Queen Anne

John D. Runkle House // 1875

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The John Runkle House on High Street, is one of the most interesting houses in Brookline. Built in 1875 for educator John Daniel Runkle (1822-1902), the brick residence excellently blends early Queen Anne form and flourish with Victorian Gothic design elements all with Stick style entry porches and dormers. John D. Runkle was a noted mathematician who later became the second President of the Massachusetts Institute of Technology from 1868 until 1878. This occurred before MIT moved over the Charles to Cambridge, so President Runkle would not have traveled far to the Institute when located in the Back Bay. The Runkle House was designed by the architectural firm of Weston & Rand with an irregular plan of elaborate belt courses in the brickwork that is set against the extremely steep slate roof with tall prominent chimneys and corner turret. Sadly, the residence is largely obscured by a tall wooden fence, but I caught it on a good day that a panel was down.

Horatio Adams Stable // c.1880

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This oversized stable and carriage house is located at 3 Maple Street in Kingston, Massachusetts and it dates to about 1880. The stable was built for Horatio Adams (1845-1911), a wealthy resident who operated a successful slaughterhouse and stockyards nearby along with maintaining stores adjacent to the nearby the train tracks. After Horatio Adams died, the stable was eventually purchased by Edgar W. Loring and converted to a cranberry screen & warehouse for his cranberry farm. The significant Queen Anne/Stick style building suffered from deferred maintenance by the late 20th and early 21st centuries, but was purchased in recent years and undergoing a restoration of the exterior. Does anyone know what its use is today?

Kingston Waterworks Pumphouse // 1888

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The Queen Anne style pumphouse of the Kingston Waterworks in Kingston, Massachusetts, is a unique brick building capped with a hipped roof and wood shingle tower over the arched entrance, surmounted by a bell-cast metal roof. The structure was built in 1888 from plans by Quincy Adams Faunce, a mason, who likely worked with an architect to design the building. Before the building was completed, residents had to pump and transport their own water. This was until the first private Kingston Aqueduct Company formed, when householders of means bought stock in the company. The Aqueduct Company used a natural spring near a local pond. Before the waterworks, water was piped through the village through hollowed logs with their joints covered with iron bands. The building remains a well-preserved and significant structure that allowed Kingston to grow from a sleepy agricultural town to a vibrant community.

Surprise Hose Company Fire Station // 1888

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The Kingston Fire Department was officially established in 1887, and previous to this, the town had generally relied on individual action and volunteers to provide fire protection for the Town and its many buildings. In 1888, the town of Kingston purchased this building, a storage facility constructed in 1860 on Main Street, with the aim to convert the building into a hose hose. Soon after purchasing the structure, funding was set aside to renovate the building, adding a hose tower at the rear of the building, shingle siding, and double doors to make the Hose House more equipped for the fire department. The local fire department, known as the Surprise Hose Company operated here until 1940, when a new, modern facility was built, leaving this structure for storage and hose drying. The building was restored in recent decades and is now a landmark on the town’s Main Street.

Crossways Cottage // c.1890

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Tucked away in the town of Hunter in the Catskill Mountains of New York, the summer colony of Twilight Park has stood as an exclusive and private resort community established in the late 19th century. Twilight Park was born out of the Twilight Club, a Manhattan social club in the late-19th century and brought to life by founder, Charles F. Wingate. Mr. Wingate traveled to the mountaintop in 1887, and became enamored by its natural beauty. He arranged for the purchase of a former sheep’s meadow and led the construction of the first cluster of cottages in what would become a large community of over 100 summer homes. Cottages were laid out on roughly parallel roads at different elevations and on old connecting paths that later became roads with all lots built on ledges overlooking the Catskills. The first cottages were log cabins, and quickly followed by larger, Queen Anne style “cottages” as others invested in the development. Crossways Cottage is one of the many unique late-Victorian summer “cottages” in the exclusive Twilight Park colony in the Catskills of Hunter, New York. The cottage stands out for its cross-gable roof with overly deep eaves which are supported by rustic twig brackets, diamond sash windows, and the use of varied clapboard and shingle siding. 

Sans Souci Cottage // 1894

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Tucked away in the town of Hunter in the Catskill Mountains of New York, the summer colony of Twilight Park has stood as an exclusive and private resort community established in the late 19th century. Twilight Park was born out of the Twilight Club, a Manhattan social club in the late-19th century and brought to life by founder, Charles F. Wingate. Mr. Wingate traveled to the mountaintop in 1887, and became enamored by its natural beauty. He arranged for the purchase of a former sheep’s meadow and led the construction of the first cluster of cottages in what would become a large community of over 100 summer homes. Cottages were laid out on roughly parallel roads at different elevations and on old connecting paths that later became roads with all lots built on ledges overlooking the Catskills. The first cottages were log cabins, and quickly followed by larger, Queen Anne style “cottages” as others invested in the development. This cottage, known as Sans Souci Cottage, was built in 1894 in Twilight Park, during the “rustic” period, where Queen Anne Victorian styles made way for a more rustic, Arts and Crafts mode. The cottage was built for owner John McClure and it is notable for its varied siding, diamond-pane windows and large porch overlooking the Catskills.

Four Winds Cottage // 1889

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Tucked away in the town of Hunter in the Catskill Mountains of New York, the summer colony of Twilight Park has stood as an exclusive and private resort community established in the late 19th century. Twilight Park was born out of the Twilight Club, a Manhattan social club in the late-19th century and brought to life by founder, Charles F. Wingate. Mr. Wingate traveled to the mountaintop in 1887, and became enamored by its natural beauty. He arranged for the purchase of a former sheep meadow and led the construction of the first cluster of cottages in what would become a large community of over 100 summer homes. Cottages were laid out on roughly parallel roads at different elevations and on old connecting paths that later became roads with all lots built on ledges overlooking the Catskills. The first cottages were log cabins, and quickly followed by larger, Queen Anne style “cottages” as others invested in the development. This cottage, known as “Four Winds”, was built in 1889 during the first phase of development in Twilight Park, and it is notable for its varied siding, wrap-around porch, bay window, and elevated siting to provide better views of the landscape.

Braeside Cottage // 1888

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Tucked away in the town of Hunter in the Catskill Mountains of New York, the summer colony of Twilight Park has stood as an exclusive and private resort community established in the late 19th century. Twilight Park was born out of the Twilight Club, a Manhattan social club in the late-19th century and brought to life by founder, Charles F. Wingate. Mr. Wingate traveled to the mountaintop in 1887, and became enamored by its natural beauty. He arranged for the purchase of a former sheep meadow and led the construction of the first cluster of cottages in what would become a large community of over 100 summer homes. Cottages were laid out on roughly parallel roads at different elevations and on old connecting paths that later became roads with all lots built on ledges overlooking the Catskills. The first cottages were log cabins, and quickly followed by larger, Queen Anne style “cottages” as others invested in the development. This cottage, known as Brae Side Cottage, was built in 1888 during the first phase of development in Twilight Park, and it is notable for its varied siding, diamond-pane windows, complex roof form with dormers, and the laticed entry.

Lynch House // 1889

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One of the most unique and enchanting houses in the Ashmont Hill neighborhood of Dorchester is the Lynch House (aka the Sunflower House) at 102 Ocean Street, a landmark example of the Queen Anne architectural style. This residence was designed in 1889 by architect Samuel J. Brown, who worked in the firm of Cummings and Sears before opening his own office in Boston, where he specialized in residential designs. The first owners were Edward C. Lynch, a stair builder, and his wife, Petronella P. Lynch, who was born in Sweden and emigrated to the United States. Architecturally, the Lynch House features a prominent gambrel roof that swells out over the second-floor inset windows, clapboard and shingle siding, sawtooth shingled details over the windows, and the sunflower motif in a panel at the third floor.

George A. Eastman House and Stable // 1889

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Built between 1889-1891, the house and stable at 60 Ocean Street in the Ashmont Hill neighborhood of Dorchester was commissioned by George A. Eastman, a Harvard graduate and insurance executive. George Augustine Eastman married Anna C. Winsor in 1870, and the family would remain in this house for nearly 100 years. George Eastman worked as an insurance executive at the Boston office of the Liverpool & London & Globe Insurance Company of England for over 50 years, and built his home next-door to his brother’s at 42 Ocean Street. It is believed that the Eastman House and Stable were designed by local architect Edwin J. Lewis, who designed about a dozen other residences in the surrounding area at the same time. The old stable has been converted to residential use, a great way to adaptively reuse these old, well-built structures.

Clark-Cottle House // 1890

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One of the most sumptuous Victorian-era homes in Dorchester can be found at 94 Ocean Street, this is the Clark-Cottie House. The residence (and rear stable) was built in 1890 from plans by famed architect Arthur H. Vinal, who designed many other Shingle style and Queen Anne homes in the surrounding neighborhood. The first owners of the mansion were Evelyn and Edward Clark, who after a few years, sold the property to Edgar Cottle, president of the Curtis & Pope Lumber Company. The three-story Queen Anne style mansion features a rounded corner tower, varied shingle siding, shingled porch, and the intact, charming stable at the rear.

Frank and Laura Carter House // 1889

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Effortlessly blending the Shingle and Queen Anne architectural styles, the Frank and Laura Carter House at 107 Ocean Street in Ashmont, Dorchester, Massachusetts, is one of the finest Victorian residences in the neighborhood. The house was designed by famed local architect Arthur Vinal, who also furnished plans for the Dorchester Temple Baptist Church nearby that same year. The house was built for Frank Carter (1859-1950), treasurer of the Bay State Belting Company, and his new wife, Laura. Special details on the house include the polygonal bay capped by pyramidal roof, belt-course of shingles breaking up the facades, and stunning two-bay eyebrow dormer facing the street with shingled returns.

Hotel Mellen // 1894

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While Ashmont Hill in Dorchester is known for large, single-family Victorian houses, there are a number of grand apartment houses and three-deckers dispersed throughout the area, showing the evolution of housing in desirable neighborhoods in the late 19th and early 20th centuries. This is the Hotel Mellen, located at 18-20 Mellen Street, a multi-family building that architecturally blends in with its surroundings, not like many uninspiring boxes being built all over the region today. The property was developed by Louis Pfingst, a German streetcar designer and mechanic who was also active in the local Dorchester Gentlemen’s Driving Club. The building was designed by local architect Alexander B. Pinkham, who specialized in multi-family housing designs around Boston. The rounded bays, recessed porch in the gable, varied siding, and applied ornament, make the building stand out, while fitting well within its context of surrounding homes.

Captain Lewis and Elizabeth Higgins House // 1890

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This “painted lady” on Roslin Street is one of the many fine Queen Anne Victorian houses in the Ashmont Hill neighborhood in Dorchester, Massachusetts. The residence was built in 1890 for original owner, Lewis H. Higgins, a master mariner who was born in Wellfleet before moving to Boston. Higgins seemingly resided here with his family for a short time until the house was sold in 1893 to Samuel and Grace Little. The house is perched on a hill and features a prominent rounded corner tower. The original porch with turned posts and gable detailing stand out with the intricate paint scheme used to highlight all of the amazingly preserved ornamentation. While paint schemes like these are not historic, they do bring joy to owners and passersby, and help viewers appreciate the care that these stewards take in maintaining their old homes.

Mary E. C. Bates House // c.1894

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One of the many spectacular Queen Anne style houses in the Ashmont Hill neighborhood of Dorchester (Boston) is this c.1894 residence at 53 Ocean Street. The house was built for Mary Elizabeth (Cushing) Bates and her husband, Henry L. Bates. Henry worked as a bookkeeper and the couple was able to afford a house lot in the fashionable Ashmont area of Dorchester, and had this home built. In the early 20th century, the couple purchased a then-vacant lot next-door at 57 Ocean Street, and had the current house there built, renting it out for years for supplemental income. Hallmarks of the Queen Anne style seen in the Bates house include: varied siding types, large porch supported by turned posts, asymmetry, projecting bay window, and applied ornament seen here in the gable.