The first library in Ware, Massachusetts was organized in 1796. Operating on a subscribers system, books were lent out to those who paid the most at the time. The Society flourished for 26 years until it abruptly disbanded. In 1824, a second library was organized, called the Mechanics and Manufacturers’ Library, which was loosely managed by the manufacturing companies in town. In 1872, an act providing for the formation of library corporations was passed in Massachusetts. The Ware Young Men’s Library Association was the first to incorporate under the new law. They established a location in a commercial space in town until it was outgrown. In 1879, the present lot at the corner of Main and Church streets was donated by a local businessman. Funding was acquired and Springfield-based architect Eugene C. Gardner was hired to design the building. In 1923, an addition was built onto the side by architects Gay & Proctor in the Jacobethan Revival style, which blends well with the original Queen Anne building. The building remains home to the library and is the town’s public library.
After learning a little about some of the buildings in Dorset, Vermont, which were saved and relocated to the town from land flooded for the Quabbin Reservoir, I wanted to visit one of the surviving towns there to see it for myself. I found myself in Ware, Massachusetts, a town with a history that parallels many in central and northern Massachusetts. The town was first settled by white European colonists by 1717, and incorporated in 1775. The town was named after the English town of Ware in Hertfordshire. The Town of Ware began as a sleepy farming town with inns and taverns dotting the landscape until industrial sites were developed on the banks of the Weir River. The post Civil War era (1860s–1900s) brought a new prosperity to the now established textile mill town. “Ware Factory Village” sprang up overnight and formed the basis for new growth and development, to the east of the former town center. From this, a new Town Hall was needed, and where better to locate it, than the economic and population center of town?! The Ware Town Hall was built in 1885-1886 from plans by the prominent Boston firm of Hartwell & Richardson. Sadly, a fire gutted much of the building in 1935, but the shell remains (though needing much repair). The town, like many former industrial centers, has struggled to re-invent itself, but a growing population is a great indicator of good things to come!
Backroads in New England are just amazing! When driving through Millbury on my way to visit one of the finest examples of Federal style architecture in the state, I stumbled upon this gorgeous rural Federal style farmhouse, and had to snap a picture! Millbury is best-known as a mill town (hence the name), but you can find dozens of rural farms dispersed between the mill villages in the township. The Blackstone River cuts through the town, and during the Industrial Revolution, it provided much of the water power to the town’s many textile mills and factories. Like many former mill towns, the shifting of the economy away from manufacturing towards the service sector, harmed the economy of Millbury in the 20th century. Many mills were abandoned and demolished, others adaptively reused. Before we get to some industrial history, I wanted to share this charming farmhouse. This home was built for Nymphas Longley upon the time of his 1819 marriage to the love of his life, Nancy Bond. They ran a farm on over 80 acres, with Nymphas also serving as a town selectman, an overseer of the poor, and led recruitment efforts in town at the start of the Civil War. Like many farms, this one saw suburban development take some of the former land, but this home still sits on over 9 acres, not bad for being so close to Worcester!
The 200-acre campus of Tanglewood, where the Boston Symphony Orchestra spends its summer months, spreads the grounds of two historic summer cottages in the charming town of Stockbridge, MA. One of the summer “cottages” Tanglewood, where the music center gets its name, was constructed around 1865 for Caroline Sturgis Tappan, husband William Aspinwall Tappan and their two daughters, Ellen Sturgis Tappan and Mary Aspinwall Tappan. Mary, with her niece Rosamund Hepburn, donated the family summer home, Tanglewood in 1937 to Serge Koussevitzky, a Russian-born conductor, composer and music director of the Boston Symphony Orchestra from 1924 to 1949. The campus has since grown astronomically as it hosts musicians and tourists from all over the region and globally to experience the arts in the charming town in the Berkshires. The Tanglewood house retains much of its historic architecture and siting, overlooking the Stockbridge Bowl (lake).
Citizens Hall, which was built in 1870 in a small village within Stockbridge, MA, is a small-scale version of the civic buildings constructed in the Second Empire in American towns and cities following the Civil War. The building is the architectural epicenter of Curtisville (now sometimes referred to as Interlaken), a small community within the Town of Stockbridge, which grew up around twelve mills. The mills are gone but several significant structures remain, also retaining their rural character. Citizens Hall was designed by Charles T. Rathbun, and inside, the two rooms on the first floor housed the public school and the second floor was the community assembly hall. The building was threatened with deferred maintenance in the mid-20th century and its future was uncertain until 1975 when a local group worked with the State Historic Preservation Office and acquired a grant to make needed repairs on the building. Today, the structure is maintained and houses the Art School of Berkshire (now known as Interlaken School of Art). Look at that historically appropriate paint scheme!
Located on the idyllic Main Street in Stockbridge, MA in the Berkshires, this stone church marks the emergence of the once sleepy town into a summer retreat for wealthy citizens, escaping the cities in the late 19th century. This building is Charles Follen McKim’s first church design, a building reflecting his early training in the office of H. H. Richardson with the use of Romanesque detailing, though with a hint of Norman design. St. Paul’s Church is constructed of gray Berkshire granite with stained glass windows by John La Farge. The church replaced an older wooden church building designed by Richard Upjohn in the Gothic Revival style. The church was almost entirely funded by Charles Butler, a New York lawyer who wanted to honor his late wife Susan Ridley Sedgwick Butler, a descendant of Theodore Sedgwick, whose home I featured not long ago.
In about 1825, Francis and Clarissa Dresser built this charming brick Federal house in the rural town of Stockbridge, MA. Just 25 years later, the railroad arrived to town, connecting it to Connecticut and New York to the south, opening the town up as a leisure destination for wealthy city dwellers looking to escape the noise and congestion of the city. The period following the Civil War through World War I saw the Gilded Age reach the Berkshires. With artists, writers, financiers, and industrialists flocking to the rural hills of western Massachusetts for seasonal escapes. In 1875, William and Elizabeth Doane, wealthy New Yorkers, purchased Merwin House from the Dresser family to use as a summer retreat. As the Doane family grew to include two young daughters, Vipont and Elizabeth, they added a Shingle Style side addition to the original brick structure. The home became known as “Tranquility”, even after the home was willed to daughter Vipont. After a couple marriages, Vipont married Edward Payson Merwin, a New York stockbroker. Historic New England acquired Merwin House in 1966, shortly after the death of Marie Vipont deRiviere Doane Merwin, known as Vipont. It was her desire to leave Merwin House as a museum, as her will states, “as an example of an American culture which is fast becoming extinct.” The space is occasionally open for tours and is partially occupied by the Housatonic Valley Association.
Norman Rockwell‘s ‘Home for Christmas’ painting in 1967 depicts the Main Street scene in Stockbridge, Massachusetts, and epitomizes the essence of Christmas in small towns across the country. In the iconic painting, you can find many landmarks (including the Town Offices building) that make up the quaint main street, that typifies many small New England towns. At the center of his painting, the Guerrieri Block can be seen with a Christmas tree lit up in the window on the second floor. The Guerrieri Block was built in 1921 by Antonio Guerrieri, a skilled woodworker who sold and repaired antiques in one of three street level shops in the block. He and his family lived in an apartment on the second floor. The next year he completed construction of a shop behind the block where he worked out of. In 1953, Norman Rockwell moved to Stockbridge and spoke with Antonio about using the second floor of his building as a studio. Antonio constructed a large central bay window with plate glass to flood the space with light and allow Rockwell to work while observing the street below. Rockwell used the space as his studio until 1957. The building has since been occupied as a general store.
Built in 1884, the Town Office Building on Main Street in Stockbridge, housed more conveniently located government offices and came equipped with a basement jail. The building was constructed of brick to protect town records from fire and the adjacent buildings. The architecture is Flemish Revival with its stepped gables, a tower, and terra cotta and stained glass ornaments, a distinctive and different type of architecture on Main Street. The building was occupied after the Town Hall, further down Main Street, was deemed inadequate. The building displays the words “Town Offices” with the date 1884 A.D. as the town was sure to label the building as town offices over ‘town hall’ so they could retain the former town hall building after a deal with the First Congregational Church. The town sold the building to private owners in 1960 and has since been used as commercial space.
The Town of Stockbridge, MA was incorporated on June 22, 1739. After that time the town held meetings and conducted business in the First Congregational Meeting House until 1840 when this Greek Revival town hall building was erected on the church’s property as a gift. A stipulation was made that if the Town government constructed or moved to a new town hall building, the property ownership would revert to the Church. The town outgrew the building and constructed a new building toward the center of town, but named it Town Offices, a cheeky way to retain ownership of this building. Eventually, that building too was outgrown, and the town hired Pittsfield-based architect Harry E. Weeks to modify and enlarge the building in 1903, in the Neo-Classical style to compliment the original Greek detailing. As expected, the town moved again in the 2000s to a former school, on Main Street, but again retained the building.
Stockbridge, Massachusetts was settled by English missionaries in 1734, who established it as a praying town (an effort to convert the local Native American tribes to Christianity), for the Mohican tribe known as the Stockbridge Indians. The township was set aside for the tribe by English colonists as a reward for their assistance against the French in the French and Indian Wars. From this, a Yale-educated missionary, John Sergeant began converting native people to Christianity, essentially stripping them of their own religious culture and practices. Although Massachusetts General Court had assured the Stockbridge Indians that their land would never be sold, the agreement was rescinded. Despite the aid by the tribe during the Revolutionary War, the state forced their relocation to the west, to New York and then to Wisconsin. The village was then taken over by British-American settlers who created the township.
The first congregational church here was formed by Sergeant in 1734, and later succeeded by Jonathan Edwards, another minister. During his time in Stockbridge, Edwards wrote his masterpiece, Freedom of the Will, which remains one of the most studied works in American theology. Edwards later left the church to become the President of The College of New Jersey, now known as a little school by the name of Princeton. The first church was built in 1739, later replaced by a second church building that stood from 1785 to 1824. The present brick building was built in 1824 in the Federal Style. The space was occupied for town functions until the 1840s, when an official town hall was erected next door, demarcating the separation of church and state. The stunning church marks the immense influence religion had in the early colonial days of New England and the impact it had on native peoples (for better or worse).
Similar to the Charles Leonard House a block away, the Colton House on Main Street in Agawam remains as a historically and architecturally significant Federal style home in Western MA. The home was built in 1806 for Rufus Colton (1776-1862), a couple years after he married his first wife. The home was likely constructed by a local builder who took inspiration from Asher Benjamin’s early plan books and Captain Leonard’s home nearby. The house was later owned by Martin Luther who operated the home as a tavern for travelers along the route from Hartford to Boston. It was later owned by Isaac Cooley and documented under the Historic American Buildings Survey. Architecturally, the house features a stunning broad entry surround which incorporates a generous elliptical fan-light with leaded glass above a paneled door. Directly over the main entry on the second floor is a Palladian window with the side panels showing the urn and leaf pattern, seen only in high-style Federal homes.
This stunning High School building in Agawam was built in 1921 as the town’s first high school. William Pynchon purchased land on both sides of the Connecticut River from the local Pocomtuc Indians known as Agawam, which included present-day Springfield, Chicopee, Longmeadow, and West Springfield, Massachusetts. The purchase price for the Agawam portion was 10 coats, 10 hoes, 10 hatchets, 10 knives, and 10 fathoms of wampum. Agawam and West Springfield split in 1800, with Agawam incorporating as a town on in 1855. The town stayed fairly rural until the 20th century with the proliferation of the personal automobile and suburbanization from the industrial and urban center of Springfield. This increase required a new, modern high school to be constructed in town. The building was converted to a middle school in 1972.
The Thomas and Esther Smith House in the Feeding Hills area of Agawam, Massachusetts is a 1½ story, vernacular Georgian style house with a gambrel roof. Feeding Hills, so named for its bountiful soils, is an agricultural plain approximately five miles west of the Connecticut River at the eastern foot of Provin Mountain. The land was highly sought after by farmers, with many agricultural uses still taking place here to this day. This parcel of land was purchased by Thomas Smith, a carpenter, in 1757, who likely built the home soon after for his new family. The family occupied the home into the mid-19th century, harvesting crops and raising cattle for sustenance and sale. The agricultural property was subdivided numerous times and now sits on just an acre. The home and remaining land was purchased by the Agawam Historical Society in 2002, who maintain the property and educate on Agawam’s agricultural heritage.
In most Massachusetts cities and towns, habitual truants (children who stayed away from school) and juvenile delinquents had normally been committed to local almshouses and prisons. By 1873, state law updated policies to “humanize” the children and guide them on a better path. Habitual truants (age seven to fourteen), habitual absentees (age seven to sixteen), and habitual school offenders could be committed to a county truant school for a term of up to two years. At least one of these types of schools were found in each of Massachusetts’ counties, which seemed to get more crowded every passing decade. In the early 20th century, the outlook on shaping children’s growth changed and to reflect this, the truancy schools were renamed “Training Schools”.
The former Hampden County Truancy School in Springfield was outgrown and outdated. The county petitioned the state for a new school on open land, and a site was acquired in nearby Agawam. The choice of location was intended to provide a rural farm environment and to avoid the temptations of the city. The isolated location, surrounded by farmland, ensured that students could not easily walk away from the school to rejoin their friends and families. Despite the remote location, the Hampden County Commissioners report of 1918 noted that 36 boys still ran away from the training school a total of 69 times and that 5 were still at large at the end of the year.
Starting in the 1940s, the County Training Schools were seen as a waste of taxpayer money and many staff at these institutions were under-educated themselves to deal with emotional or social issues that some of the children exhibited. Many county schools were closed, with the Hampden County Training School closing in 1972.
The school building and grounds sat vacant for over a decade until funding was released to renovate the building for use as a police academy training center in 1984. The exterior of the building remained relatively unchanged during this time, and many of the original classroom spaces were left as found. The building served in this capacity for over twenty years until it was closed in 2005. In 2017, Soldier On, a private nonprofit organization that provides housing and supportive services for military veterans, rehabilitated the former school and now provides 51 permanent housing units here. The property was listed on the National Register of Historic Places (a report where much of this information came from) and was rehabilitated using Federal Tax Credits.
The Classical Revival-style Hampden County Training School was designed by the prolific Holyoke-based architect George Perkins Bissell Alderman. Alderman was well known throughout western Massachusetts and Connecticut for his monumental, classically derived designs for residences, schools, commercial blocks, civic buildings, and churches.
Buildings of New England 