Neo-Gothic/Collegiate Gothic

Clara Hall Elliott Memorial Church // 1909

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This handsome stone church in South Willington, Connecticut, was commissioned in 1909 by Gardiner Hall Jr., a terminally ill industrialist, in memory of his late daughter Clara, who tragically died in 1899 at the age of 30. The church was used by area residents, many of which included mill workers hired to work at Mr. Hall’s factory nearby and lived in mill housing just behind this church. Following the construction of this Memorial Church in South Willington, Baptist and Congregational Churches of Willington merged to form the Federated Church of Willington, which has worshiped at this location ever since. Neo-Gothic Revival in style, the church is constructed of multicolored random ashlar sandstone with limestone trim and features a corner clock tower with belfry, buttresses, stained glass windows, and limestone tracery. The church was designed by Boston architect, Thomas Marriott James and was completed by 1911.

Benjamin Franklin College & Pauli Murray College, Yale University // 2017

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Opened in 2017, the two newest residential colleges at Yale University, Benjamin Franklin College and Pauli Murray College, became a case study in how contemporary buildings can honor traditional design while introducing 21st-century amenities. Designed by Robert A. M. Stern Architects (RAMSA), the two large dormitories reinforce Yale’s legacy of collegiate Gothic architecture while reading as new construction to the trained eye. The two buildings feature unique layouts to create enclosed courtyards and are stylistically designed as fraternal twins, similar in size and palette but each enjoying its own identity and organization. RAMSA architects were inspired by James Gamble Rogers’ 1930s Colleges at Yale, which (like at Harvard) were inspired by the college systems at Cambridge and Oxford in England which create enclosed quads or courtyards for students in self-contained housing. Like Rogers’ Neo-Gothic Yale buildings, the Franklin and Murray Colleges feature battlements, stained and leaded glass windows, iron gateways, towers, and hidden stone gargoyles. The two buildings are a tour de force of Traditional Architecture that blends new and old in all the best ways.

Sheffield-Sterling-Strathcona Hall // 1931

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Sheffield-Sterling-Strathcona Hall, a handsome Collegiate/Neo-Gothic Revival style building at the corner of Prospect and Grove streets, was built in 1931-1932 as three, interconnected buildings in a single composition. Architect, Clarence C. Zantzinger, designed the building, with its facade dominated by a 11-story corner tower flanked by four-story wings. The building replaced the Old Sheffield Hall (later known as South Sheffield), originally a hotel built by James Abraham Hillhouse around 1820, which later served as the Yale Medical Institution, later renovated and expanded for the Sheffield Scientific School, which officially merged with Yale University in 1956. The new building is named for its historic connections with the Sheffield Scientific School, also following donations by John W. Sterling and Lord Strathcona. Steel-framed and clad with Indiana limestone, the building commands the prominent corner site.

Wooster Memorial Chapel, Fountain Hill Cemetery // 1915

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Located in Fountain Hill Cemetery, which has become a sort of Rural Cemetery in the small town of Deep River, Connecticut, this handsome gothic chapel graces the entrance and has provided a place of solemn memorials and celebrations of life for over 100 years. The Fountain Hill Cemetery was originally established in 1851, but after a half-century of use, Miss Mary McCellan Wooster (1839-1911), sought a non-denominational chapel for the grounds to not only beautify the local cemetery, but provide a place to honor the dead. In her will, Miss Wooster left $10,000 for a new chapel. The cemetery board of directors hired architect, Isaac Allen, Jr. of Hartford, Connecticut, to design the structure. The Neo-Gothic chapel was built of local stone and opened to the public in April 1915.

Another interesting story in the cemetery is the mysterious ‘XYZ’ gravestone. Legend says that in the evening of December 13, 1899, an unnamed man arrived in Deep River, Connecticut (along with three other male accomplices), to rob the local bank. This unnamed individual was confronted by the night security guard with a sawed-off shotgun, firing at the robber, blowing away part of his face. The other three robbers fled, leaving their accomplice in Deep River. In the hope that someone could identify him, his body was laid out for viewing at the local funeral parlor. During this time, an anonymous letter arrived, requesting that the man be buried with the headstone only marked as XYZ. The odd request was accorded, but was never fully explained. To this day, many locals leave stones and coins at the marker in Fountain Hill Cemetery.

Memorial Church of All Angels, Twilight Park // 1896

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The Memorial Church of All Angels is located in the center of the summer colony of Twilight Park, found in the town of Hunter in the Catskill Mountains. The founding of the church began shortly after the colony was established in 1888, when two years later, the Rev. H. M. Baum from Evanston, Pa., an early visitor to the Park, realized the need for an Episcopal Church, and funds were raised to build a small chapel, known as the St. Paul’s Church. The church was foreclosed upon in a matter of years. In 1895, church services were again reinvigorated when the Rev. Henry Yates Satterlee, the first bishop of Washington, then the Rector of Calvary Church, New York, had taken the cottage of his cousin, the artist Walter Satterlee, for his summer home. He set out to establish a summer chapel for Episcopalians in Twilight Park, and he hired architect Alexander Mackintosh, to furnish plans for the church. The church opened in 1896, and it would be expanded in 1909 with an addition and porch and again in 1915 with the belltower. The church opens every summer for services and is one of the finest Episcopal chapels in the Northeast.

Prospect Hill Tower // 1903

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Originally part of the town of Charlestown, Massachusetts, Prospect Hill is now located in the nearby town of Somerville, established in 1842. As one of the hills closest to the city of Boston, the hill played a pivotal role in the line of defensive works constructed after the Battle of Bunker Hill. The area developed slowly, with old farms around Prospect Hill, largely subdivided in the late 19th century for residential development. Around this time, in 1886, the Prospect Hill Park Association was formed, and in 1898, land here was purchased for a public park. The focal point of the iconic neighborhood park is the stone castle structure at the top. Completed in 1903 to commemorate soldiers of the Revolutionary and Civil wars, the rusticated granite tower was designed by Ernest W. Bailey, the City Engineer of Somerville, who also worked to landscape the surrounding park. The granite blocks were shipped in from Deer Isle, Maine. By the 1960s, the structure began to suffer from deferred maintenance. The City of Somerville added the concrete retaining walls to shore up the landscape, which worked for some time. Decades later in the early 2000s, the structure was at risk of further deterioration. Through Community Preservation Act funds, the tower and surrounding landscape were restored and made safer, making this important memorial accessible and enhanced for all to enjoy. 

Somerville Y.M.C.A. // 1904

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The Somerville Young Men’s Christian Association (Y.M.C.A.) building on Highland Avenue is a stately four-story Neo-Gothic/Tudor Revival style building that is threatened with demolition. Originally built in 1904, the building was designed by the Boston firm of Brainerd, Leeds and Russell, and was published in architectural publications of the time due to its functional plan and design. For 120 years, the building has housed community spaces in the form of reading and game rooms, a gymnasium, auditorium, and more. Fast-forward to today, the building has suffered from deferred maintenance and the organization has purchased adjacent buildings with the plan to raze multiple structures, including this building, and build a massive, boxy new YMCA. Personally, I think it would be a shame to see the original building demolished, when it could be incorporated into the new design.

St. George’s Episcopal Church, Central Falls // 1922

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Tucked away in the middle of a residential neighborhood in the dense city of Central Falls, Rhode Island, this Neo-Gothic style church more closely resembles an English country church than one typically found in a dense, industrial city. This is the St. George’s Episcopal Church, located at the corner of Central and Clinton streets, and built for the local Episcopal congregation there in 1922. The church was designed by the Rhode Island architectural firm of Clarke & Howe and is built of rough-faced stone with limestone trim. The highlight of the design is the large central tower with lancet, stained glass window, and belfry. 

St. Joseph’s Catholic Church // 1915

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As the city of Central Falls, Rhode Island, continued to see population growth spurred by the industrial development, immigrant groups began to seek to establish their own community centers and houses of worship. The local Polish population was a major immigrant group that organized and became one of the Polish Catholic Churches in New England. Founded in 1905, the St. Joseph Parish waited years until it had the funding to erect this church, which was designed in 1915 by Providence architect John F. O’Malley. The brick and stone church is Neo-Gothic in style with ornate masonry and detailing. 

Salem Christian Science Church – Witch Dungeon Museum // 1897

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This Shingle-style church building on Lynde Street in Salem, Massachusetts, was built in 1897 as a satellite chapel for the First Congregational Society in Salem. The chapel was constructed from designs by the Boston-based architect Edward B. Stratton. From 1908 to 1979, the building was owned by the Christian Science Church and was eventually sold to private ownership in 1979, where it has since been home to the Witch Dungeon Museum. The building has retained much of its original design, including the large Gothic sanctuary window, tower, and decorative trusses at the gable. Sadly, the original shingles have been replaced by later siding.