Built across the street from the Amos A. Lawrence House in the Cottage Farm neighborhood in Brookline, the Dexter-Hall Cottage is an early Gothic Revival style residence built in the first period of the district’s history. Architect, George Minot Dexter was gifted a desirable house lot in the neighborhood from Amos Lawrence as a reward for his designing his own property, and in turn, designed this cottage in 1851 in the the same mode as the Lawrence House. The stone cottage has a three bay façade with enclosed center entry. On the second floor are wall dormers as well as a central jerkinhead dormer with a gambrel slate roof. The property was later owned by George M. Dexter’s daughter, Emily, and her husband, Thomas Bartlett Hall. The house remained in the Hall family through at least the 1920s.
The area was developed thanks to Amos A. Lawrence (1814-1886), a wealthy second-generation Bostonian, who provided much of the capital and enthusiasm for the growth of the cotton industry in New England prior to the Civil War. Lawrence’s involvement in the industry aided the development of the Massachusetts mill towns of Lowell and Lawrence, whom the city was named after. In 1851, Amos Lawrence purchased 200 acres of land from David Sears, who himself developed the equally beautiful Longwood neighborhood of Brookline on the other side of Beacon Street. Amos began to subdivide the land, working with the architect George Minot Dexter and landscape architect and surveyor, Alexander Wadsworth, who designed Mount Auburn Cemetery in Cambridge, to create an early picturesque residential suburb. With houses designed in the newly popular Gothic Revival and Mansard styles and several small parks, the area became known as Cottage Farm. This house was built for Amos Lawrence as an early, brick Mansard home, and rented out to Frederick Almy, a wealthy Boston attorney. The property was sold out of the Lawrence Family and later purchased by John Gorham Palfrey (1875-1945) a lawyer, who modified the house by removing the mansard roof and replacing it with a full third story with a brick veneer to match the walls below to give it a more Colonial Revival design.
The Charles Mason Cottage at 89 Carlton Street is one of two extant brick cottages built by Amos A. Lawrence as part of his Cottage Farm neighborhood in Brookline, Massachusetts. The Gothic Revival style cottage was built around 1853 and owned by Lawrence for rental purposes. By 1861, this house had been sold to Reverend Charles Mason (1812-1862), who married Amos Lawrence’s late sister, Susanna. The property was inherited by the couple’s daughter, Mary and her husband, Howard Stockton, a lawyer and onetime president of American Bell Telephone Company. The Mason Cottage is unique for its brick construction, projecting entry with porches on either sides, lancet doors and window, wall and shed dormers at the roof, and the original windows with chimney pots.
Cottage Farm area of Brookline is one of the finest neighborhoods in all of New England. The area was developed thanks to Amos A. Lawrence (1814-1886), a wealthy second-generation Bostonian, who provided much of the capital and enthusiasm for the growth of the cotton industry in New England prior to the Civil War. Lawrence’s involvement in the industry aided the development of the Massachusetts mill towns of Lowell and Lawrence, whom the city was named after. In 1851, Amos Lawrence purchased 200 acres of land from David Sears, who himself developed the equally beautiful Longwood neighborhood of Brookline on the other side of Beacon Street. Amos began to subdivide the land, working with the architect George Minot Dexter and landscape architect and surveyor, Alexander Wadsworth, who designed Mount Auburn Cemetery in Cambridge, to create an early picturesque residential suburb. With houses designed in the newly popular Gothic Revival and Mansard styles and several small parks, the area became known as Cottage Farm. This stone house was designed by George M. Dexter and was the country residence of Amos Lawrence, who had other homes built nearby and rented out to wealthy friends and family. By 1888, the property was owned by Amos’ daughter, Hettie S. Cunningham, who later, subdivided the estate into five house lots, and moved this stone house to the corner of Ivy and Carleton streets. Expressive of English architectural traditions over the more ornate Gothic Revival popularized by Andrew Jackson Downing, the Lawrence House is one of the finest residences in the Boston area. Built of granite with limestone trim and set behind landscaping and a perimeter fence, the mansion is surprisingly hard to get decent photos of, but it is a stunner. Today, the house is owned by Boston University and is known as Sloane House.
Constructed in 1821 for Joshua King (1783-1849), this Federal style mansion is one of the last country estates in Abington, Massachusetts. Joshua King was a Deacon of a local church and a well-to-do citizen in town, living nearby until a hurricane blew the roof off of his former house. Seeking to rebuilt a new, more substantial family home, it is said that Joshua required that this house would be built to last centuries, with some residents stating that the roof structure itself had enough timber to build a second home. The Federal style mansion has three chimneys with 12 fireplaces inside, and is set amongst rolling fields bounded by old stone walls, likely giving the property its name, “Highfields”. The property was later converted to a duplex, but retains much of its original design at the exterior.
Moses Noyes Arnold (1844-1919) was born in Abington, Massachusetts and began making shoes in his free time, a task that would make him his fortune later as an adult. After serving in the Civil War and mustering out in 1863, he began a shoe-making business from his father’s property before renting a small factory space in town to increase operations. His company continued to grow and it was decided that Arnold would build his own factory in town. In 1875, Moses N. Arnold began the building of the main wing of the present brick shoe factory near the railroad station in North Abington. As the M. N. Arnold Shoe Company grew, five additions were made until it attained its present capacity of 3,000 pairs of shoes daily. The company weathered the collapse of the stock market in 1929 but the economic instability took its toll on the company, leading the company to sell in 1931 to the Stetson Shoe Company of South Weymouth. This factory was sold at auction and later in 1943, was purchased by The Abington Company which manufactured, installed, and serviced vacuum cleaning systems for textile factories. The handsome brick, Italianate style factory remains in a great state of preservation, and showcases the type of factories built all over New England following the Civil War.
Located across from the North Abington Depot, this structure was constructed in 1894 as a leather harness and saddle shop by local businessman, Henry Crossley. The expensive building of cut granite and brick seemed to have overextended Mr. Crossley’s means, as he would soon-after file for bankruptcy. The building would remain as commercial use until 1915, when the property was purchased by the Peerless Amusement Company for use as a 300-seat theater. By the 1930s, the building became known as the Capitol Theater, and was listed to seat 230 customers on the main floor and 70 in the balcony. Due to the more rural nature of the cinema, it closed in the mid-20th century, and suffered from neglect for decades until it was restored and is currently housing apartments.
The North Abington Depot was built in 1894 from plans by notable architect Bradford Lee Gilbert in the Richardsonian Romanesque style, a design that typified many regional train stations following Henry Hobson Richardson’s commission by the Boston and Lowell Railroad. Construction on the depot began soon after the “North Abington Riot”, in which railroad laborers and local townspeople fought over the town’s right to allow a grade-level streetcar crossing over the train tracks. The railroad executives filed an injunction before the state supreme court, and Justice Marcus Perrin Knowlton, at a hearing, dismissed the bill, saying that since the Selectmen had acted within their right as representatives of the townspeople who owned the public highway, the Supreme Court had no reason to become involved. This decision was disputed by the railroad’s attorney, who advised them that this decision was not binding, which ultimately would be deemed incorrect. On August 15, 1893, fifteen local men (many of whom were sworn in as special police for the occasion) with the aid of fire hoses, withstood the onslaughts of more than 200 railroad laborers, armed wit h picks, shovels, and paving stones. After many were injured, the brawl ended. In the aftermath, the full bench of five Justices of the Massachusetts Supreme Court upheld the validity of the position taken by a single Justice, saying that any one member was in position to adequately interpret the law. This decision still stands and is quoted in similar cases in the field of jurisprudence. This depot was completed in 1894 by the New York, New Haven and Hartford Railroad as a peace offering following the North Abington train riot and a visual reminder that no corporation, no matter how powerful, is superior to the right of the people and the laws of the land.
This late example of a Federal style five-bay house is located at 78 Adams Street in Abington, Massachusetts. The house was constructed in 1832 for Joseph Cleverly (1797-1888), a shoe manufacturer who married Sally Gloyd, the daughter of a wealthy shoe manufacturer in town. Mr. Cleverly built the adjacent stable and shop where he held his horses and manufactured his products. The vernacular barn/shop is a rare survivor of the type and is a visual representation as to the importance of shoe manufacturing for the town of Abington.
Buildings of New England 