One of the finest Second Empire style houses in Brookline can be found on Prescott Street in the fashionable Cottage Farm neighborhood of the city. Built around 1868 by Amos A. Lawrence, who lived in a house nearby, this “cottage” was rented out to John Wells (1819-1875), a Judge on the Massachusetts State Supreme Court until his death. The property remained in the Lawrence family into the 20th century and was later rented to George E. Bullard, a banker. The brick house is notable for its siting at the center of the lot, corner quoins, brick corbelled cornice, arched door and windows, and slate mansard roof.
Built in 1864 as one of the rental properties owned by Amos A. Lawrence as part of his exclusive Cottage Farm neighborhood in Brookline, this house has been extensively altered and even moved but retains significance as a surviving mid-19th century “cottage” in the neighborhood. The house was likely constructed as a one-story, stone cottage with a second floor contained within a mansard roof. In 1903, Mrs. Francis W. Lawrence hired the well-known architect and Brookline resident, Julius A. Schweinfurth, to make extensive alterations to the cottage, replacing the mansard roof with a new second floor with gable roof, along with a new porch. Schweinfurth’s design included wood shingle siding for the upper floors, which were replaced with stucco in 1970. The house was moved to its current site at the corner of Carlton and Mountfort streets in 1929 when the street was re-oriented to follow the old Boston & Albany Railroad tracks. When moved, the cottage was occupied by Philip Stanley Parker, a judge, and his wife, Eleanor. Today, the cottage is owned by Boston University and known as the Core House.
One of the finest Arts and Crafts style “cottages” in the Cottage Farm neighborhood of Brookline, Massachusetts, can be found on Ivy Street as the Whidden House. The property here was developed by Renton Whidden (1859-1942), a real estate developer and politician elected into the Massachusetts House of Representatives, who purchased a house lot from Thomas B. Hall, who owned a house next door. Renton Whidden hired architect, Arthur Hunnewell Bowditch, to furnish plans for the large home, which was completed in 1912. The stucco house features a brick entrance with projecting roof off the front, a unique twin gabled facade, segmental arched dormers, and a Palladianesque window and balconette above the front door.
Built across the street from the Amos A. Lawrence House in the Cottage Farm neighborhood in Brookline, the Dexter-Hall Cottage is an early Gothic Revival style residence built in the first period of the district’s history. Architect, George Minot Dexter was gifted a desirable house lot in the neighborhood from Amos Lawrence as a reward for his designing his own property, and in turn, designed this cottage in 1851 in the the same mode as the Lawrence House. The stone cottage has a three bay façade with enclosed center entry. On the second floor are wall dormers as well as a central jerkinhead dormer with a gambrel slate roof. The property was later owned by George M. Dexter’s daughter, Emily, and her husband, Thomas Bartlett Hall. The house remained in the Hall family through at least the 1920s.
The area was developed thanks to Amos A. Lawrence (1814-1886), a wealthy second-generation Bostonian, who provided much of the capital and enthusiasm for the growth of the cotton industry in New England prior to the Civil War. Lawrence’s involvement in the industry aided the development of the Massachusetts mill towns of Lowell and Lawrence, whom the city was named after. In 1851, Amos Lawrence purchased 200 acres of land from David Sears, who himself developed the equally beautiful Longwood neighborhood of Brookline on the other side of Beacon Street. Amos began to subdivide the land, working with the architect George Minot Dexter and landscape architect and surveyor, Alexander Wadsworth, who designed Mount Auburn Cemetery in Cambridge, to create an early picturesque residential suburb. With houses designed in the newly popular Gothic Revival and Mansard styles and several small parks, the area became known as Cottage Farm. This house was built for Amos Lawrence as an early, brick Mansard home, and rented out to Frederick Almy, a wealthy Boston attorney. The property was sold out of the Lawrence Family and later purchased by John Gorham Palfrey (1875-1945) a lawyer, who modified the house by removing the mansard roof and replacing it with a full third story with a brick veneer to match the walls below to give it a more Colonial Revival design.
The Charles Mason Cottage at 89 Carlton Street is one of two extant brick cottages built by Amos A. Lawrence as part of his Cottage Farm neighborhood in Brookline, Massachusetts. The Gothic Revival style cottage was built around 1853 and owned by Lawrence for rental purposes. By 1861, this house had been sold to Reverend Charles Mason (1812-1862), who married Amos Lawrence’s late sister, Susanna. The property was inherited by the couple’s daughter, Mary and her husband, Howard Stockton, a lawyer and onetime president of American Bell Telephone Company. The Mason Cottage is unique for its brick construction, projecting entry with porches on either sides, lancet doors and window, wall and shed dormers at the roof, and the original windows with chimney pots.
Cottage Farm area of Brookline is one of the finest neighborhoods in all of New England. The area was developed thanks to Amos A. Lawrence (1814-1886), a wealthy second-generation Bostonian, who provided much of the capital and enthusiasm for the growth of the cotton industry in New England prior to the Civil War. Lawrence’s involvement in the industry aided the development of the Massachusetts mill towns of Lowell and Lawrence, whom the city was named after. In 1851, Amos Lawrence purchased 200 acres of land from David Sears, who himself developed the equally beautiful Longwood neighborhood of Brookline on the other side of Beacon Street. Amos began to subdivide the land, working with the architect George Minot Dexter and landscape architect and surveyor, Alexander Wadsworth, who designed Mount Auburn Cemetery in Cambridge, to create an early picturesque residential suburb. With houses designed in the newly popular Gothic Revival and Mansard styles and several small parks, the area became known as Cottage Farm. This stone house was designed by George M. Dexter and was the country residence of Amos Lawrence, who had other homes built nearby and rented out to wealthy friends and family. By 1888, the property was owned by Amos’ daughter, Hettie S. Cunningham, who later, subdivided the estate into five house lots, and moved this stone house to the corner of Ivy and Carleton streets. Expressive of English architectural traditions over the more ornate Gothic Revival popularized by Andrew Jackson Downing, the Lawrence House is one of the finest residences in the Boston area. Built of granite with limestone trim and set behind landscaping and a perimeter fence, the mansion is surprisingly hard to get decent photos of, but it is a stunner. Today, the house is owned by Boston University and is known as Sloane House.
Constructed in 1821 for Joshua King (1783-1849), this Federal style mansion is one of the last country estates in Abington, Massachusetts. Joshua King was a Deacon of a local church and a well-to-do citizen in town, living nearby until a hurricane blew the roof off of his former house. Seeking to rebuilt a new, more substantial family home, it is said that Joshua required that this house would be built to last centuries, with some residents stating that the roof structure itself had enough timber to build a second home. The Federal style mansion has three chimneys with 12 fireplaces inside, and is set amongst rolling fields bounded by old stone walls, likely giving the property its name, “Highfields”. The property was later converted to a duplex, but retains much of its original design at the exterior.
Moses Noyes Arnold (1844-1919) was born in Abington, Massachusetts and began making shoes in his free time, a task that would make him his fortune later as an adult. After serving in the Civil War and mustering out in 1863, he began a shoe-making business from his father’s property before renting a small factory space in town to increase operations. His company continued to grow and it was decided that Arnold would build his own factory in town. In 1875, Moses N. Arnold began the building of the main wing of the present brick shoe factory near the railroad station in North Abington. As the M. N. Arnold Shoe Company grew, five additions were made until it attained its present capacity of 3,000 pairs of shoes daily. The company weathered the collapse of the stock market in 1929 but the economic instability took its toll on the company, leading the company to sell in 1931 to the Stetson Shoe Company of South Weymouth. This factory was sold at auction and later in 1943, was purchased by The Abington Company which manufactured, installed, and serviced vacuum cleaning systems for textile factories. The handsome brick, Italianate style factory remains in a great state of preservation, and showcases the type of factories built all over New England following the Civil War.
Located across from the North Abington Depot, this structure was constructed in 1894 as a leather harness and saddle shop by local businessman, Henry Crossley. The expensive building of cut granite and brick seemed to have overextended Mr. Crossley’s means, as he would soon-after file for bankruptcy. The building would remain as commercial use until 1915, when the property was purchased by the Peerless Amusement Company for use as a 300-seat theater. By the 1930s, the building became known as the Capitol Theater, and was listed to seat 230 customers on the main floor and 70 in the balcony. Due to the more rural nature of the cinema, it closed in the mid-20th century, and suffered from neglect for decades until it was restored and is currently housing apartments.
Buildings of New England 