Tatro-Tyng House // 1873

The neighborhood now known as Ashmont Hill had its origins in 1870, when George Derby Welles, who was 26 years old and living in Paris, inherited extensive landholdings in this area from his grandfather’s estate in Dorchester. Welles engaged representatives to subdivide the land. Some parcels were developed with high-style rental properties, managed by his representatives while living abroad, and others were sold and developed by builders, designing homes in the prominent styles at the time. In the early 1870s, the Second Empire style was most popular, though began waning in popularity for Stick and Queen Anne styles. Lots on Welles Street were purchased by Mr. George Tatro, a builder and developer who seemingly designed and built two near identical houses at 48 and 52 Welles street. The houses were completed by 1873 at the time of The Panic, an economic downturn triggered by industrial and railroad over-expansion and consequent bank and business failures. The property was sold, but remained vacant until it was taken over by a bank and then purchased by Catherine Stevens Tyng, the widow of Reverend Dudley Atkins Tyng, who died at just 33-years-old from a freak accident at home. Catherine moved to the area, first settling in Cambridge, to follow her two sons who attended Harvard College, before selling the house and moving to New York. The Tatro-Tyng House is a stunning, and well-preserved example of the Second Empire style, with a shingled bay window and bay dormer in the mansard with applied ornament.

Harrison H. Atwood House // 1888

When an architect designs their own home, you know it will be something special. This house on Alban Street in Ashmont Hill, Dorchester, was built in 1888 and designed by owner-architect, Harrison H. Atwood (1863-1954). The unique Shingle style residence features a plain, boxy form and is capped by a pyramidal hipped roof with a center dormer. The recessed side entry porch is enclosed by large windows with multi pane sash which is surmounted by flared shingles. Besides being a residential architect, Harrison Henry Atwood also was appointed as the 5th City Architect of Boston, designing schools and firehouses, and served as a member of the Massachusetts House of Representatives. While the Atwood House may appear modest from the street, the house stretches back toward the rear of the lot and is larger than meets the eye, also the interior was lavishly decorated with much of the original millwork and mantels intact. 

Dillaway House // 1889

One of the finest and refined examples of the Shingle style in Boston can be found on Alban Street in the Ashmont Hill section of Dorchester, a lovely, walkable neighborhood where you can find timeless examples of just about any Victorian-era architectural style. Built for Charles F. Dillaway, a banker in Boston, this home was designed by local architect, Edwin J. Lewisarchitect for many houses in the Ashmont area.  Lewis’s designs are distinguished by their crisp geometry, often with horizontal lines emphasized and small-paned windows. The house has been slightly modernized by later owners who added new siding within the inset porch and a more moody color scheme. 

Thomas T. Hartford House and Stable // 1884

Situated at the corner of Harley and Roslin streets in the Ashmont Hill neighborhood of Dorchester, this property showcases the flair and ornate features of the eclectic Victorian styles, along with an original stable. The property was developed in 1884 by Thomas T. Hartford. Thomas Thurston Hartford (1845-1916), was a shoe machinery manufacturer with offices in the Leather District near downtown Boston, continuing in his father’s company, Hartford Brothers Co. The house and stable are said to have been designed by architect Edwin J. Lewis, Jr., or John A. Fox, who blended Stick and Queen Anne styles. Interestingly, the house features Palladian windows in the gables and was restored by owners, who even went the extra mile to repaint the house in its historic colors.

Chansonetta Stanley Emmons House // 1893

Chansonetta Stanley Emmons (1858-1937) was born in Kingfield, Maine, and was one of the great women photographers in the 19th and early 20th century, often depicting domestic life and New England scenes. The young Chansonetta Stanley grew interested in photography after her brothers’ (Francis E. and Freelan O. Stanley) dry-plate printing invention, they also invented the steam-powered automobile known as the Stanley Steamer. She married James Nathaniel Whitman Emmons in 1887 and in 1894, James hired architect Henry McLean, to design a residence for him and Chansonetta, this lovely home on Harley Street on Ashmont Hill. The couple occupied the house until 1898, when James died of blood poisoning at the age of 41. Chansonetta sold the home and moved to Newton, where her two brothers lived and operated their business. The house blends Queen Anne and Colonial Revival styles and originally had a conical roof over the corner rounded bay. The roof was replaced with a flat roof at about the time of the large balcony and extended dormer.

George Derby Welles Rental House // c.1872

From the 1780s until 1870, almost all of Ashmont Hill (west of the present train station) was a farm, with the large farmhouse dating to about 1720, located at the corner of Washington and Welles streets, now the home to the Codman Square Branch of the Boston Public Library system. The farm was owned for a time by General Henry Knox. Sometime before 1850, the estate and mansion came into the possession of the Honorable John Welles, who died in 1855. The property would eventually be deeded to John Welles’ grandson, George Derby Welles, who was then just 26 years old and living in Paris with his wife, Armandine V. Derby. Welles wasted no time in developing the property through his agent, Boston Attorney Edward Ingersoll Browne. Streets were laid out and house lots were platted and sold, with some early properties built with much of the neighborhood developing by the turn of the century. The old Knox-Welles farmhouse would be razed by 1889, but the remainder of the neighborhood has since become a landmark neighborhood of Victorian-era homes. This mansard double-house at 67-69 Ocean Street dates to around 1872 and is one of the earliest properties in the area. Blending the Second Empire and Stick architectural styles, the handsome double house is said to have been designed by architect Luther Briggs for George D. Welles and rented to tenants.

Dorchester Temple Baptist Church // 1889

Located at the corner of Washington Street and Welles Avenue, the Dorchester Temple Baptist Church was designed in 1889 by architect Arthur H. Vinal, as one of the best examples of a church designed in the Shingle Style in New England. The church began in 1886 as a mission church of the Tremont Temple Baptist Church in Boston. At this time, Dorchester was a semi-rural area and would surge in development when the streetcars were electrified in the 1880s. With a rapidly developing neighborhood, the congregation here, purchased lots and hired Vinal to furnish plans for a house of worship. The church’s cornerstone was laid October 3, 1889, with the church membership numbering ninety-nine at that time. Membership would decline in the decades following WWII, and shifting racial and ethnic demographics in the neighborhood brought new members to worship here. The building was renamed as the Global Ministries Christian Church by the current congregation, who with the assistance of preservation grants, worked with Mills Whitaker architects to restore the iconic landmark. Specific details of the building stand out, including the stained glass windows, the belfry with bulbous form, and the arched openings with continuous shingled walls.

Krogman-McManus Mansion // c.1890

Built ca. 1890 for Boston salesman Washington Libby Krogman (1858-1894), one of Boston’s finest Queen Anne style homes can be found in the Clam Point neighborhood of Dorchester. The pronounced sculptural qualities of this residence, together with the juxtaposition of clapboards and patterned shingles, variety of window sizes, and ornamentation place this house squarely within the pantheon of important Queen Anne designs within the city of Boston. Painted in a manner that showcases its sheathing and ornament to great advantage, this well-preserved house is particularly noteworthy for its graceful verandah that encircles a distinctive, round, conically-capped tower at its northeast corner. The home was only occupied by Washington Krogman for less than four years when he died unexpectedly in 1894 at just 35 years of age. The property was deeded to his widow Carrie for a few years before she sold the property to Thomas Francis McManus, a noted naval architect (schooner designer). The home remains one of the finest mansions in Dorchester.

Hersey-Noyes Double House // 1879

Nothing beats a good Victorian-era house! This example in the Clam Point neighborhood of Dorchester does not disappoint. The Stick-style double-house was built for miss Mary E. Noyes and Ms. Hersey replacing an older house on the lot. The women hired architect John A. Fox to design the house which possesses one of the most complex forms and roof configurations in the neighborhood. Clad with clapboards at the first and second stories, its six intersecting gables are sheathed with scalloped shingles. At the main entrance on the façade is an open porch with square posts and railings with turned balusters. The side façade is even more complex with two side gables and a two-tier porch enlivened by Chinese Chippendale and spool work railings. The Herseys, along with Mary E. Noyes, co-owned the house until 1884; thereafter it was owned by Mary E. Noyes until around World War I. The stick style home really pops with that blue color, what do you think?

Shaw-Shepard House // c.1860

Originally built for Charles E. Jenkins, a partner in Bailey & Jenkins, suppliers of doors and blinds, this house in Dorchester’s Clam Point neighborhood stands out as one of the earliest and high-style mansions in the area. It appears to have been designed by local architect Luther Briggs, Jr. Shortly after its completion, the property was purchased by Theron and Rebecca Shaw. Theron was a partner at Lindsley, Shaw & Co., boot dealers in Downtown Boston. He died in 1870 and the house was sold to Dr. Luther Dimmick Shepard, a dentist. While the house (like many in Boston) is covered in later siding and has a plain white color scheme, the building retains its architectural integrity and would really shine when restored! What color would you love to see this Italianate/Second Empire style mansion be painted?