Former St. Casimir’s Church // 1872

Built in 1872, this Victorian Gothic style church on Greene Street in the Wooster Square area of New Haven, Connecticut, has had a varied history that tells the full story of its neighborhood. The church was originally constructed as the Davenport Congregational Church and was designed by New Haven architect, Rufus G. Russell, who formerly worked many years for Henry Austin, the city’s leading architect, before opening his own firm. In the early 20th century, the neighborhood demographics shifted to a more diverse area of recently arriving immigrants who worked in nearby industry and the edifice was occupied by an Italian Baptist church. 1927, the church was purchased by a local Lithuanian congregation, who re-established the building as the St. Casimir Catholic Church. For nearly 100 years, the church remained an active use anchoring the iconic Wooster Square park until the congregation closed, leaving the building’s fate unclear. Luckily, developers purchased the property, which is located within a local historic district, and converted the church into residential units.

Strouse, Adler Company Corset Factory // c.1880

The Strouse, Adler Company Corset Factory is a historic factory complex at 78-84 Olive Street in New Haven, Connecticut that has been adaptively reused into apartments, serving an important second life. Developed between 1876 and 1923, the complex was the largest and oldest of New Haven’s several corset manufacturers, and remained in continuous operation for that purpose until 1998. The company was originally founded in 1861 as J.H. Smith and Company, and was the nation’s first manufacturer of corsets. The business was purchased the following year by Isaac Strouse, who took on Max Adler, a local dry goods retailer, as a partner. The company adopted the name Strouse, Adler in 1899 and was incorporated in 1927. The complex eventually closed and was converted to apartments, serving an important need for housing in the region.

Hotchkiss-Stephens House // c.1843

The Hotchkiss-Stephens House on Wooster Place overlooks the iconic Wooster Square park in New Haven, Connecticut, and is significant as an early neighborhood residence altered after the Civil War in the fashionable Italianate style. The brick residence is said to have been originally designed by Ithiel Town for Russell Hotchkiss (1781-1843), an early merchant in the neighborhood. Hotchkiss lived in the home just a year before his death in 1844. His second wife remained in the home for some years after his death, along with children and two Black female servants according to census records. The property was later purchased by Edward Stevens (1824-1884), a manager at the New Haven Clock Company, who had the property modernized with a full third floor with bracketed cornice, iron balconies and garden fence, and its stunning two-story castiron side porches.

Elliott-Russo House // c.1835

Located at the corner of Wooster Place and Chapel Street in the iconic Wooster Square neighborhood of New Haven, this early Greek Revival style house is a physical landmark showcasing the evolution of the neighborhood in the 19th and 20th centuries. The residence was built around 1835 either for or purchased early on by Matthew Griswold Elliott (1805-1892), a businessman who later engaged in politics and became Vice President of the New Haven Savings Bank and a director of the New York and Hartford Railroad. In 1890, the property was purchased by Paulo “Paul” Russo, an Italian immigrant who was born in 1859, in Viggiano, Italy. His family moved to New York in 1869 and then New Haven in 1872. Paulo opened a small market in New Haven which became the first Italian-owned business in the state of Connecticut. In 1893, Russo became the first Italian to graduate from Yale Law School and he helped foster and grow the local Italian-American community around Wooster Square. After Paul Russo, Michael D’Onofrio, also of Italian descent, purchased the home and along with his wife, brothers, and friends, D’Onofrio transformed the building into a funeral home for over a decade before the house was converted to condominiums. The Elliott-Russo House is a landmark example of a hipped-roof, Greek Revival style residence with smooth flushboard siding, pilasters dividing the bays, and unique Greek meander motifs in the window lintels.