In 1906, the citizens of Boothbay Harbor voted to establish a free public library for all to enjoy. In 1923, the need for more library space, along with a desire for a World War I Memorial, led to the approval of a bond for the purchase of a 1842 Greek Revival style house on Oak Street. The building was remodelled for use as a library by the Boston architect William Stanley Parker, and was enlarged in 1966 to a design by Parker’s son, Stanley Jr. The temple-front, Neo-Classical entry was added at this time and harkens back to the original classical style Greek Revival home, while clearly showing a grander scale seen in the 20th century.
The Boston & Maine Railroad opened in 1845, and over the years, became the dominant railroad in northern New England with many of its lines terminating at this station for a half-century until the original Union/North Station was built in 1893 consolidating many of these northbound lines under one roof. The Boston & Maine Station was located in Haymarket Square, southeast of the present North Station and the building was a landmark in the Greek Revival style. The brick building with monumental pilasters and pediment at the facade commanded the heavily trafficked site until it was demolished in 1893 when the lines relocated to the newly built Union Station on Causeway Street. The architect for the station was Richard Bond.
Located in the Dayville section of Killingly, Connecticut, you can find a row of large mansions built for mill owners and managers from the 19th century. This house dates to the 1840s and by the 1860s, was owned by Harris Sayles (1817-1893) and his brother, Sabin L. Sayles (1827-1891) who together, co-owned and operated a large woolen mill in the town (featured previously). It is not clear if the Sayles brothers lived in the home, but they likely rented it to higher-level employees at the mill as they both had other homes in town. The two-and-a-half story mansion is a great example of the Greek Revival style in the town, with the side gable roof extending over the full-height portico with doric columns. The mansion was built across the street from the village church, also in the same style, but that building was demolished by 2011.
Another of the stunning early 19th century homes in the charming town of Chaplin, Connecticut is this transitional Federal/Greek Revival home built around 1830. The house appears to have been built for Darius Knight (1792-1882), a Deacon at the nearby Congregational Church. Of an interesting note, the Knight House is located across the street from the E. W. Day House, thus the intersection was colloquially known as the Knight and Day Corner. The house’s gable-end form with gable reading like a pediment supported by corner pilasters are all clearly Greek Revival style, but the fan lights in said gable and as a transom window are holdouts of the tried-and-true Federal style which dominated up until that point. What a great house!
Methodists established a small congregation in Eastford, Connecticut by 1826, and by 1831, a new meeting house was built in the center of the village. The meeting house was used jointly by Methodists and Universalists, each having the right to occupy it half the time. By 1847, Methodists here were able to erect their own church, this building, in the Greek Revival style. Originally, the building had two doors on either side of a center window in the façade. There was a steeple and, rare in those days, a pipe organ in the sanctuary. In 1916, the church joined with the nearby Congregational church, requiring them to sell the building ten years later. The town of Eastford bought the structure for $200 in 1926 for use as a town hall. In 1934, the Civil Works Administration provided funds to renovate the building with the town library being installed in a portion of the basement along with town offices and a vault. Town meetings were held in the former sanctuary space upstairs. When the space was outgrown for town offices, a new building was constructed elsewhere and this building transitioned to solely library use. The renovation project was paid for by money bequeathed by Wilmer Glenn, a New York stockbroker who spent summers town. He donated funds in memory of his late wife, Ivy. The present-day name of the building came to be the Ivy Glenn Memorial and the library moved into its new spacious home in 1972.
In the late 1830s, Captain Augustus Littlefield (1803-1878) purchased a house lot on Pelham Street in Newport, Rhode Island and commissioned housewright John Ladd to design and build his new residence. Littlefield reportedly asked his Ladd to design an “authentic copy of an Italian Villa” he had seen during a trip in southern Italy. The result is a more traditional Greek Revival, temple-front house with a portico supported by four monumental columns with capitals that combine Corinthian and Egyptian lotus motifs. The minimal Italian Villa detail can be seen in the bracketed cornice and in the pediment. Built around 1836, the house remained in Littlefield’s possession until his death in 1878. The property was purchased by Charles C. Van Zandt, attorney and later the 34th Governor of Rhode Island. Gov. Van Zandt died in 1894 and was interred at Island Cemetery in Newport. The Littlefield-Van Zandt House remains a significant early, high-style Greek Revival house in the state and one with a great state of preservation.
One of the more unique Greek Revival style houses I have yet seen in New England is the Levi Starbuck Houseon Orange Street on Nantucket. The house was built in 1838 by housewright William M. Andrews who sold the completed property that year to Levi Starbuck, a wealthy sea captain for $5,000. When he bought the house, Levi Starbuck (1769-1849) was 69-years-old. Levi Starbuck is credited by some as inspiration for the character Starbuck in “Moby Dick.” He would spend the last ten years of his life in this opulent new house on Orange Street. Architecturally, the house is clad with flush siding with projecting paneled pilasters with fret patterns on the top and bottom breaking up the bays of the house.
Located in the Head of Tide village of Alna Maine, this large Greek Revival was once the home of prolific poet, Edwin Arlington Robinson. The home was built around 1835, likely by Edwin’s grandfather, Edward Robinson. The home was inherited by Edward’s second-born son, Edward Jr. Edward Jr. and his wife, Mary Elizabeth Palmer had two sons before their third pregnancy. Their third child was Edwin, but his parents did not name him until he was six months old, as it was said that they wished for a daughter. On a vacation, other vacationers decided that their six-month-old son should have a name, and selected the name “Edwin” from a hat containing a random set of boy’s names. The man who drew the name was from Arlington, Massachusetts, so “Arlington” was used for his middle name. Edwin described his childhood as “stark and unhappy” and his young adult years were plagued with tragedy with the death of a brother from a drug overdose and with his older brother marrying the woman that he was in love with. He would defy the odds and was accepted to Harvard. He became engaged in writing, specifically poetry, with his early struggles leading many of his poems to have a dark pessimism and his stories to deal with “an American dream gone awry.” He would go on to be awarded the Pulitzer Prize in Poetry three times in the 1920s. While he would likely not want to ever see this house again, it is significant both architecturally and as the home in his formative years in Alna.
The Amos Chase House and Mill are located in Weare, New Hampshire, on the banks of the Piscataquog River. The house is oriented facing the road, while the mill is behind it, on the bank of the river. The mill is the only surviving 19th-century mill building in Weare. The house was built about 1836 by Amos Chase, as was a mill. That mill burned in 1844; the present mill was built by Chase as a replacement a few years later. This mill was the only one in the town to survive the New England Hurricane of 1938, although its waterwheel was washed away. Amos Chase was a tool manufacturer and one of several members of a locally prominent family operating small mills in the town. His son later used the mill in the manufacture of baskets. The large Greek Revival style home has all the hallmarks of the style, from the pediment facing the street, to the pilasters at the entrance and corners.
Elisha T. Loring (1804-1889) was born on Cape Cod and began his career in the Chilean tin and copper trades, moving to Boston in 1839. His house at 21 Mill Street in Dorchester’s Harrison Square neighborhood was built in the early 1840s, showcasing his wealth and stature in the community. Based out of this house, Loring made a large fortune in the Lake Superior mines, also known as the Calumet and Hecla mines. By 1862 he was the treasurer to the Pewabic and Franklin Mining Companies, and a decade later is listed as “President, National Dock Company.” Loring’s Dorchester mansion is Greek Revival in style and consists of a three bay by three bay main block and a substantial rear ell. The house’s original clapboards were replaced by wood shingles sometime in the 20th century. The main elevation’s pedimented center pavilion exhibits a small front porch whose Ionic columns support a heavy, cornice-headed entablature. The porch’s roof is set off by an ornate cast iron railing. The side elevation is unusually wide and culminates in broad pedimented attics containing elliptical lunette windows.
Buildings of New England 