Gregg Free Library // 1907

The Wilton Public and Gregg Free Library is the public library for the town of Wilton, New Hampshire and is among the town’s most grand architectural designs. The library was the gift of David Almus Gregg (1841-1928), a native of Wilton who owned a successful building parts business in Nashua manufacturing doors, window blinds, and window sashes with his father, David Sr., who lived in the home featured previously. Gregg was significantly involved in the design and construction of the building, providing the highest quality building materials and contractors to the project, which was estimated to cost $100,000 when completed in 1907. The architectural firm of McLean and Wright was commissioned to design the building, who completed it in the Classical Revival style, like many of their other library designs in New England.

Gregg House // 1869

Located in the western part of the East Village of Wilton, New Hampshire, this stunning Italianate manse stands out as one of the most architecturally grand in the area. The home was built for David Gregg (1816-1880), a merchant who was engaged in lumber dealing in Michigan as an investment. His company was based out of Nashua and manufactured wooden blinds, doors, window sashes and was co-owned by David and his son, David Jr. David was likely retiring from business by the late 1860s and built this large home on a hill outside the village. At about this time, he became involved with local politics, which he was involved with until his death in 1880. The Italianate style home features round arched windows, brackets, a belvedere at the roof, and what appears to be an attached, converted carriage house. The home was eventually turned into a bed and breakfast, but it has since been converted back to a private home.

Wilton Train Depot // 1892

The coming of the railroad to Wilton, New Hampshire was largely due to the rapid increase in the number of mills and factories built in and around the East Village along the river beginning in the early 19th century. This increase was the impetus to Wilton business leaders of the time to petition the state for a charter to form the Wilton Railroad Company which was granted in 1844. The first official run of a wood-burning steam engine from Nashua City Station to the newly constructed Wilton Station occurred on Dec. 1, 1851. The small, wood-frame station was deemed obsolete, and replaced by 1860 with a more substantial structure. In this time, the town prospered, and the local mills cranked out everything from worsted yarn to wooden boxes and furniture. After thirty years of use, however, this second station began to show its age; the tin roof was rusting and it leaked. In 1888, a derrick on a wrecker train caught the side of the building and heavily damaged it, requiring the demolition of the station. By 1892, it was replaced by this new brick station. Between the World Wars, automobile use dominated the American transportation landscape, shifting demands from rail to road. In the late 40’s, a restaurant opened in part of the building, operating until the early-to-mid 50’s. The station was closed when passenger service finally ended and the building, undergoing “adaptive re-use”, into a medical center. It operated for some time as a scenic, heritage railroad stop from 2003-2006.

Wilton Town Hall and Theater // 1885

Welcome to Wilton, New Hampshire! With a population less than 4,000, the tiny New England town sure packs a lot of old buildings into its borders. The town was first part of a township chartered as “Salem-Canada” in 1735, by Colonial Governor Jonathan Belcher of Massachusetts, which then claimed this area. The land here was granted to soldiers from Salem, Massachusetts, who had served in 1690 under Sir William Phips in the war against Canada. “Salem-Canada” was one of the towns on the state’s border intended to provide protection against attack from native tribes. In 1762, residents of the town petitioned New Hampshire Governor Benning Wentworth to incorporate the town as Wilton, likely named after Wilton, England. The town prospered as a sleepy farming town, largely concentrated around Wilton Center. By the 1860s, the village of East Wilton developed around the Souhegan River, with mills and businesses centered there. The town decided to relocate their town hall “closer to the action”. Land was acquired on a triangular piece of land in the center of the village, which was recently cleared by the destruction of Whiting House, a hotel that formerly occupied the site. The architectural firm of Merrill & Cutler of Lowell, MA, were hired to design the building, which blends Richardsonian Romanesque and Queen Anne styles perfectly on the difficult site, opening in 1885. Silent movies were first shown in the auditorium in 1912 and by the 1930s, the auditorium was used most often as a movie theater. A large part of the building has since been occupied as a theater for the community.

Leavitt Peanut Butter Company Factory // 1958

One of the most iconic buildings in Everett, Massachusetts is the “Teddie Peanut Butter” building, in the brewery/distillery district of the city (home to Night Shift Brewery, Bone Up Brewing Company, and Short Path Distillery). The building is best-defined for its massive Mid-Century rooftop sign with the cute teddy bear. The building was constructed by the Leavitt Peanut Butter Company in 1958, but the company had its beginnings nearly a half-century earlier. The Leavitt Corporation had its beginnings in 1897 when Sarkis Shaghalian, a European immigrant, started manufacturing candy and roasted nuts in Boston. In 1916, Michael Hintlian took over the company and in 1925, established a separate corporate entity specializing in peanut and nut products, the John W. Leavitt Company. The company did extremely well in its Boston location, eventually outgrowing their State Street buildings. In 1959, the company hired an industrial realtor, who found the Everett facility – a recently constructed building with Modern finishes and design. In 1959, Leavitt Corp. signed a lease and moved in by 1960, adding the rooftop sign at that time. The sign used to have neon strips, but was eventually removed.

St. Anthony’s Church Campus // 1951

In the 1920s Italian-speaking residents in Everett, Massachusetts appealed to Archbishop of Boston, William O’Connell for an Italian parish. Everett had seen a large influx of Italian immigrants who settled in town and the surrounding communities for work. The Archdiocese saw the demand, and rented the former Broadway Theater to be used as a church for the short term. In 1951, land was acquired a few blocks away for a new church, school and rectory. The church was designed to resemble historic Romanesque-style churches seen in Italy, with the school and renovated rectory following the Modern tradition. The brick and limestone church appears to have been built more in the historical tradition, with hand-carved stone trim and a beautiful rose window. It’s amazing that this church was built in the 1950s!

Woodlawn Cemetery Lodge // 1897

Woodlawn Cemetery in Everett, MA was established in 1850 as a rural, private cemetery in the tradition of Mount Auburn Cemetery in Cambridge. The story of Woodlawn Cemetery began in 1850 when a group of ten prominent Bostonians petitioned the Massachusetts General Court to organize a corporation “for the purpose of procuring, establishing and preparing a cemetery or burial place for the dead in Malden” (present-day Everett was established in 1870 from Malden). Adjacent to the Cemetery Gate and Tower (last post), the Woodlawn Cemetery Lodge replaced an 1850s lodge and office constructed of wood, in the Gothic-style, that was deemed unsatisfactory for later boards managing the cemetery. The group hired Boston architect William Hart Taylor to design the gate and lodge, the latter in the Classical Revival style. The buff brick building features terra-cotta trim and a red tile roof with dentil cornices and copper cresting along the ridges and eaves. The square entry tower has a columned belfry and incorporates additional Classically-inspired features including Ionic columns, moldings, swags, and wreaths, which looks like a Greek Temple plopped onto the top. Gorgeous!

Woodlawn Cemetery – Entrance Gate // 1897

Woodlawn Cemetery in Everett, MA was established in 1850 as a rural, private cemetery in the tradition of Mount Auburn Cemetery in Cambridge. The story of Woodlawn Cemetery began in 1850 when a group of ten prominent Bostonians petitioned the Massachusetts General Court to organize a corporation “for the purpose of procuring, establishing and preparing a cemetery or burial place for the dead in Malden” (present-day Everett was established in 1870 from Malden). When you approach the main entrance of the cemetery, you are greeted by the entrance gate and tower. Completed in 1897 to replace an earlier wooden gate, the Entrance Gate consists of a central stone tower and two side entrances. The gate, tower, and adjacent lodge (next post) were designed by Boston architect William Hart Taylor, who was buried at the cemetery upon his death in 1928. The tower has decorative sculpted terra cotta which includes winged angels at the corners with outstretched arms that once hold trumpets. Below the medallion which is centered on each side, there is the bust of a winged child, supposedly a carved likeness of the architect’s young son who died at the age of six and is buried at Woodlawn.

Everett Savings Bank // 1930

Located next door to the First Congregational Church of Everett, you can find one of the finest eclectic commercial buildings in the region, and it is one that is often overlooked. The Everett Savings Bank was built in 1930 from plans by architect Thomas Marriott James for the Everett Savings Bank, which was established in 1889. This building was constructed just at the beginning of the Great Depression, at a time when banks and American citizens were penny pinching. The budget was likely set before the Stock Market Crash of 1929 as the relatively high-style bank building would have been a big expense at the time. The bank blends Art Deco and Spanish Renaissance Revival styles elegantly. The structure is constructed with sandstone walls that are decorated with figured panels and semi-circular multi-pane windows are outlined by rope molding. Crowning the building is a bold arcaded frieze with Moorish inspired cornice. Swoon!

Albert Parlin School // 1931

Albert Norton Parlin (1848-1927) was born in Everett, Massachusetts to Ezra Parlin and Nancy Pickering-Parlin. At a young age, Albert lost both his parents – his mother passed in 1853 at the age of 26 and his father passed in 1858 at the age of 37, both succumbing to “consumption” (tuberculosis). At the age of nine, young Albert had become an orphan, and was raised by his grandmother at the Pickering Estate. He found his first job as a floor-sweep and errand boy in a retail cloak store. At seventeen, Albert Parlin began working with Magee Furnace Company, a Boston-based company where Mr. Parlin spent twenty-eight years of his professional career, moving up the ranks to become treasurer of the company. After he became successful, he gave back to his hometown, when in 1892, he donated his familial home and money to the City of Everett for the erection of the Parlin Memorial Library, to honor his late son. Parlin was not done giving to his hometown. He also left funds and a large piece of land to the City of Everett for a new Junior High School in 1915. The architectural firm of Desmond & Lord was commissioned to design the school which is set deep on the lot to give the building a beautiful front lawn. The 1931 building blends Art Deco and Tudor Revival styles with a large central panel.

Frederick E. Parlin Memorial Library // 1894

The Frederick E. Parlin Memorial Library is arguably the most architecturally significant building in the City of Everett, Massachusetts. Constructed of buff brick, sandstone and terracotta, it displays characteristics of the Richardsonian Romanesque style including the main entrance set within a recessed arch at the base of a square tower with arched openings. In 1892, Albert Norton Parlin, a local businessman, donated to the City of Everett the Pickering Estate, his birthplace and familial home, to be torn down and a library erected on the parcel in memory of his son, Frederick E. Parlin, who died in 1890 at the age of eighteen. Albert Parlin gave to the City an additional $5,000 to aid in the building of the Frederick E. Parlin Memorial Library. The original 1894 library as well as a 1911-1912 addition were designed by local architect John Calvin Spofford who positioned the building to face a small triangular park. By the 1940’s, the building was outgrown, but it wasn’t until 1982 that a plan was set in motion to renovate the original building and to construct an addition. Childs, Bertman, Tseckares was chosen to draw up the architectural plans, and ground was finally broken in the spring of 1990. With construction of the new addition, the building is almost three times its original size and handicapped accessible, all with an appropriate, Post-Modern design.

Everett Central Fire Station // 1908

There is something so enchanting about historic fire stations! The Central Fire Station in Everett, Massachusetts was built in 1908 from designs by the Boston architectural firm of Loring and Phipps (who also designed the first Everett High School and the Masonic Hall in town). The flat-roofed red brick structure displays Georgian Revival detailing including concrete quoins and oval windows. Originally there were four engine bays, but the station was converted to two large bays around 1980 as fire trucks got larger and larger. The building replaced an earlier, wood-frame fire station which was deemed unsatisfactory as horse-drawn apparatus made way for vehicular fire trucks.

Immaculate Conception Rectory // 1904

Next door to the Immaculate Conception Roman Catholic Church (last post) in Everett, you will find the church rectory, which completes the city block. Though very different in architectural style, the building is compatible with its more grand neighbor with the use of materials and setbacks. The rectory was built in 1904 in the Colonial Revival style, which was very popular at the time in New England. The three-story, hip-roofed building has bowed bays that flank a single-story porch with Doric columns that shelters a central entrance with fanlight and sidelights. Other Colonial-inspired details include the tripartite window set into the recessed arch above the porch, modillion cornices and splayed brick lintels with keystones. It is not clear who designed the rectory, but they did a great job at it! Rectories served as the residence of the priest of the church. Not bad digs if you ask me!

Immaculate Conception Catholic Church // 1896

The Immaculate Conception Roman Catholic Church in Everett, Massachusetts, is an imposing Gothic Revival building, that shows how the church spared no expense to build imposing and awe-inspiring edifices all over New England. Constructed of red brick with Longmeadow brownstone trim, the church was designed by preeminent Catholic Church architect Patrick W. Ford and the cornerstone was laid in 1896. Ford was born in Ireland and in 1872, he moved to Boston and opened his own practice. He was widely recognized as an authority on church architecture and his practice focused primarily on designing churches and institutional buildings for the Roman Catholic Church in New England. Ford died suddenly at age 52 in August 1900. Due to a lack of funds, the church was not completed until 1908, so Ford did not see this church completed in his lifetime. The work was completed by architects Reid & McAlpine and is stunning with its square corner tower topped by a pyramidal spire with smaller pinnacles marking the corners of the tower. The projecting entry porch has three, pointed arch openings and is topped by crenellation. The congregation appears pretty active to this day.

First Congregational Church, Everett // 1852

The oldest surviving church in Everett, Massachusetts is this one, the First Congregational Church, built in 1852 when the city was still a part of Malden. As in many other communities, this church was formed when the surrounding area of South Malden had grown and had the means to support its own religious society. Before this, residents had to travel to Malden Center for services. In 1848, it was voted to establish the church calling it the Winthrop Congregational Church, as at the time, it was thought that when South Malden would split away, the new town would be named “Winthrop”. When the town finally split in 1870, another town had already taken that name. Originally, the Italianate-style building was sheathed in wood clapboards and outlined by pilasters, both of which were covered or removed for the installation of aluminum siding, very common in the city after WWII. Remaining hallmarks of the Italianate style include the paired cornice brackets and the round-headed windows. The tower was originally capped by a taller steeple above an open octagonal arcaded belfry, but was replaced by the present spire in 1911. The church was possibly an early design by architect Thomas Silloway. Today, the church is occupied by Universal Church USA, a congregation that originated in Brazil, showing how the local community and demographics have shifted in Everett from 150 years ago.