their respective families. By 1887, Candace Wheeler and her sister-in-law, Jeannette (Mrs. Francis B.) Thurber, decided to expand and develop their property as a vacation community of like-minded people dedicated to the arts. Years after the first cottages were built, Candace asked her son, Dunham Walker, an architect, to furnish designs for a community summer chapel. After the site had been secured, Canadian architect (and summer resident of Onteora) George Agnew Reid, was asked to put Mr. Wheeler’s plan into acceptable form and to supervise construction. The original wooden church was changed over to stone, all in a Victorian Gothic style. By 1910, the building was enlarged with the addition of the chancel and addition of transepts and possibly the square bell tower. At this time, the church was also electrified. Today, the church is lovingly maintained and open for the summer season and special ceremonies.

First Unitarian Church of Somerville // 1895

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Located on Highland Avenue in the Central Hill section of Somerville, Massachusetts, the First Unitarian Church of Somerville is a landmark example of a church in the Romanesque Revival style. The church was built in 1895 from plans by the esteemed architectural firm of Hartwell & Richardson, and was the fourth and final building of the congregation, which was originally established in 1844. The congregation’s first church was a Gothic Revival style building designed by Richard Bond, but was destroyed by fire in 1852. A year later, the second edifice was designed and built by architect Thomas W. Silloway, which also burned in 1867. The church was replaced again by a Romanesque style structure in 1869. In the 1890s, when the City of Somerville purchased the building as part of the site for the new Somerville High School, a lot down Highland Avenue was secured and planning began for this building. The church is built of granite block with a steeply pitched gable roof, and a square tower at its right front corner. The prominent gable contains two arched entrances with a bank of five rectangular stained-glass windows below three tall round-arch stained glass windows. The congregation was dissolved in 1975 and a year later, the building was purchased by the Mission Church of Our Lord Jesus Christ, an Apostolic Pentacostalist church, who continue to use the building today.

St. George’s Episcopal Church, Central Falls // 1922

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Tucked away in the middle of a residential neighborhood in the dense city of Central Falls, Rhode Island, this Neo-Gothic style church more closely resembles an English country church than one typically found in a dense, industrial city. This is the St. George’s Episcopal Church, located at the corner of Central and Clinton streets, and built for the local Episcopal congregation there in 1922. The church was designed by the Rhode Island architectural firm of Clarke & Howe and is built of rough-faced stone with limestone trim. The highlight of the design is the large central tower with lancet, stained glass window, and belfry. 

St. Peter’s Episcopal Church // 1833

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The St. Peter’s Episcopal Church of Salem, is a landmark example of a granite, Gothic Revival church of the 19th century. The present church, which is constructed of Cape Ann granite, was the second church on the site built for local Episcopalians, replacing a wood-frame building constructed there 100 years prior. Designed by architect Isaiah Rogers, the Gothic church features a prominent entry tower with a quatrefoil window in each elevation, large lancet-arched windows in the tower and lining the sanctuary, and a crenelated parapet. When completed, St. Peter’s had Salem’s first church bell, an 1740 English bell that supposedly still graces the tower today and is said to be the oldest church bell in the United States! In 1871, the rear chapel was added to the building, from plans by George E. Harney. The chapel was built directly over the old parish cemetery, requiring some of the tombstones to be placed inside the chapel walls, while others were moved to the front of the church, creating a really unique “garden cemetery” in front of the church.

Tabernacle Congregational Church of Salem // 1923

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The Tabernacle Congregational Church at Washington and Federal streets in Salem, Massachusetts, was built in 1923 for one of the oldest congregations in the Commonwealth. The Tabernacle Church’s congregation traces its origins to the founding of the First Church of Salem in 1629. The church was originally located a few blocks away until a fire destroyed the wooden building in 1774. The congregation built a new wooden church on this site by 1777, and have remained on the site ever since the United States was established. The present, stone church building, was constructed from designs by the Boston firm of Philip Horton Smith and Edgar Walker in 1922. This dignified and graceful Colonial Revival church building (with attached parish house) is the third ecclesiastical structure to stand on this site. It replaced a large wooden Italianate church which the parish occupied from 1854 until it was torn down in 1922. Its predecessor, which stood from 1776 to 1854, possessed an elegant three-stage tower which Samuel McIntire added in 1805. The Tabernacle Church is a stone-veneered masonry building with a prominent engaged tower which contains a large arched entry, and a giant order porch consisting of four Tuscan columns and associated pilasters of the same type, which supports a pedimented roof that shelters the entrance. The tower is surmounted by a square, wood-frame belltower with pilastered corners above which is an open octagonal cupola with bell-cast roof. What a great Colonial Revival style church!

Holyhood Cemetery Chapel // 1857

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Holyhood Cemetery in Brookline, Massachusetts, was laid out in 1857 under the direction of Father Joseph M. Finotti, pastor of Assumption Parish , which included Brookline and Brighton. The cemetery reflects the mid-19th century influence of the Rural Cemetery movement and the romantic landscape cemetery planning begun at Cambridge’s Mount Auburn Cemetery in the 1830’s. A plan of the cemetery was drawn up by Shedd & Edson and published in August 1857. It shows curvilinear avenues and paths named after former bishops of Boston and Biblical figures. All were welcome to be buried except those who “died in a state of Drunkenness, Duel, or by self-destruction, unbaptized, non-Catholic, or otherwise opposed to the Catholic Church.” In the 1857 Shedd & Edson plan for Holyhood Catholic Cemetery, a chapel was located at the center on the hill shown in a small drawing on the edge of the plan. Known as St. Joseph’s Chapel, the stone building was designed by Patrick Keely, the successful and influential New York architect of many mid-19th century Catholic churches. The chapel would be dedicated in 1862. Decades later, a cemetery office was planned and built across Heath Street from the cemetery gates, but was demolished sometime in the 20th century. The cemetery grew and it along with the mid-19th century chapel, has been lovingly maintained to this day.